Tag Archives: The VVitch

CWR’s Halloween Recommendations IV

Well my repellent readers, after a horrific hiatus Culture War Reporter’s is back from the grave to fight for your faithful following. And we start with one of my personal favorites, our fourth annual Halloween movie recommendations! Now let us feast!

The Perfect Host

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As a rule, I don’t consider “comedy horror” to be a legitimate subgenre of horror. Things are either scary or they’re funny and mashing ’em together in a movie usually makes sure that it’s neither. That said, 2010’s The Perfect Host may well change my mind about that. Imagine if Hannibal was a black comedy and you pretty much have this delightful hidden gem. We bear witness to an evening of strange events as a conman knocks on the wrong door and gets more than he bargains for. And since you’re wondering, yes, that is Niles from Fraiser. He actually makes a pretty compelling villain.

 They Look Like People

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This is, without a doubt, one of the single best movies I have ever seen.

I cannot sing its praises enough. I’d spend a whole blog post breaking down all the things that make it awesome, but I don’t want to give away a single second of it. Know only that a young man receives a surprise visit from a childhood friend. What follows is a slow-burning, subtle, and staggeringly realistic film in the vein of such masterpieces as Stoker and It Follows. Amazingly written, beautifully shot, and utterly compelling. If you watch literally nothing else on this list, watch this.

 We Are What We Are

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It’s about a family of cannibals. But you knew that. You’d know that from the trailers, from the first five minutes, or from having watched even an episode or two of X-Files. But fortunately, the folks behind We Are What We Are know that you know that, and spend their time making this film less about any cliched twist (though there is certainly an unexpected jolt at the end) and more about painting a vivid and haunting picture of American Gothic. Beautifully shot, amazingly acted, and with a much needed degree of self-awareness that raises this film head and shoulders above it’s just-for-the-fans brethren. Continue reading

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