Author Archives: trotskyite

The Madness of King Donald

“King Donald?

No, that can’t be right.

This is Rome, after all. Yes, Rome in all her grandeur. And the year is 36 AD, if I knew what ‘AD’ meant. Anno Domini, they say, ‘The Year of our Lord.’

Not that I have any idea what you’re talking about. Our lord is, of course, the great and glorious Emperor Tiberius. But this you surely know.

They whisper in the streets that Tiberius only rose to power because his step-father was the mighty Caesar Augustus, but if you were to only see the man, you would know that this is not the case. Indeed, you may find many here who would disparage the great emperor as a fool at best and a madman at worst, but these are nothing but false reports!

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Of course, you may not have the good fortune to see Emperor Tiberius. He is away presently, as he so often is, at his villa in Capri.

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But just because he’s off in some pleasure villa doesn’t mean he’s not working tirelessly to make Rome great again! Granted, our historian Tacitus has recorded the emperor as a temperamental man who goes on rants (such as decrying the Senate as ‘men fit to be slaves’), but do you know what? I can appreciate an emperor who says exactly what’s on his mind.

Not like these purveyors of wicked falsehoods! Continue reading

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How To Not Ruin The Silver Chair

I get why it’s so tough to fully adapt the whole Chronicles of Narnia into films.

Sure you can make headway capturing the magic and wonder of The Lion, The Witch, and the Wardrobe. It’s a well-known story with mass appeal and everybody loves Mr. Tumnus.

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Yet when I stand in the woods holding my package, people get all uptight about it. [Source.]

And while it’s nowhere near as popular, Prince Caspian makes for a good, old-fashioned swashbuckling romp.

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My name is Inigo Montoya!

Do it right and you might have the momentum to try The Voyage of the Dawn Treader.

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I’M ON A BOAT (the movie)

And that usually kills it.

Not that folks haven’t made valiant efforts. It’s just that Dawn Treader is a much slower story – more of a “travelogue” than an adventure on the high seas. The battles, beasts, and betrayals that mark the other two are noticeably absent here, as are two of the original four Pevensie children, and much of the steam built up by the previous two installments.

And that’s a damn shame. Continue reading

Why We Shouldn’t Care About the Intersex

The Case for Unisex Bathrooms.”

Faithful followers of this blog may recall that was a post we ran back in November of 2015, dealing with the push for equal bathroom access for transgendered folks. Yours truly made some pretty compelling arguments, and you’d expect the universe to comply with my effervescent fountain of wisdom, yet on February 22nd, the Trump administration announced it would repeal transgendered bathroom protections established by Obama.

So here we are again.

And that’s a little strange, because other than a couple incidents, I don’t recall a sudden wave of sexual assaults taking place after the Obama administration instituted its protections. Maybe it’s like how gay marriage was supposed to bring about the downfall of society, and it just takes a suuuuuuper long time to get started.

Or maybe it’s just a gut reaction to some of the more stupid elements out there. The folks who’d argue that the world should respect their choice to identify as a bottle of mayonnaise:

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Given painfully unironic martyrs like that, it’s not completely baffling why some people would push back against any unusual gender identity. Continue reading

We’re All In Danger: An Open Letter to Minority Republicans

These are the facts:

Last Wednesday, Srinivas Kuchibhotla and Alok Madasani – two Indian-born engineers living and working in the US – stepped into Austin’s Bar & Grill in Olathe, Kansas. As they had done so many times before, they ordered drinks and unwound after a long day of work. On this particular evening however, Kuchibhotla and Madasani were approached by another patron, Adam Purinton, who began to shout racial slurs at the two men and demanded to know “Which country are you from? Are you here illegally?”, before shouting “Get out of my country!

Purinton was thrown out of the bar, only to return with a gun, opening fire on Kuchibhotla and Madasani. Kuchibhotla was killed and Madasani was injured, along with twenty-four year old patron Ian Grillot, who attempted to subdue Purinton. Purinton fled on foot, and was next seen five hours later at an Applebees across the state line. Purinton claimed openly to having killed “two Middle-Eastern men.” Purinton was promptly arrested and extradited from Missouri back to Kansas, where he has been charged with first-degree murder, bail set at two-million dollars.

Once again, these are the facts.

What follows is the tricky part.

How do I write about this – any of this – without devolving into incoherent rage? After all these tragedies over all these years, have we gotten any closer to make sense of the senseless?

Perhaps I could write about how Indians and Sikhs have repeatedly been the targets of hatred intended for Arabs and Muslims. How ever since 9/11, an entire group of people who have done nothing – nothing – to harm the US have been harassed, belittled, and even murdered.

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And the 2012 massacre in Oak Creek, WI is just one of many examples

Continue reading

Devil Town: Our Infernal Interview with Nick Barrett

piuyfvbsjhgs1z4ixkmww8zfz7-hfyxado1tt5eisqc6npa2j5_o1xdezck5h3p4rdblj2gwwhfzjmupgctijf3hkwoowaut34jih51s0uy_hymq_cg5ivjyjx4gs8mrlscold2fgz5dat-j5fnkscyik2zbtd-2vf_adftpmbd54esgp0jtlfdranfhnlem5niid4ocLast week, CWR was given a chance to review Devil Town, a short film in the spirit of classic 60s horror.While Devil Town’s protagonist may have been unwittingly cornered, the fiendish flick’s creator was more than happy to speak with us about his inspiration. Here’s our interview with director Nick Barrett.


Could you tell us a bit about what inspired the story behind Devil Town?

As with most film ideas it’s usually a collision of different thoughts and influences. In Devil Town’s case I was given an old fashioned whistle as a present and just had it lying around my room, I kept picking it up and thinking why someone would pull it out of their pocket. I’m also a huge fan of the old fifties Twilight Zone as well and always loved their ‘containment’ episodes, ones that were set entirely in say a train station waiting room, a roadside café or, infamously enough, a plane journey at  20,000 feet. These kinds of shows were known as ‘bottle’ episodes (episodes designed to save money by using limited props, actors and locations) but they’re some of my favourites as well – and the concept lends itself perfectly to low budget shorts. When done well the viewer won’t even be aware of the contained environment, or it just becomes so integral to the narrative that it isn’t an issue – you can see it working brilliantly in recent films like The Invitation or Green Room or a TV show like Inside No 9.

Harold Pinter was a big inspiration too – the concept of a stranger invading another’s space, the power struggle between two characters, conflicting class systems, you see all that in things like The Homecoming, The Servant, The Birthday Party and The Caretaker – and I’m sure the concept of a rather sinister tramp was subliminally lifted from the great man’s work. Continue reading

Devil Town: A Short Film Review

piuyfvbsjhgs1z4ixkmww8zfz7-hfyxado1tt5eisqc6npa2j5_o1xdezck5h3p4rdblj2gwwhfzjmupgctijf3hkwoowaut34jih51s0uy_hymq_cg5ivjyjx4gs8mrlscold2fgz5dat-j5fnkscyik2zbtd-2vf_adftpmbd54esgp0jtlfdranfhnlem5niid4ocWe open on a late afternoon as a ragged street preacher prophesies impending death and doom to disinterested passers-by. Among their number is Patrick Creedle (Matthew Hebden of Cartwheels and The Basil Brush Show), a character as fantastically despicable as his phone conversations are loud and abusive.

Which, for the record, is very.

Creedle steps into a local cafe for a coffee, unaware that the street preacher has followed him inside. Cornering Creedle at his table, Rime of the Ancient Mariner-style, the street preacher demands a few minutes of his captive’s time to relay a tale of creeping horror.

Hebden’s performance is definitely the highlight of the film, appearing instantly despicable without being cartoonish. He’s very much the self-absorbed ***hole that we know to well, and in his more sympathetic moments, Creedle could very much be us if we were caught on a bad day.

Our street preacher (Johnny Vivash of The Creature Below and The Collaborators) does a decent job of portraying a schizotypal vagrant who might not be quite as crazy as he first sounds. His insistence that a dark conspiracy is afoot grows increasingly eerie with every desperate whisper. Continue reading

Animus: Our Soul Searching Interview With Johnny Sachon

mv5bowrioda2ngmtntvjns00nzizlwjkzgqtmwe1yjhmmdlly2qzxkeyxkfqcgdeqxvymju5otazmzi-_v1_sy1000_cr006581000_al_Last week, CWR published our review of Animus, a short but powerful film directed by Mark J. Blackman. This writer had an opportunity to put a few questions to Animus actor/producer Johnny Sachon, who was nice enough to take the time to respond.

What inspired the story behind Animus?

It all came about quite organically. I’d worked with Katie [Goldfinch] a few times before. We both felt that we brought the best out in each other and wanted to challenge each other. As we’ve both produced films as well we made the decision to develop something together.

I met Mark [J. Blackman] in Cannes 2012 and had been following his work since. Out of the blue Mark contacted me regarding another project which sadly didn’t come work out for me. However, Mark asked me if I had anything else I was working on… and it just so happened I did. I guess everything happens for a reason.

2016 was a strange year for a lot of people and from my point of view I felt a lot happened in my own life as well that I wanted to explore and even exorcise in some way. The three of us met, and again, quite organically began discussing all of this and found a mutual subjects and ground to build upon. We spoke about absolutes – we wanted to produce a drama set in one location that focused on the performances.  Having recently worked on projects that were bold and intensive when it came to their scale of production  Animus was quite a refreshing challenge we all looked forward to. Out of these meetings Mark wrote Animus. The first draft was remarkably close to what you see on screen. Continue reading