Tag Archives: comics

Who Did It Better? Coming Out with J.K. Rowling and Overwatch Lead Writer Michael Chu

It’s the Year of Our Lord 2019 and storytelling is still important. In some cases the stories are the same, like the age-old tale of good triumphing over evil, but they’re being delivered in increasingly more novel ways. Comics are drawn and fan fiction is written and YouTube sketches are filmed, and sometimes the collaborators aren’t even in the same city, let alone country. In other cases the stories, while nothing new, are finally being given the opportunity to be told. The idea of finding yourself isn’t an original one, but the narrative of coming out as gay or lesbian or transgender or any other identity has only recently found a foothold in popular media.

rowlingchuStorytelling and identity are crucial building blocks to our culture, and both are heavily intertwined (as are all things, these days) with the internet (it would be remiss of me not to mention that I chose to do so in a podcast I co-hosted). This is certainly as true for a multi-award-winning online first-person shooter as it is for a series of books that wrapped up a dozen years ago. The Overwatch and Harry Potter universes are like ours in that they are populated by a myriad of different characters, some straight and some LGBT+, but I want to delve into how the similarities, and ultimately the differences, of their respective coming out stories (in both cases the term “coming out” feels accurate, as none of the characters discussed were initially introduced as being anything other than straight).

“Yer a Gay Man, Dumbledore”

Before touching on her approach to revealing one of her characters’ sexual orientations, it’s worth making note of how the billionaire author has reentered our collective conversation. Two years ago a BuzzFeed writer was one of the first to report on a shocking revelation found on Pottermore, a site Rowling created for her legion of fans to learn more about the Wizarding World. Most people online will have come across this by now, but the page in question was about the Chamber of Secrets, and explained that wizards once vanished their excrement in lieu of using toilets. It resulted in one of my favourite Tumblr posts:

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The user has since deleted their blog, so no direct link, sorry!

This caused a minor hubbub and then faded away, as all news does. Fast-forward to exactly a week ago, when the Pottermore Twitter page decided to unearth this particular trivia tidbit to an internet that had somehow managed to survive the hellscape that 2018 wrought.

Among the many, many “Tweetus Deletus” gifs was one response that both roasts this (very bad) piece of worldbuilding and helps set us back on topic:

Van Arendonk is clearly addressing the stomach-turning topic at hand, but this was far from the first time that the author had chosen to elaborate on her universe after the Harry Potter series had wrapped up. A decade before the original “Chamber Pot of Secrets” debacle Rowling announced during a Q&A at Carnegie Hall that she “always thought Dumbledore was gay.” She went on to explain that the character had fallen in love with wizard Hitler-stand-in Grindelwald, which turned out about as well as you would expect. At the time of this writing that remains the full extent of Albus Percival Wulfric Brian Dumbledore’s coming out.

This isn’t to say that there haven’t been opportunities to depict him as having been actively romantically involved with other men. Last November’s Fantastic Beasts: The Crimes of Grindelwald featured both the genocidal sorcerer and school headmaster as young (by comparison) men, with many fans assuming this was the time period that Rowling had been referring to.

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Dumbledore and Grindelwald as (actually) young men.

The screenshot above is from Harry Potter and the Deathly Hallows – Part 2, not from the aforementioned Fantastic Beasts sequel. As many fans have noted, the two wizards actually share no scenes with one another. If only they had taken Jude Law, the actor portraying him, at face value when he said several months prior to the film’s release that: “(they’re) not going to reveal everything all at once.” Potterheads would discover that this meant no references, explicit or otherwise, to his being attracted to men. Currently the film series’ is slated for release on November 20, 2020.

“We’re All LGBT+ Now”

This past Monday lore-starved Overwatch fans were surprised by the delivery of “Bastet”, a short story penned by lead writer Michael Chu that progressed the game’s treacle-slow narrative, the kind of rare occasion that results in the generation of dozens of “i owe you my life” memes. Although it focused on 60-year-old Egyptian sniper Ana Amari, what really set the internet ablaze was a conversation she has with her fellow vigilante-in-hiding Jack Morrison, AKA Soldier: 76.

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Illustration by Arnold Tsang.

After finding a photograph that he’s been keeping all of these years, she brings up the young man he has his arm around, asking about what could have been.

“Vincent deserved a happier life than the one I could give him.” Jack sighed. “We both knew that I could never put anything above my duty. Everything I fought for was to protect people like him… That’s the sacrifice I made.”

“Relationships don’t work out so well for us, do they?” Ana said, unconsciously running her thumb over where her wedding ring used to be.

Given an earlier passage that highlights his inability to convince Ana that he’s pleased about Vincent’s present marital status (happily married), it doesn’t take much to arrive at the conclusion that he’s gay, or at the very least was romantically involved with a man. Some might read them as simply being very good friends, which, I mean, c’mon.

While this may seem like the dictionary definition of storytelling, this falls more in line with Rowling’s approach when Chu, after waiting a few hours for people to have read the story, took to Twitter to respond to what is very likely a deluge of tweets demanding confirmation:

Faithful readers (I’m “back”, did you miss me?) will remember when I briefly mentioned a similar coming out story in December 2016, touching on an Overwatch comic called “Reflections” which featured face-of-the-game Tracer kissing another woman named Emily. As he did earlier this week Chu once again came forward on Twitter to clarify for fans who might have been confused about their relationship.

In addition to that, a Blizzard representative provided a statement to IGN, which has to at least be on par with comments made on the head writer’s personal (his bio says: “Opinions are my own. Unreliable narrator.”) Twitter account.

“Tracer is a lesbian on the LGBTQ+ spectrum. As in real life, having variety in our characters and their identities and backgrounds helps create a richer and deeper overall fictional universe. From the beginning, we’ve wanted the universe of Overwatch to feel welcoming and inclusive, and to reflect the diversity of our players around the world. As with any aspect of our characters’ backgrounds, their sexuality is just one part of what makes our heroes who they are.”

The narrative of Overwatch deserves a multi-part series of blog posts in and of itself given the varying opinions on the rate, method, and quality of its delivery, but all I’ll say right now is that there is no readily apparent progressing story within the game itself. Gameplay consists primarily of six-player teams going head-to-head to (violently) accomplish objectives, and both heroes and villains can be chosen regardless of whether or not they would ever canonically team up. There is a seasonal event which thus far has provided a way of playing through past missions, but as far as “current events” that take place in Overwatch‘s present nothing currently exists.

That said, there are details within the game that provide evidence of both Soldier: 76 and Tracer’s respective same-sex relationships.

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The Soldier: 76 spray “Jack and Vincent” and the Tracer spray “Emily”

As seen above, there are sprays unique to each character which depict significant others, both past and present. When playing on the King’s Row (London, where “Reflections” partially takes place) map Tracer has the chance to utter one of several voice lines, one in particular being “Wonder if I have time to visit Emily? … No, better stay focused…” Another has her responding to an invitation from another character asking about her and her girlfriend.

It’s a far cry from seeing these relationships play out in-game, or have any kind of significant impact, but these acknowledgements are there.

When Did It Happen? (And a Lot More How)

Without having seen any evidence to the contrary, both J.K. Rowling and Michael Chu are straight, as both have spouses of the opposite sex (the latter was married just last October). To be clear, I firmly believe that anyone can write for any character (the time and effort and sensitivity needed varies). It does bear mentioning, however, that their personal orientations mean that neither are writing their respective stories from a place of personal experience. I should also state that I’m choosing to think the best of them.

In other words, I have no intention of entertaining the idea that either writer, to use a few buzzwords, lazily shoehorned in LGBT+ characters into their work in order to pander to the SJWs (my thoughts on that last word here). The alternative is to consider their intentions to be pure, which begs the question of what their intentions were, exactly.

A straightforward response would be that they’re simply providing backstory, fleshing out characters that their respective fanbases already know and love. The differences to highlight would be the way that Harry Potter and Overwatch told, and continues to tell, their stories, as well as when these characters came out relative to their creation.

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Dumbledore, as portrayed by Richard Harris in Harry Potter and the Sorcerer’s Stone.

Albus Dumbledore was first introduced in Harry Potter and the Philosopher’s Stone (the Sorcerer’s Stone in the US) over 20 years ago in 1997. The film adaptation of that book was released in 2001, with sequels and corresponding movies dropping in subsequent years. With Pottermore still a twinkle in Rowling’s eye (limited registration began in 2011), books and film were the author’s primary means of crafting her universe.

To simplify things, Dumbledore was “born” in 1997 and “came out” in 2007. This event also took place 91 days after Harry Potter and the Deathly Hallows, the final book in the septilogy, was published. At that point there were still three films left to be made, with the seventh being split into two parts, though none followed up on the knowledge that Rowling had shared.

As far as its timeline is concerned, the Overwatch beta, open to a limited few in order to test the game before its wide release, began on October 27, 2015. The game was officially released on May 24, 2016. Tracer “came out” in December 2016 and Soldier: 76 did the same just this month (January 2019).

As mentioned, and for better or for worse, there is no currently existing, consistent, effective in-game storytelling in Overwatch. That said, the game’s narrative has, since its announcement at Blizzcon 2014, taken the form of cinematics (as seen below), comics, and most recently, with “Bastet”, short stories.

Overwatch also launched with a website that provides for each hero, in addition to their abilities and difficulty level, a short bio (here’s Symmetra’s, one of my personal favourites). From the beginning the team behind the first-person shooter has taken a multimedia approach to worldbuilding, though admittedly not on a schedule that many appreciate. As an online game Overwatch also continues to be patched with content (typically in the form of new maps and heroes) and as such has no easily discernible “end date.” This is a story that continues to be told.


Both Harry Potter and Overwatch are reigning champions in their own right, having amassed awards, accolades, and millions of faithful fans. A number of those fans identify as being LGBT+, or haven’t yet. They have family members or loved ones who are members of the LGBT+ community, or who don’t yet know any at all, possibly even as a personal choice. The point is that queer stories matter and have always mattered. The fact that these two fanbases are able to see gay characters in beloved media is a very special thing.

How those characters come to be, however, is another matter entirely. In Rowling’s Wizarding World coming out is magical. Words are spoken and changes occur, but not all of them can be perceived by the eyes of the untrained and ordinary. In Overwatch coming out is the future. It’s both imminent and right now and, to paraphrase a scientist cautioning a young genetically enhanced gorilla, not accepting people at face value and daring to see yourselves reflected in them.

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“Marvel Doesn’t Care About LGBT People”

To start with, I hope that the reference in the title is apparent.

If not, let’s flashback to September 2005 and A Concert for Hurricane Relief. It was during this live star-studded benefit concert that Kanye West very famously said:

“George Bush doesn’t care about black people.”

The following week, on The Ellen Degeneres Show, West elaborated on the incident. Given the immense loss caused by Hurricane Katrina, he explained that “[it was] the least [he] could do to go up there and say something from [his] heart, to say something that’s real.” At the risk of misrepresenting him, my takeaway was that there’s something very pure and genuine about personal emotional reactions that makes them worth expressing. While the facts may reveal otherwise, their having elicited this response speaks for itself, in a way.

It’s a sentiment that many readers of Marvel comics may strongly agree with given the fallout of Guardians of the Galaxy #18, which hit stands this past Wednesday. Continue reading

How Marvel Ruined The Movies

Over the past decade, we’ve been witness to something unprecedented in the history of film: the rise of the cinematic universe.

Pioneered by Marvel with their ever-expanding Avengers universe, this innovative and impressive model has been swiftly copied by others, and we’re already seeing attempts at DC’s Justice League universe, an expanded Star Wars, and even Harry Potter. While the success has certainly been varied, it would seem the standard is here to stay.

And here’re the reasons why that sucks.

Bigger Audiences Don’t Mean Better Movies

And while that goes without saying, the issue becomes especially apparent when movies become global phenomena in the way the MCU has become.

In his posts about the whitewashing of Doctor Strange, Evan brought up the case of film-critic-turned-writer C. Robert Cargill. In a podcast, Cargill discussed the whitewashing of “The Ancient One” and how the character of an old man from the Himalayas got turned into middle-aged woman from Scotland.

“The Ancient One… comes from a region of the world that is in a very weird political place. He originates from Tibet. So if you acknowledge that Tibet is a place and that he’s Tibetan, you risk alienating one billion [Chinese] people who think that that’s bullshit…”

-C. Robert Cargill, Double Toasted Podcast

While my co-author pointed out that the character of The Ancient One was set in Nepal, not Tibet, and while Cargill swiftly clarified that these were his thoughts, not Marvel’s, I do think he’s got a point. China has become a major consumer of western films, and the effects of that are already apparent.

2014’s Transformers 4: Age of Extinction surpassed Jame’s Cameron’s Avatar in Chinese theaters, and presently stands as the 4th highest-grossing film in the nation.

“The long and the short of it: Bay made a movie set and filmed in China, starring Chinese actors, using Chinese resources and pushing Chinese products, and in exchange, the movie gets a timely premiere across the country’s 18,000-plus movie screens.”

Nash Jenkins, TIME Magazine, 2014

The remake of Red Dawn, originally based on the idea of a Chinese invasion of the US, was hastily changed to cast North Korea as the principal villain for fear of offending Chinese viewers. Because the US getting conquered by a country smaller than the state of Louisiana is somehow believable.

tewaame

Now that’s not to say that Red Dawn would’ve been a good movie otherwise (it wouldn’t have)- just that it was made even more stupid in a greedy effort to rake in more cash. While we certainly didn’t lose a cinema classic in catering to political correctness, it does set a disturbing precedent for the future. Will films purposefully cut reference to Tibet, Taiwan, or the Uighurs? Will China’s despicable record on human rights and the environment be glossed over for box office sales?

And they’re not the only problem. Continue reading

Asian-American Creators in Comic Books As Of July 16th: 2 Out of 3 Ain’t Bad

The last time I wrote a post that was titled in a similar format was back in 2013, which followed another the year before. Both were written because at the time events had occurred in the comic book industry that touched on LGBT representation. Given the fact that Western comic books don’t necessarily have a dearth of Asian creators [Gene Luen Yang, Annie Wu, and Jerome Opeña being just a few examples] it’s actually sort of surprising that it wasn’t until this week that I felt justified in putting together a similar post.

What’s unfortunate is, as you can probably tell by the title, that it’s not all good news. With that in mind I’m going to go with the classic “sandwich” delivery, with the positives buttressing a negative. That said, and without further ado-

Greg Pak’s Totally Awesome Hulk #15 Brings a Tear to My Eye

I should probably clarify that I have not read the 15th issue of Totally Awesome Hulk. That won’t actually hit stands until this upcoming October. That said, the cover was released in the Marvel NOW’s Previews Magazine this past Wednesday [with leaks hitting the internet a little earlier]. You can see the cover below in all of its glory-

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Cover art by Mukesh Singh.

 

 

 

 

 

 

 

 

 

 

 
Clockwise from the very top of the cover is: Kamala Khan/Ms. Marvel [Pakistani-American], Shang-Chi/Master of Kung Fu [Chinese], Amadeus Cho/Totally Awesome Hulk [Korean-American], presumably SHIELD Agent Jimmy Woo [Chinese-American], Cindy Moon/Silk [Korean-American], and lastly a character I can’t place who Bleeding Cool cites as being Winter Soldier [which I could not confirm through my own research].

What struck me was that this is a comic book cover from one of the the two major publishers [DC and Marvel] on which every one of the many characters depicted is Asian. It’s also not an established team of Asian heroes like Big Hero 6 [the film adaptation of which you know my exact feelings about]. This is especially notable in light of the fact that other comics like Sam Wilson: Captain America #10-

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Sam Wilson: Captain America #10. Written by Nick Spencer, illustrated by Angel Unzueta.

 

 

 

 

 

 

 

 

 

 

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Cover art by Marguerite Sauvage.

-and the cover to Black Panther #7 [as seen on the right] communicate the ideas that a) Black heroes exist within this universe and b) just like in many real life situations, Black people can and do congregate together.

Even before these respective examples came to light most of these heroes were fairly recognizable by the public [Storm and Black Panther, Nick Fury Jr.], but they also shine light on the lesser-knowns [Misty Knight, Doctor Voodoo, Spectrum].

The cover to Totally Awesome Hulk #15 is the first major step in my recent memory to bring a similar awareness to Asian representation in comic books, and it’s very clear that a conscious decision was made by Greg Pak [a Korean-American himself] to do this. It’s no exaggeration that just seeing the cover made me emotional, and I cannot wait until October to get my hands on the issue.

Frank Cho Stirs Continues to Stir Up Controversy Over Wonder Woman Variant Covers

There’s no such thing as the perfect week.

Frank Cho, a Korean-American artist and the initial collaborator with Greg Pak on Totally Awesome Hulk [their similarities to the titular character further discussed here], announced two days ago that he would be walking off Wonder Woman as variant cover artist with Issue #6. Deciding to go to Bleeding Cool, Cho explained that:

“All the problem lies with [author] Greg Rucka.

EVERYONE loves my Wonder Woman covers and wants me to stay. Greg Rucka is the ONLY one who has any problem with covers. Greg Rucka has been trying to alter and censor my artwork since day one.

Greg Rucka thought my Wonder Woman #3 cover was vulgar and showed too much skin, and has been spearheading censorship, which is baffling since my Wonder Woman image is on model and shows the same amount of skin as the interior art, and it’s a VARIANT COVER and he should have no editorial control over it. (But he does. WTF?!!!)

I tried to play nice, not rock the boat and do my best on the covers, but Greg’s weird political agenda against me and my art has made that job impossible. Wonder Woman was the ONLY reason I came over to DC Comics.

To DC’s credit, especially [Art Director] Mark Chiarello, they have been very accommodating. But they are caught between a rock and a hard place.

I just wanted to be left alone and do my Wonder Woman variant covers in peace. But Greg Rucka is in a hostile power trip and causing unnecessary friction over variant covers.”

For those who are not familiar with comic book journalism websites, Bleeding Cool excels in tracking a lot of what goes on behind the scenes in the industry. That said, they’re also known for rumour-mongering, a practice with a so-so success rate. They have also devoted many an article to the artist’s last controversy over covers, noting each time one of the illustrations made its way online.

While Rucka has made no official response to Cho or to anyone else asking for comment save for the following tweet:

As far as an actual example of the “censorship” Cho is decrying, pictured below is the aforementioned cover to Wonder Woman #3, with the final cover on the left and the original art on the right:

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Notably absent is the character’s panty line, shown on the right. Apart from the cropping, the art appears untouched.

It should be restated that Cho was not fired from the gig, but instead chose to leave of his own volition. As a creator doing work-for-hire the people at DC comics had every right to ask for edits to be made to whatever iss submitted to them. It was also his choice to approach the comic book journalism site most likened to a tabloid to announce the reasons behind this. The true irony is that the artist’s sensitivity over what occurred feels out of line with his approach to the outrage others have felt about his own work.

Gene Luen Yang’s New Super-Man #1: This Man of Steel is a Boy From Shanghai

Particularly worth spotlighting as the first-ever DC book I’ve decided to buy issue-to-issue, New Super-Man comes from the same writer of one of my favourite graphic novels, American Born Chinese. That book proved that Yang understands a lot of the innate conflict in being Asian-American, living your entire life in a country but never quite feeling like you fit in.

Cover art by Viktor Bogdanovic.

Cover art by Viktor Bogdanovic.

With that in mind, several months ago he wrote a blog post for the DC Comics site in which he admits almost immediately that “I’ve only visited China twice, so my understanding of Chinese culture is through echoes.” That said, he wants to do everything he can to make his portrayal of the character as authentic as possible, and the majority of the post spends time picking apart exactly how and why he landed on the name “Kenan Kong”.

It’s but one example of how committed he is to the authentic portrayals of Asians, and it can be strongly felt throughout that first issue, which was sold in comic stores everywhere this past Wednesday.


It’s my hope that this isn’t the last such blog post that I piece together, and that part of the reason for that will be even more Asian creators working in both mainstream and indie comics. While the news won’t always be positive, the dream is that with even more talent we’ll be able to see the best that they have to offer, especially in regards to pushing representation in my favourite medium.

A Non-Female Writer’s Opinion About That Wonder Woman Promo Picture

As the title attests, and as you probably know by now, I’m a guy. A cisgendered male, to be more specific, which for those not in the know means that I was born male and identify as one. And as a guy I’ve been writing about feminism on this blog since day one. While it’s always been my goal for the site to be a platform for female voices speaking out on those same issues [made reality in having Kat hop on board as well as the majority of our guest writers] the truth is that there are an essentially infinite number of topics and only so many bloggers.

That’s all to say that ideally this probably should’ve been tackled by a woman. While a given female perspective may not necessarily be the correct one, the fact of the matter is that they would be able to write from a level of understanding that I cannot. Yet here I am, covering Wonder Woman, arguably one of the biggest feminist icons.

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Yesterday Entertainment Weekly shared an exclusive promo image from Warner Bros.’ upcoming Wonder Woman movie. Diana Prince AKA Wonder Woman, the titular character, played by Gal Gadot, is second from the left. The other women, from left to right, are her mother Hippolyta [Connie Nielsen],
Menalippe [Lisa Loven Kongsli], and General Antiope [Robin Wright].

As it’s made its way across the internet it has generally been regarded with a lot of excitement and enthusiasm, which should be no surprise given the fact that Wonder Woman is literally the biggest draw for people lining up to see Batman v. Superman: Dawn of Justice. When it comes out in theatres next year it will have been Hollywood’s first return to female-led superhero movies since 2005’s Elektra, and arguably stands for so much more than the Jennifer-Garner-played red-clad assassin ever could.

wwMake no mistake, I am very excited for it. Seeing the Amazonian on the silver screen for the first time is also the primary reason I’m seeing BvS in the next few days, and a Wonder Woman t-shirt that I shamefully purchased at Hot Topic [shameful for the store, not the product] is the only merchandise I have bought and plan on buying [the poster on the right was free]. In spite of that, or maybe directly because of it, I ended up with a number of thoughts about the promo picture released. While the first point is the shortest and has nothing to do with my gender, the ones that follow may be defended by readers who can better relate. Which is to be expected, and that I hope people feel comfortable doing if they want to. Continue reading

The Character Assassination of Sam Wilson by the Publisher Marvel Comics

Captain America Is Old, Long Live Captain America

In July of 2014 it was announced on The Colbert Report that a momentous event would be occurring in the Marvel universe. The blonde, blue-eyed Steve Rogers would be stepping down as Captain America due to rapidly aging, with the mantle passing on to his partner [not sidekick] Sam Wilson aka The Falcon. As is typical for the industry the cover for Captain America #25, in which the event takes place, promised some level of mystery with a white silhouette asking readers to guess who it would be.

Captain America #25 (Vol. 7). Written by Rick Remender, illustrated by Carlos Pacheco.

As Sam himself states in the splash page on the right [I realize that the text is far too small for you to read]:

“You guys all knew it was me, didn’t you?

There’s literally no drama left in this reveal.”

The words are particularly tongue in cheek, with the writer himself acknowledging that even without the announcement on national TV it had always been fairly obvious who would be the next character to bear the shield. Captain America and The Falcon had been compatriots since the late 60s [even sharing a title], so there were few more deserving individuals than Samuel “Snap” Wilson.

Now I was, and still am, all about this. To have as high profile a role as Captain America, a title that represents an entire nation, be given to a Black man is enormous. I’d also always been a fan of Sam as The Falcon. I added the title to my pull-list immediately.

I’ll Justify the Title, But First, This Week’s Events and a Rough Thesis

Now just this past Tuesday, roughly a year and a half after the original announcement, Marvel released the news that Steve Rogers would be returning as the ol’ Shield-Slinger.

This isn’t to say that the book on the left, Captain America: Steve Rogers, would be replacing the currently running Captain America: Sam Wilson. Instead the publisher’s plan is to release both side by side. They will also be penned by the same writer, Nick Spencer, a move which there has been plenty of precedent for [Jonathan Hickman on both Avengers  Avengers and New Avengers, Brian Michael Bendis on All-New X-Men and Uncanny X-Men, etc.]. Oftentimes both titles will act as separate halves of a larger story, though that hasn’t been confirmed in this case.

This announcement was met with a similar lack of surprise across the internet, largely because Captain America: Steve Rogers coincides with the release of the summer blockbuster Captain America: Civil War. A number of changes have been made to the comic books to have them fall more in line with what happens up on the big screen, and slapping an “A” back on the forehead of the face most of the world knows and loves is generally seen as a solid business move.

Now I am fully aware of how incendiary the title of this blog post is, and hope to justify it by explaining how the existence of two Captain Americas is not similar to the same being true of other heroes, with the reason for that largely being founded in the character’s recent publication history. It’s in the exploration of that latter point that I truly hope to rationalize the words “character assassination.”

As with every article I write, I’ve done my best to make this accessible to both those who do and do not regularly enjoy comic books. If you have any further questions please don’t hesitate to drop me a line in the comments far below. Continue reading

Ms. Marvel, #19: A Comic Book Review

msmarvel19“Qiyamat ka din to nahin hain.” It’s not like it’s the end of the world, Mr. Khan muses aloud to his family in Urdu. But it is, at least until next month when the first issue of Ms. Marvel Volume 4 hits stands everywhere. This issue effectively marks the destruction of the universe for these characters, but it’s everything the finale could be and more.

It’s now that I’m forced to eat some of the words I published in my last review, those concerning the “meandering plot as it slowly reaches the end”. Yes, Issue #18 ended with the reveal that Kamala’s mother knew about her vigilantism, but there are so many other relationships that are fleshed out and given the closure they need as this chapter closes [in preparation for the next one beginning].

The first involves, as mentioned, our heroine and her parents of course. Kamala opts not to tell them about the impending apocalypse and simply enjoy their company. Following up with that are two female friends, one of which felt like a blindside but not in a bad way. We’ve seen so little of Nakia since Issue #1 that it’s easy to forget that she’s one of Kamala’s closest friends, and she voices her concerns that they might be drifting apart. It feels real because, as anyone in any kind of relationship can attest to, it can and has and will happen to all of us. And since we’re coming full circle back to the first issue we have Zoe-

zoepology Continue reading