I haven’t explicitly blogged about the Asian-American experience in three years, last touching on the topic back in 2019 when I interviewed Bachelor contestant Revian Chang about her experience on the reality dating show. With May being Asian Heritage Month up here in Canada and Asian American and Pacific Islander Heritage Month south of the border, I thought it would be appropriate to return to a subject I’ve explored so often since this blog’s inception. What I didn’t expect was the immense weight that would accompany my decision.
Thinking over the interim in which this site lay dormant I’m reminded of the 2021 Atlanta spa shootings, a horrific incident that struck me so deeply that it wasn’t until an old coworker asked me how I was feeling that I realized I was angry. I think back on a time where it felt like with every passing day was a new story about yet another hate crime being enacted against Asian people, violence born out of xenophobia that studies have shown flourished with the former POTUS’s tweets about the global pandemic.
Even now, during the month when we as Asian people living in North America should be keeping our heads high, acknowledging our past hardships and present triumphs, we’re reminded only four days in that distrust of Asian Americans has been steadily growing over the past year. 33% of Americans believe that Asian Americans are “more loyal to their country of origin than to the United States.” Countries that many have never even stepped foot in.
The increased difficulty surrounding my existence is directly tied into the dehumanization of my race. The man who shot and killed eight people (six of them being Asian women) was able to do so because he viewed them as temptations before he was able to consider them people. Opposite that mindset, the model minority stereotype that surrounds Asian Americans might seem positive, but it still reduces individuals down to qualities they might not even embody. It’s why a range of representation is so crucial, and the reason the Asian himbo is so important. Continue reading
Posted in America, Asia, crime, film, gender, internet, media, race, relationships, sex, television
Tagged asian, Asian himbo, attractive, character, desirable, dumb, himbo, hot, incel, intelligence, kind, masculinity, media, Men, model minority, PBS, race, racism, representation, Sessue Hayakawa, sex, stereotype
Bettenridge’s law of headlines dictates that “Any headline that ends in a question mark can be answered by the word no.” In the case of whether or not J.R. R. Tolkien’s Middle-earth is a fantasy land that has space for people of colour, it’s unfortunately not that simple.
The full title for the television series taking place in the same universe as the critically acclaimed The Lord of the Rings was announced just this past month, with The Lord of the Rings: The Rings of Power acting as a prequel set thousands of years before the original trilogy of films. Soon after followed 23 individual posters featuring the hands of different characters, a startling development for those who hadn’t been closely following casting news for the show.
As briefly discussed in my first post this year, there’s nothing more emblematic of our present-day culture than division and polarization. With every announcement decisions must be made and opinions cemented, dictating what side of any particular issue you find yourself on. To say that the same is true for the existence of BIPOC (Black, Indigenous, [and] People of Colour) in a historically lily-white franchise is putting it lightly. The following tweet made by the amusingly named (at the time of this writing) “guy online” highlights the conflict accordingly:
Knowing this is the case and having these camps laid out in such stark contrast makes it awkward for me to admit that I’ve found myself in a place where I’m also side-eyeing production for casting actors of colour in various roles, a sentiment that on the surface places me in some admittedly unpleasant company. Let me explain- Continue reading
Posted in film, internet, literature, race, television, writing
Tagged actor, Amazon, BIPOC, black, casting, diversity, Dwarf, Easterlings, elf, film, Haradrim, Harfoot, hobbit, Hollywood, Peter Jackson, race, representation, The Lord of the Rings, The Rings of Power, TV
On January 7th, 2019, at 8 PM (7 PM Central), ABC premiered the 23rd season of perennial reality TV favourite The Bachelor. Starring ex-NFL tight end Colton Underwood, this latest installment also held the promise of following Revian Chang, an Asian contestant, and her own search for love. It was a search that ended at roughly 11 PM (8 PM Central) that very same evening.
It was an event that I couldn’t pass up covering, and Revian somehow found the article I had written and reached out to thank me via email. After the weeks it took me to finally ask her to do a short interview she graciously agreed, opening up on her short stint on the show and what it meant to be a Chinese woman on the historically very white show.
There’s an easily traceable history of past contestants and future contestants running in the same circles. Did you know anyone else who had also applied to be on Colton’s season? Is there a whisper network for Asian-American applicants?
I didn’t know anyone who also applied for my same season. However, I was friends with a few previous contestants prior to applying.
In an interview with NPR Chris Harrison said that they “don’t get the same cross-section of casting,” specifically referring to the fact that there aren’t as many non-white applicants to the show as white applicants. He went on to say that “[minorities] don’t see themselves represented on television. They don’t see themselves represented equally. And so I would assume, ‘Why would I be going to do this if I don’t see myself there anyway?’” Do you agree with that?
I can understand the assumption as to “why would I do this if I’m not being represented, and if I am represented…it’s not equally,” and rejection or misinterpretation are both scary. But if we continue to assume this, then minorities continue to have a lack of representation.
I went in knowing that most contestants and viewers of The Bachelor are white. I didn’t allow it to scare me off. I think I wasn’t scared because I am confident and happy in who I am. And if a major network show were to cast me, I hoped I would be a good representation for a minority group.
Posted in Asia, interview, race, relationships, television
Tagged #Justice4Revian, ABC, ABG, asian, Chinese, Colton, Colton Underwood, diversity, injustice, introduction, limo entrance, Mandarin, premiere, race, relationships, representation, Revian, Revian Chang, rose ceremony, Season 23, subtle asian traits, television, The Bachelor, TV
While the Overwatch League, Blizzard’s high-profile international esports endeavour, is well underway (#RiseTogether), casual players who are in tune with the ebb and flow of the game’s content await with bated breath. With the end of the month fast approaching, history dictates that sometime within the next week or so a new hero will be announced, with the latest addition to the roster going live close to the end of March (see: Orisa and Brigitte’s respective release dates).
A new hero is an exciting prospect for a number of reasons, with competitive players hoping for a chupacabra to finally kill the GOATS meta and lore fiends longing for something, anything, to forward the molasses pace of the universe’s story. It’s also an opportunity for a particular contingent of fans to ask, once again, when the award-winning shooter will finally create a playable Black woman.
Similar to my breakdown of the character of Ned Leeds in Spider-Man: Homecoming and his relationship to Ganke Lee from the comic books, I will be creating a thorough chronology that highlights select dates in Overwatch‘s history, as well as the public outcry for a Black female hero. Unlike the earlier article, however, I will also be providing my own commentary on why this is so important to some (and perhaps should be to everyone).
November 7th, 2014: Overwatch is announced at BlizzCon, an annual gaming convention that celebrates Blizzard Entertainment’s games and their countless fans, marking their first original IP in 17 years. While a cinematic trailer spotlights four key players in the universe’s lore, a gameplay trailer focuses on the 12 heroes currently available at that time.
Notably, even at this early stage the roster featured a surprising amount of diversity, with the Egyptian combat-armoured Pharah and Indian light-bending Symmetra.
March 10, 2015 to November 6, 2015: The remaining nine heroes are announced, rounding the final hero count out to 21.
Lucio (as seen on the right), a world-famous DJ-turned-freedom-fighter, appears to be Afro-Brazilian (and originates from that country).
December 7, 2015: In one of the very first (and soon-to-be heavily memed) Developer Update videos, game director Jeff Kaplan discloses that all future content for Overwatch
(“additional maps and heroes that we’d like to add to the game”) will be free, indicating that the number would not stay 21 for long.
May 24, 2016: Overwatch is officially released. Continue reading
Posted in Africa, America, feminism, internet, media, race, video games
Tagged Africa, African-American, Apex Legends, Ashe, Bangalore, black, Blizzard, character, Doomfist, female, Gita Jackson, Hammond, hamster, hero, Hero 30, heroes, Jeff Kaplan, Lifeline, Orisa, Overwatch, playable, race, video games, woman, Wrecking Ball
As I write this #BachelorNation, millions of viewers strong, is wrapping up the second episode of the 23rd season of The Bachelor. Having said that, let’s cut to the chase: I’m watching The Bachelor again (though I have not resurrected my meme instagram account)! In all seriousness, the actual chase being cut to is this: there’s a Chinese girl on Colton’s season!
As a quick aside, there have been other Asian women on The Bachelor, and vastly more than the number of Asian men on sister show The Bachelorette. Those contestants, mentioned in past race-related Bachelor posts, have (to my knowledge) all been mixed race (and always with one white parent). All of a sudden here we are, 17 years after the show has premiered, and we have Revian Chang.
Similar to past topics only cursorily mentioned, the Facebook group subtle asian traits is entirely deserving of its own blog post. Putting that aside for now, it’s the following post on that page that brought the news to my attention:
For the uninitiated, “ABG” stands for “Asian Baby Girl”, which Urban Dictionary helpfully defines as a “Cute asian girl looks like aecinira on twitch.” Which is helpful to some readers, probably. The post was edited soon afterwards to reveal the reason for the title of this post: Revian never made it past the first night.
Posted in language, race, relationships, sex, television
Tagged #Justice4Revian, ABC, ABG, asian, Chinese, Colton, diversity, injustice, introduction, limo entrance, Mandarin, premiere, race, relationships, representation, Revian, Revian Chang, rose ceremony, Season 23, subtle asian traits, television, The Bachelor, TV
As laid out in the first-ever Evan Yeong Literary Awards, the purpose of these blog posts has been to provide a retrospective of the books read in the past year. Typically these have been written and published in January, but here we are. Better late than never, as I always say.
This is the first of these awards to be written during my relatively new career in publishing. While I wouldn’t say I have a strong understanding of the ins and outs of what’s hot in the industry, I certainly have a healthier grasp of things, especially compared to past years when I had none whatsoever.
The other notable difference is that the list of books read has been censored in part, due to a number of the books having been unsolicited manuscripts that I was asked to read during my time as an Editorial Intern at Penguin Random House Canada. A handful were also unpublished manuscripts or ARCs (Advanced Reader Copies) and have been marked as such. You can check out a full list [with the exact dates of when I read each one] at this link.
ALMOST AS COMPLEX AS THEIR NAMESAKE
Zealot: The Life and Times of Jesus of Nazareth by Reza Aslan
Those who aren’t as familiar with the works of C.S. Lewis should know that “Aslan” is the name of the Judeo-Christian-God-stand-in of that author’s Narnia series. The lion is a complex figure, embodying a dichotomy of a being that is “isn’t safe” while also “good”. Aslan himself is a likewise complicated man, having been raised Muslim, converted to Christianity in his teens, then back to Islam, a faith he continues to practice, and did during the writing of this book. A fascinating fact for both believers and nonbelievers alike is his statement that whether or not he was the son of God, the Nazarene definitively performed miracles.
SHOULD HAVE WON THE 2017 GILLER PRIZE
Brother by David Chariandy
One of many short, powerful works of fiction that I read this year, Brother is as unpretentious and beautiful a novel as you’re likely to find, and a worthy contender for Canada’s loftiest and most coveted literary prize. Shining a spotlight on Scarborough in the 90s, an area that I have (recently) shamefully joked about only “technically being Toronto”, this book would have served as a reminder of the real life stories that are overlooked and underheard.
The actual winner of the 2017 Scotiabank Giller Prize was Michael Redhill’s Bellevue Square, which I read the ARC of. Brother was longlisted. Continue reading
Posted in art, Canada, Christianity, Comedy, food, Islam, literature, race, relationships, religion, review, science, sex, writing
Tagged An Ocean of Minutes, Anonymous, Beauty Queens, Blink, books, brother, David Chariandy, E. V. Cunningham, Evan Yeong Literary Awards, Horns, horror, Joe Hill, Joey Comeau, Joy Kogawa, Libba Bray, literature, Malagash, Michael Pollan, novel, Obasan, race, relevant, Reza Aslan, romance, satire, Ted Dekker, The Botany of Desire, The Case of the One-Penny Orange, The Incest Diary, Thea Lim, Zealot