Category Archives: race

Everyone’s Talking About Miles Morales

It doesn’t matter if comics are something you keep up with or not, you’ve probably heard the news: Spider-Man is black. Yes, you’re reading it here for possibly the third or fourth time, but it’s true. Our resident wall-crawler is now a person of colour, and people are not happy.

In case you haven’t heard anything at all about this change, allow me to restate what’s been said a thousand times already. In the Ultimate Marvel universe Peter Parker has died, and replacing him is a half black, half Latino teenager by the name of Miles Morales.

Ever since this news was announced by USA Today five days ago the internet has erupted in outrage. Many see Marvel’s decision as the purest example of forced diversity, that in the politically correct culture we live in this is just one more addition to a long line of changes made to make us more accepting.

What’s really riling people up, though, is the media. Erik Hayden’s article for The Atlantic Wire entitled “The Backlash to the Backlash of a Multiracial Spider-Man” informs us that the way the news is being portrayed is strongly affecting how we react, whether it be Glen Beck tying this change to something Michelle Obama said or Scott Mendelson of the Huffington Post pointing out that “[. . .] Parker Had To Die To Make It Happen.” As media consumers people are taking on opinions and making them their own.

The most upsetting article so far was one I found on The Daily Mail website entitled “Marvel Comics reveals the new Spider Man is black – and he could be gay in the future.” My problem with the article was not that they misspelled his name and omitted the dash, it was the gross assumption implied by the title, and the fact that said title would both pull in and incite readers.

The title is based on a quote [found in the article] by Sara Pichelli, an artist who created the new Spider-Man’s look. It goes as follows: “Maybe sooner or later a black or gay – or both – hero will be considered something absolutely normal.” Nowhere does she mention that Miles Morales might be gay. Nowhere in that statement does she even hint at it. All Pichelli did was muse that perhaps one day our comic book heroes will have a little more diversity.

My ire at faulty journalism aside, allow me to lay down a few facts that may be able to extinguish any flames of frustration over this change in character. Miles Morales is the new Spider-Man in the Ultimate universe. Peter Parker died in the Ultimate universe. It’s not regular Marvel continuity and as far as anyone is concerned in the regular comics Pete’s still donning those red and blue webbed tights and trash-talking the petty thugs of New York City.

If you can’t cope with the very fact that Marvel had the audacity to kill Peter Parker in the first place check out the Wikipedia page on Ultimatum. People die in the Ultimate universe all the time, and it’s almost always permanent. If key members of the X-Men can bite the bullet then really anyone’s fair game.

On the off chance that you’re still upset tune in to MGK [Mightygodking] and what he has to say about the topic. He’s got a point.

The Batgirl of San Diego: Diversity in the DC Universe

Yesterday I was blessed with the opportunity to interview “The Batgirl of San Diego,” a woman who was at this year’s SDCC [San Diego Comic-Con] dressed as Stephanie Brown’s alter-ego. While she was there she appeared at every DC panel and asked questions which were met with responses ranging from indifference to open hostility. Gotham’s Batgirl may have rid the city streets of crime, but San Diego’s fights to ask why there aren’t more women in comics.

She responded with more thoroughness and thoughtfulness than even I expected, so I asked as many questions as I could before our time was up.

Evan: You made quite a scene at this year’s Comic-Con. Could you explain to us in a few short sentences what exactly went down?

SDB [San Diego Batgirl]: I don’t know that I would say that I ‘made a scene.’ I attended several of the DC Comics panels and asked questions about what I saw as a lack of female presence, both in comic books and on the panels. The audience, while receptive initially, eventually seemed to grow angry that I was asking these questions.  The main questions were simple: “Where are the women?” in response to the fact that there was not a single solo title cover featuring a woman in the entire Justice League line-up (though I believe Wonder Woman is supposed to be included), “Are you committed to hiring more women?” in response to the fact that the panels I attended were entirely male with only two exceptions, and one addressed to the room asking whether people there would buy and read a comic written about a strong, intelligent female protagonist.

Evan: Do you believe that DC has a large number of strong female characters?

SDB: The female characters DC has are definitely strong.  But let me give you some statistics presented by another women at one of the panels. She went through and counted, and out of 98 prominent figures on the covers, 27 were women.  Out of 28 single character titles, six were women.  As you can see, about a quarter of the DC universe lead characters are female – which means that the other 75% are male.  On the other hand, there are many existing female characters that aren’t being used or are being underused.  If DC were to bring these existing characters more prominently into the spotlight, it would be easy to make this ratio a little less extreme. Continue reading

The Representation of East Asian Characters in Two Popular Western Comic Strips

Familiar to almost anyone who grew up in America, Archie Comics has told the stories of a fairly interesting group of teenagers living in the town of Riverdale for decades. First established in 1939 these comics are still published today, 72 years of panels featuring that insipid redhead Archie Andrews and his friends [who I actually don’t mind]. The comic strip Zits, on the other hand, was first published in 1997, and has for 14 years chronicled the misadventures of much-more-modern teenager Jeremy Duncan and his own group of eclectic young people.

It’s not difficult to see how the two [a single strip and all those created by an entire company] are similar to one another. Both are about American teenagers and their day-to-day lives, albeit living in very different eras. Having originated in the late 30s Archie and his friends have moved forward generation after generation, yet stick to a much lighter tone in regards to issues that teenagers have to face. Zits, starting at the turn of the 20th century, has a more realistic view of the high school years, addressing such topics as the disconnect between teenagers and their parents, the short attention span of today’s youth, and so on.

What I would like to explore and elaborate upon is the representation of Asian characters, specifically those of East Asian descent. Both of these comics are [or, at the very least, have been] immensely popular, and as a result their content is in part representative of what the West [in this case Canada and America] is familiar and comfortable with. Continue reading