Category Archives: television

Some Frightening Things About Popular Technology

Frederick Jameson said that “Contemporary people alternate between states of euphoria and anxiety.”

Euphoria, perhaps, because that is one natural reaction to being in the state of perpetual stimulation and entertainment and comfort (at least objectively) that we, the middle class, experience. Every minute, 48 hours of video is uploaded to YouTube. Any thought of YouTube, really, or Hulu or Grooveshark, makes one realize how kind of horrifyingly immense is the amount of entertainment available to anyone with an internet connection.

Cyborgs are probably going to start showing up soon. Hopefully Jean Luc Picard will be among them (if we can get a non-evil version).

You could do nothing but read, watch, and play on the internet for the rest of your life and there would still be more things you hadn’t seen or read. Information has always been that vast – for at least the last few centuries – but never before has it been so readily available almost all the time. With smartphones and future developments like SixthSense, access to the internet is going to start feeling like an extra limb – something without which you will feel nervous and clumsy and limited. For some people, this is already true – think about most people who’ve owned a smartphone for more than a few months, or anyone in a fantasy football league, or the fact that a SecondLife Shakespeare Company exists.

In The Shallows (read a good reflection on the book at The Millions), Nicholas Carr speculates and muses about the various psychological, social, and cultural effects of more completely immersing ourselves in an environment made entirely out of nonphysical stimulation.

As a member of the first generation to really experience internet access (if you count AOL 4.0 as internet access) for our whole lives, I look to the future of the human brain with interest and horror.

Hurricane Occurs, Media Freaks Out About Itself

As Hurricane Irene swept up the east coast, the President issued a warning for 10 states (plus DC and Puerto Rico), people stocked up on fresh water and condoms, and, importantly, vaguely famous country singers tweeted about it.

Another name ruined for at least another year.

But as the storm moved north and decreased in intensity, eventually being downgraded to a tropical storm, grumbling started among people who had spent two hours looking for bread, and New Yorkers especially began saying that the hurricane was gratuitously over-hyped. A New York Times article noted that, unlike the forewarnings, “Windows in skyscrapers did not shatter. Subway tunnels did not flood. Power was not shut off pre-emptively. The water grid did not burst. There were no reported fatalities in the five boroughs. And the rivers flanking Manhattan did not overrun their banks.”

People are generally accepting a better-safe-than-sorry-but-I’m-still-kind-of-annoyed attitude, like the building superintendent who said of NYC’s mayor, “Bloomberg, he did O.K., but he made people crazy and spend a lot of money.”

And there was quite a bit of hype about Irene, mostly in the northern states, where hurricanes are less common and therefore more exciting for meteorologists, like this poor weatherguy who pretends to be buffeted around as people hang out on the boardwalk:

(The worse part is when the anchor says “There are, like, people sightseeing behind you. We can see them.” and he says “That’s because they are hardcore weather-watchers!“)

George Will even had nuggets of wisdom to dispense on the topic, saying “[Journalism] shouldn’t subtract from the nation’s understanding and it certainly shouldn’t contribute to the manufacture of synthetic hysteria that is so much a part of modern life. And I think we may have done so with regard to this tropical storm as it now seems to be.”

New Yorker Editorialist Adam Gopnik called ‘startling’ “the relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios—the overwhelming and underlying desire for something truly terrible to happen so that you could have something really hot to talk about.”

Many commentators, like editorialist Howard Kurtz of The Daily Beast called out news stations for rabidly covering anything to do with the hurricane while failing to adequately cover the political events in Libya.

And of course, there have been deaths and significant losses in states all along the coast. Just because New York City didn’t collapse doesn’t mean that Irene wasn’t a significant disaster, and every time a columnist starts to talk about “sensationalism”, they are quickly reminded of this fact. But this just adds to the media’s kind of embarrassingly transparent public introspection that seems to be common now after significant unplanned events.


And just for fun, here’s that video of that reporter reporting while getting covered in sea gunk:

Colbert Super PAC’s First Commercial

Stephen Colbert’s Super PAC released its first commercial in Iowa:

The ad encourages Iowans to write in Texas Governor Rick Perry (and to make the ad just unserious enough, Iowans are instructed to spell the name Parry, “the A is for America.” Good job, whoever had that idea.) in the Ames Straw Poll, which is a “nonbinding” political poll that has less democratic integrity than eeny meeny miney moe but is politically taken more seriously than the primary results of whatever states hold their primaries last.

Fun facts: Admission fee for the Ames Straw Poll is $30. From the Ames Straw Poll website: “Some folks say the Iowa Straw Poll is like the Iowa State Fair – but better because politics is involved.”1

1Iowans quoted here are hypothesized to have either meant “worse” instead of “better” or to not actually be human beings.

Being Erica Soon to Be American

The American entertainment industry has long been dominated by remakes, a fact that’s easily backed up by a quick glance at the last year in film.¹ What’s less well-known to most people, however, are the amount of television shows on the air that have their origins elsewhere. The UK, in particular, is responsible for American Idol, Sanford and Son, American Gladiators, Being Human, and Whose Line is it Anyway?, to name a few. And let’s not forget about The Office.

It makes total sense that the game shows were taken and adapted for an American format²; if people are going to watch other people make money, they’d prefer it if it was at least the same currency. The other shows, however, were adapted because of cultural differences. As far as Being Human goes, the characters remain a vampire, werewolf, and ghost, yet attempt to live normal lives in an American setting. Cultural differences also encompass humour, and it should be clear to most people that what makes the British laugh won’t necessarily do the same for Americans.

On December 16, 2010, ABC announced that they were planning on rebooting the Canadian series Being Erica3. First airing at the beginning of 2009, Being Erica is a show that follows the life of Erica Strange, a thirty-something year old woman whose life is turned around when she begins an unorthodox form of therapy. Her sessions essentially consist of her being sent back in time to relive past regrets, a smooth blend of science fiction and comedy-drama that seems almost believable at times. Continue reading