While it doesn’t quite promise to sweep the box office like the franchise it spun off from, Hobbs and Shaw is garnering a fair amount of excitement among demographics that want to see Dwayne “The Rock” Johnson do to a helicopter what Chris Evans already did in Captain America: Civil War back in 2016. Well, that and audiences that want to watch two of the biggest, burliest men in Hollywood punch a third big, burly man. That’s not to say that these are the reasons to give this action movie a pass (and in fact seem like strong arguments to actually go check it out).
As the marketing on some posters seeks to remind audiences, “This time there is no team.” In spite of the fact that Hobbs and Shaw is “presented” by Fast & Furious, Dominic Toretto and co. are nowhere to be seen. Not only is la familia absent, but this movie stars two of their former antagonists. Johnson plays the titular Luke Palagi Hobbs, a federal agent hellbent on taking them down in Fast Five, and Jason Statham is Deckard Shaw, an assassin-turned-mercenary who sought revenge on the team for putting his brother in a coma. That said, the general quality of villain-centric films isn’t the reason to skip this one, either (though Suicide Squad should have been enough of a deterrent on its own).
The reason not to watch Hobbs and Shaw takes place at the very end of Fast & Furious 6.
The answer to the question the title of this clip poses is answered by the very screenshot of the man walking with a phone held to his ear (written SPOILERS for the Fast & Furious franchise and others moving forward)–
Posted in family, film, morality, race, television
Tagged #justiceforhan, Chris Morgan, Deckard Shaw, family, Fast & Furious, Fast Five, Glenn, Han, Han Seoul-Oh, Hobbs and Shaw, Jegan, Justice For Han, Shaw, Shaw killed Han, Sung Kang, The Fast and the Furious, The Walking Dead, villain
On January 7th, 2019, at 8 PM (7 PM Central), ABC premiered the 23rd season of perennial reality TV favourite The Bachelor. Starring ex-NFL tight end Colton Underwood, this latest installment also held the promise of following Revian Chang, an Asian contestant, and her own search for love. It was a search that ended at roughly 11 PM (8 PM Central) that very same evening.
It was an event that I couldn’t pass up covering, and Revian somehow found the article I had written and reached out to thank me via email. After the weeks it took me to finally ask her to do a short interview she graciously agreed, opening up on her short stint on the show and what it meant to be a Chinese woman on the historically very white show.
There’s an easily traceable history of past contestants and future contestants running in the same circles. Did you know anyone else who had also applied to be on Colton’s season? Is there a whisper network for Asian-American applicants?
I didn’t know anyone who also applied for my same season. However, I was friends with a few previous contestants prior to applying.
In an interview with NPR Chris Harrison said that they “don’t get the same cross-section of casting,” specifically referring to the fact that there aren’t as many non-white applicants to the show as white applicants. He went on to say that “[minorities] don’t see themselves represented on television. They don’t see themselves represented equally. And so I would assume, ‘Why would I be going to do this if I don’t see myself there anyway?’” Do you agree with that?
I can understand the assumption as to “why would I do this if I’m not being represented, and if I am represented…it’s not equally,” and rejection or misinterpretation are both scary. But if we continue to assume this, then minorities continue to have a lack of representation.
I went in knowing that most contestants and viewers of The Bachelor are white. I didn’t allow it to scare me off. I think I wasn’t scared because I am confident and happy in who I am. And if a major network show were to cast me, I hoped I would be a good representation for a minority group.
Posted in Asia, interview, race, relationships, television
Tagged #Justice4Revian, ABC, ABG, asian, Chinese, Colton, Colton Underwood, diversity, injustice, introduction, limo entrance, Mandarin, premiere, race, relationships, representation, Revian, Revian Chang, rose ceremony, Season 23, subtle asian traits, television, The Bachelor, TV
Daphne Blake, played by Sarah Jeffery in the 75-minute film produced by Ashley Tisdale’s Blondie Girl Productions, starts her first day at Ridge Valley High by asking her smart home to turn up her pump-up playlist. She walks over to her ClotheMe Closet™ and tells it that she’s looking for “the perfect first-day of school outfit”, dresses in the robotic wardrobe’s selection, and descends the stairs while musing aloud that she hopes that it’s French toast she smells.
Sitting down to her accurately guessed breakfast, she makes small talk with her family before noticing a book on the table. After she asks what it is, her father tells her that “those are the moons of Saturn.” After flipping through it she addresses her parents’ concerns about the big day ahead by telling them that “School’s going to be awesome. Things always have a way of working out.” Continue reading
Posted in education, family, film, money
Tagged advantage, college-admissions scandal, Daphne, Daphne & Velma, Education, film, fortune, Isabelle Henriquez, luck, money, Olivia Jade, parenting, parents, privilege, Sarah Jeffery, scandal, Scooby-Doo, wealth
While the Overwatch League, Blizzard’s high-profile international esports endeavour, is well underway (#RiseTogether), casual players who are in tune with the ebb and flow of the game’s content await with bated breath. With the end of the month fast approaching, history dictates that sometime within the next week or so a new hero will be announced, with the latest addition to the roster going live close to the end of March (see: Orisa and Brigitte’s respective release dates).
A new hero is an exciting prospect for a number of reasons, with competitive players hoping for a chupacabra to finally kill the GOATS meta and lore fiends longing for something, anything, to forward the molasses pace of the universe’s story. It’s also an opportunity for a particular contingent of fans to ask, once again, when the award-winning shooter will finally create a playable Black woman.
Similar to my breakdown of the character of Ned Leeds in Spider-Man: Homecoming and his relationship to Ganke Lee from the comic books, I will be creating a thorough chronology that highlights select dates in Overwatch‘s history, as well as the public outcry for a Black female hero. Unlike the earlier article, however, I will also be providing my own commentary on why this is so important to some (and perhaps should be to everyone).
November 7th, 2014: Overwatch is announced at BlizzCon, an annual gaming convention that celebrates Blizzard Entertainment’s games and their countless fans, marking their first original IP in 17 years. While a cinematic trailer spotlights four key players in the universe’s lore, a gameplay trailer focuses on the 12 heroes currently available at that time.
Notably, even at this early stage the roster featured a surprising amount of diversity, with the Egyptian combat-armoured Pharah and Indian light-bending Symmetra.
March 10, 2015 to November 6, 2015: The remaining nine heroes are announced, rounding the final hero count out to 21.
Lucio (as seen on the right), a world-famous DJ-turned-freedom-fighter, appears to be Afro-Brazilian (and originates from that country).
December 7, 2015: In one of the very first (and soon-to-be heavily memed) Developer Update videos, game director Jeff Kaplan discloses that all future content for Overwatch
(“additional maps and heroes that we’d like to add to the game”) will be free, indicating that the number would not stay 21 for long.
May 24, 2016: Overwatch is officially released. Continue reading
Posted in Africa, America, feminism, internet, media, race, video games
Tagged Africa, African-American, Apex Legends, Ashe, Bangalore, black, Blizzard, character, Doomfist, female, Gita Jackson, Hammond, hamster, hero, Hero 30, heroes, Jeff Kaplan, Lifeline, Orisa, Overwatch, playable, race, video games, woman, Wrecking Ball
As I write this #BachelorNation, millions of viewers strong, is wrapping up the second episode of the 23rd season of The Bachelor. Having said that, let’s cut to the chase: I’m watching The Bachelor again (though I have not resurrected my meme instagram account)! In all seriousness, the actual chase being cut to is this: there’s a Chinese girl on Colton’s season!
As a quick aside, there have been other Asian women on The Bachelor, and vastly more than the number of Asian men on sister show The Bachelorette. Those contestants, mentioned in past race-related Bachelor posts, have (to my knowledge) all been mixed race (and always with one white parent). All of a sudden here we are, 17 years after the show has premiered, and we have Revian Chang.
Similar to past topics only cursorily mentioned, the Facebook group subtle asian traits is entirely deserving of its own blog post. Putting that aside for now, it’s the following post on that page that brought the news to my attention:
For the uninitiated, “ABG” stands for “Asian Baby Girl”, which Urban Dictionary helpfully defines as a “Cute asian girl looks like aecinira on twitch.” Which is helpful to some readers, probably. The post was edited soon afterwards to reveal the reason for the title of this post: Revian never made it past the first night.
Posted in language, race, relationships, sex, television
Tagged #Justice4Revian, ABC, ABG, asian, Chinese, Colton, diversity, injustice, introduction, limo entrance, Mandarin, premiere, race, relationships, representation, Revian, Revian Chang, rose ceremony, Season 23, subtle asian traits, television, The Bachelor, TV
It’s the Year of Our Lord 2019 and storytelling is still important. In some cases the stories are the same, like the age-old tale of good triumphing over evil, but they’re being delivered in increasingly more novel ways. Comics are drawn and fan fiction is written and YouTube sketches are filmed, and sometimes the collaborators aren’t even in the same city, let alone country. In other cases the stories, while nothing new, are finally being given the opportunity to be told. The idea of finding yourself isn’t an original one, but the narrative of coming out as gay or lesbian or transgender or any other identity has only recently found a foothold in popular media.
Storytelling and identity are crucial building blocks to our culture, and both are heavily intertwined (as are all things, these days) with the internet (it would be remiss of me not to mention that I chose to do so in a podcast I co-hosted). This is certainly as true for a multi-award-winning online first-person shooter as it is for a series of books that wrapped up a dozen years ago. The Overwatch and Harry Potter universes are like ours in that they are populated by a myriad of different characters, some straight and some LGBT+, but I want to delve into how the similarities, and ultimately the differences, of their respective coming out stories (in both cases the term “coming out” feels accurate, as none of the characters discussed were initially introduced as being anything other than straight).
“Yer a Gay Man, Dumbledore”
Before touching on her approach to revealing one of her characters’ sexual orientations, it’s worth making note of how the billionaire author has reentered our collective conversation. Two years ago a BuzzFeed writer was one of the first to report on a shocking revelation found on Pottermore, a site Rowling created for her legion of fans to learn more about the Wizarding World. Most people online will have come across this by now, but the page in question was about the Chamber of Secrets, and explained that wizards once vanished their excrement in lieu of using toilets. It resulted in one of my favourite Tumblr posts:
The user has since deleted their blog, so no direct link, sorry!
Posted in internet, lgbt, literature, relationships, video games, writing
Tagged Ana, Bastet, Blizzard, books, comics, coming out, Dumbledore, Fantastic Beasts and Where to Find Them, gay, Grindelwald, Harry Potter, J. K. Rowling, lesbian, lgbt, Michael Chu, Overwatch, Pottermore, queer, Reflections, Soldier: 76, Tracer, Twitter, video games, writing
As laid out in the first-ever Evan Yeong Literary Awards, the purpose of these blog posts has been to provide a retrospective of the books read in the past year. Typically these have been written and published in January, but here we are. Better late than never, as I always say.
This is the first of these awards to be written during my relatively new career in publishing. While I wouldn’t say I have a strong understanding of the ins and outs of what’s hot in the industry, I certainly have a healthier grasp of things, especially compared to past years when I had none whatsoever.
The other notable difference is that the list of books read has been censored in part, due to a number of the books having been unsolicited manuscripts that I was asked to read during my time as an Editorial Intern at Penguin Random House Canada. A handful were also unpublished manuscripts or ARCs (Advanced Reader Copies) and have been marked as such. You can check out a full list [with the exact dates of when I read each one] at this link.
ALMOST AS COMPLEX AS THEIR NAMESAKE
Zealot: The Life and Times of Jesus of Nazareth by Reza Aslan
Those who aren’t as familiar with the works of C.S. Lewis should know that “Aslan” is the name of the Judeo-Christian-God-stand-in of that author’s Narnia series. The lion is a complex figure, embodying a dichotomy of a being that is “isn’t safe” while also “good”. Aslan himself is a likewise complicated man, having been raised Muslim, converted to Christianity in his teens, then back to Islam, a faith he continues to practice, and did during the writing of this book. A fascinating fact for both believers and nonbelievers alike is his statement that whether or not he was the son of God, the Nazarene definitively performed miracles.
SHOULD HAVE WON THE 2017 GILLER PRIZE
Brother by David Chariandy
One of many short, powerful works of fiction that I read this year, Brother is as unpretentious and beautiful a novel as you’re likely to find, and a worthy contender for Canada’s loftiest and most coveted literary prize. Shining a spotlight on Scarborough in the 90s, an area that I have (recently) shamefully joked about only “technically being Toronto”, this book would have served as a reminder of the real life stories that are overlooked and underheard.
The actual winner of the 2017 Scotiabank Giller Prize was Michael Redhill’s Bellevue Square, which I read the ARC of. Brother was longlisted. Continue reading
Posted in art, Canada, Christianity, Comedy, food, Islam, literature, race, relationships, religion, review, science, sex, writing
Tagged An Ocean of Minutes, Anonymous, Beauty Queens, Blink, books, brother, David Chariandy, E. V. Cunningham, Evan Yeong Literary Awards, Horns, horror, Joe Hill, Joey Comeau, Joy Kogawa, Libba Bray, literature, Malagash, Michael Pollan, novel, Obasan, race, relevant, Reza Aslan, romance, satire, Ted Dekker, The Botany of Desire, The Case of the One-Penny Orange, The Incest Diary, Thea Lim, Zealot