As I write this #BachelorNation, millions of viewers strong, is wrapping up the second episode of the 23rd season of The Bachelor. Having said that, let’s cut to the chase: I’m watching The Bachelor again (though I have not resurrected my meme instagram account)! In all seriousness, the actual chase being cut to is this: there’s a Chinese girl on Colton’s season!
As a quick aside, there have been other Asian women on The Bachelor, and vastly more than the number of Asian men on sister show The Bachelorette. Those contestants, mentioned in past race-related Bachelor posts, have (to my knowledge) all been mixed race (and always with one white parent). All of a sudden here we are, 17 years after the show has premiered, and we have Revian Chang.
Similar to past topics only cursorily mentioned, the Facebook group subtle asian traits is entirely deserving of its own blog post. Putting that aside for now, it’s the following post on that page that brought the news to my attention:
For the uninitiated, “ABG” stands for “Asian Baby Girl”, which Urban Dictionary helpfully defines as a “Cute asian girl looks like aecinira on twitch.” Which is helpful to some readers, probably. The post was edited soon afterwards to reveal the reason for the title of this post: Revian never made it past the first night.
Posted in language, race, relationships, sex, television
Tagged #Justice4Revian, ABC, ABG, asian, Chinese, Colton, diversity, injustice, introduction, limo entrance, Mandarin, premiere, race, relationships, representation, Revian, Revian Chang, rose ceremony, Season 23, subtle asian traits, television, The Bachelor, TV
Almost exactly a year ago today I wrote a little about race and my latest obsession at the time, ABC’s The Bachelor. At that point we were in the middle of its 20th season, which had the very affable Ben Higgins as the pearl of great price 28 women were striving to attain.
While both that show and its spinoff, The Bachelorette, have never had stellar track records as far as racial diversity, things came to a head when Jubilee Sharpe, the final Black contestant remaining, was eliminated on the first day of February [AKA Black History Month]. Cue soundbites from higher-ups that “[they’re] doing a whole lot of tweaks”. Not that that’s anything new, as a lengthy interview that NPR conducted with host Chris Harrison back in 2015 reveals they’ve long been aware of the issue, and that they want to do something about it. Harrison also used the exact words “we really tried” after surmising that a previous previous star was “1/16th Cherokee Indian”, if that’s any indication of what we might expect.
Those of you who follow both shows will be well-aware of the events that took place at the beginning of this week, but before I get into that I want to fill in the gaps between that last post and this one.
So, What Happened After Ben’s Season?
The cyclical nature of franchise means that the The Bachelor premieres every January, with The Bachelorette following not too long afterwards in May. ABC Entertainment Group president Paul Lee, the man who hinted at the “tweaks” up above, also told reporters at the time that:
“I’d be very surprised if ‘The Bachelorette’ in the summer isn’t diverse. I think that’s likely”
He also made reference to something called the “farm team” which a) I recently found out is sports terminology and has nothing to do with animals or actual farms and b) is the term for the contestants featured on each season of The Bachelor or The Bachelorette. Variety notes that the norm is for the next Bacheloron [a gender neutral term for the star of either program that I took from an article I’ll link to later] to be from the previous season’s “farm team”. With that in mind both fans and critics of the franchise saw the 12th season of The Bachelorette as the perfect opportunity to make that much-needed change. Continue reading
Posted in language, race, relationships, television
Tagged ABC, attraction, audience, Bachelor, Bachelorette, Bacheloron, black, Caila, Caila Quinn, casting, Chris Harrison, farm team, JoJo, JoJo Fletcher, Jubilee, Jubilee Sharpe, language, race, Rachel, Rachel Lindsay, reality TV, The Bachelor, The Bachelorette, TV, viewers
I should probably state two things right off the bat, just to set the stage. The first is that editing anything, whether it be a weekly all-comics print publication or a blog that floats a measly few thousand views a week [not a humblebrag, I know what good site traffic is], is difficult. The second is that I consider fellow Culture War Reporter Gordon one of my best friends on this planet. It’s for those two reasons that I find covering the issue of piracy, of the copyright infringement variety, so harrowing.
In writing this post I forced myself to do my due diligence and read over my co-writer’s others two articles concerning the topic, and it was truly an ordeal. While in his first there are some fairly reasonable assertions like “Some People Will Never Buy” they’re coupled with others like “Anti-Piracy Hurts the Environment”, a point that ignores outlets like Netflix and other similar legal streaming services that harm God’s green earth just as much as The Pirate Bay. The second covered the “Vindication of Piracy” predicated on an article published by the BBC. All I have to say about that is . . . covered in the lengthy comment I left on that very post, if you’d like to check it out on your own.
As you should be able to tell based on how the above paragraphs are written, I feel very strongly about this. Which should make it particularly notable when I say that due to recent events in the past week I almost agree with Gordon.
And it’s all because of Hulu.
Hulu is the most compelling argument I have ever come across that piracy is both legitimate and possibly even necessary.
Now it’s going to look like I’m talking down to you, but I just want to make everything as clear as possible.
When we watch TV we are bombarded by commercials because the networks need money [as we all do] to survive. Some of that money makes its way to showrunners and the like, and the more successful their programs are the more money, ostensibly, the network will give them, because you want to spend money on that which makes you money. Hulu is an American streaming service that allowed you to watch TV shows the day after they aired, but had them accompanied by ads, for obvious aforementioned reasons. Continue reading
Posted in advertisement, advertising, media, money, morality, television
Tagged ABC, ads, advertising, argument, cable, channel, commercials, Fox, Hulu, legal, Limited Commercials, money, netflix, network, No Commercials, online, piracy, plan, price, service, streaming, subscription, support, The Mindy Project, TV
Roughly six years ago I sat in a guest house in London, England, and complained to a Korean friend about not being attractive. It’s funny seeing it typed out now, and it wasn’t so starkly apparent at the time, but that’s exactly what I was worried about. We were studying abroad with a group of mostly White classmates from a predominantly White liberal arts college, and as an eighteen-year-old I had dating on the mind. That, and the beginnings of the idea that things might not be so easy for me given the colour of my skin.
And unlike John Cho and his suit, my skin does not peel away to reveal more equally-good-looking skin underneath.
My primary source was media and pop culture, and how interracial relationships weren’t showcased much, if at all [not much has changed, 2009!]. I suggested that this might create a life-imitating-art situation, where young non-hyphenated-American women might not be as open to the idea of getting together with an Asian guy due to never seeing it on screens small or large. He brought up that he’d had no problems in the past [being musical, and with that bone structure?], as well as the more damning evidence that neither had I. With that I left the topic of conversation alone, not entirely convinced or at peace with the whole thing.
Posted in film, media, race, relationships, television
Tagged #selfie, 2 Broke Girls, ABC, asian, attractive, desirable, diversity, film, Glenn, Han, hot, John Cho, Korean, Maggie, Portrayal, race, representation, revolutionary, role, romantic, sitcom, Sung Kang, The Walking Dead, TV
“There is nothing new in art except talent,” words by Anton Chekhov that I was forced to look up because I’ve already cited Ecclesiastes in a prior post. They’re also words that I feel forced to grasp firmly on to as I’m faced with the deluge of television spin-offs soon to flood your televisions and my laptop with more and more of the same. With that being the worst case scenario, of course.
That being said, I’m going to try my best to take the stance I typically take on these sorts of things, which is that ultimately execution trumps everything else. Chances are that you wouldn’t have thought that a movie about a guy with his arm trapped under a rock would be able to hold your attention, but 127 Hours is great. The premise of a work of art does not damn it, though it certainly colours how audiences choose to approach and experience that work. Continue reading
Posted in bizarreness, media, money, television, writing, zombies
Tagged ABC, AMC, better call saul, Breaking Bad, CBS, Gil Thorpe, How I Met Your Father, How I Met Your Mother, Modern Family, popular, premise, saul goodman, spin-off, spinoff, stuff, Ted, television, The Walking Dead, things, TV
This past Monday a new show called The New Normal premiered on NBC. I wasn’t able to catch the pilot, though I did make sure to watch a preview to see what it was all about. You can watch the whole thing if you want, but what I want you to see is right near the beginning:
So at around 22 seconds into the trailer we’re shown that Goldie’s good-for-nothing husband has cheated on her, which becomes the catalyst to her drive across America to begin life anew with eight-year-old daughter.
Posted in feminism, media, sex, television
Tagged 2 Broke Girls, ABC, break-up, break-ups, Captcha Reader, CBC, Community, dating, divorce, Don't Trust the B---- in Apartment 23, female characters, feminism, Fox, Girls, HBO, NBC, New Girl, single, sitcoms, strong independent woman, television, the A.V. Club, The Mindy Project, The New Normal, Troy and Abed