Last week, I asked what exactly it meant to be White. Today, I’d like to step back and show you what it was that brought up this question in the first place.
It was this image here:
Now that got posted by a friend of mine. Good guy, but with a habit (in my opinion) of reposting whatever liberal dreck pops into his FB feed without taking the time to question it. Allow me to break down why that image is such festering garbage.
First and foremost, it’s unbelievably racist. Not white-hoods-and-burning-crosses racist (we’ll get to them in a minute) – we’re talking the condescending, insidious racism of White liberal elites.
“Because I’ll endorse Obama and speak at the Women’s March, but **** Asians and Palestinians.”
Posted in America, bizarreness, environmentalism, film, geography, government, health, history, media, morality, politics, race, Sociology
Tagged African-American, Allegany, Amernian Genocide, Appalachia, Armenian, asian, Asian-American, BET, bigotry, black, Bosniak, classism, Cletus the slack jawed yokel, Deliverance, environment, gay, Hick, Holocaust, identity, Infrastructure, irish, It's Always Sunny In Philadelphia, Italian, jewish, McPoyle, Meryl Streep, non-white, People of Wal-Mart, Polish, poverty, privilege, Redneck, Roma, Rural, Scandinavian, Srebrenica, The Beverly Hillbillies, Todd Berry, Trump, white, White trash
Just to start with, I honestly don’t think anyone expected to see Scarlett Johansson mercilessly gunning down Asians in two separate movies:
Lucy (2014) – “You speak English?” *BLAM*
Ghost in the Shell (2017) – Well, at least they’re armed this time.
That’s a bit of a tangent, but still relevant as this was sparked by the live-action Ghost in the Shell adaptation, which premiered in theatres across the country today. It’s also worth starting things out with a diversion, if only because I didn’t want you to get into a breakdown of the title a split second after reading it.
FACT: All Asian Americans are Asian by definition, but not all Asians are Asian Americans. The truth is that most Asians aren’t. While they may share an ethnic heritage, as well as many cultural similarities, Asian people who were born and raised in and reside in an Asian country have vastly different wants and needs and priorities than those who were born and raised in and reside in North America [and other non-Asian countries].
For the purposes of clarity I will be referring to the former as “Asians”, and the latter as “Asian Americans”.
With all of that being said, it should be obvious that Asians and Asian Americans also have very different views when it comes to their shared representation in Western media. Continue reading
Posted in America, Asia, bizarreness, film, race, television
Tagged Asia, asian, Asian-American, casting, demographic, Ghost In The Shell, Japan, Japanese, Lucy, opinion, opportunity, perspective, race, representation, Scarlett Johansson, whitewashing
Technically my posts are supposed to go up on Friday. As loyal readers may have noticed, and much to my chagrin, my tendency as of late has been to put them up on Saturday, and sometimes even Sunday. This is one of those very rare instances where I’m glad I took some time to get to a particular topic.
See, this Thursday I came across the Comic Book Resources headline “Finn Jones On Iron Fist Criticism: ‘Danny Is Not A White Savior’”, which I ended up clicking on against my better judgement.
The actor begins by empathizing with those who might be upset about Netflix’s latest upcoming Marvel project, saying:
“I understand where this frustration comes from. I understand the need for more diversity in television and films, especially for Asian actors. I understand that frustration. I agree with it, and I stand in solidarity with that voice.”
I filled my lifetime quota for Well-Meaning White Person™ responses with Tilda Swinton last year, though, so there’s only so much Jones’ attempts at allyship could do to affect me. What really riled me up, to the point where I was going to lean hard into the style of my co-writer Gordon’s profanity-laden rage posts, was what he mentioned a little later on:
“People from all over the world, all different cultures come from K’un-Lun, so it isn’t just this Asian-specific culture. You have people from Brazil there, you have people from Europe there. It’s a multicultural intergalactic alternate dimension.”
Fortunately I’ve since been able to calm down, so let’s take a few steps back and start from the top. Continue reading
Posted in Asia, comics, film, media, race, television
Tagged alternate dimension, Asia, asian, Big Hero 6, casting, China, Chinese, Danny Rand, Doctor Strange, Finn Jones, fish out of water, Iron Fist, K'un-Lun, Kamar-Taj, Kunlun, Marvel, multicultural, netflix, race, representation, San Fransokyo, White Savior, white saviour
With the 89th Academy Awards coming in just a few short days I’m grateful for the opportunity to interview director Juanjo Giménez and pick his brain about Timecode, which has been nominated for Best Short Film.
This comes roughly two weeks after my review, and I made the most of the occasion by trying to unpack so much of what I enjoyed about this particular piece of work. While I was only able to ask so many questions, I hope that Giménez’s answers help shine a little light on why Timecode was considered for this great honour, as well as why it might deserve it.
To start with, it’s almost no surprise that Timecode was nominated for both an Academy Award and a Goya Award given your impressive filmography. Has having written, directed, and produced so much award-winning work changed your approach with each new project?
I don’t think so. I think that no filmmaker thinks about awards or recognition when making a new film. In our case, financing every new project has always been difficult, even if the previous film has been a successful one. The only thing that is essential for approaching a new project is the need to make it.
It’s notable that much of the work you’ve received the most attention for are your short films. What is it that appeals to you about that particular format?
Timecode is my ninth short film as director. I learned that short films usually fit the way I approach filmmaking better. And what’s more important, there’s nothing wrong with that! That doesn’t mean I won’t make a feature film again, but shorts provide a great platform for experimenting without the financial struggles that usually constrain a fiction feature. Even if I speak as a producer, in terms of financial results, my shorts have always been more profitable than my features. Continue reading
Posted in art, dance, film, interview, media, writing
Tagged Academy Awards, acting, actor, Best Short Film, choreography, cinematographer, composer, dancer, dancing, interview, Iván Céster, Juanjo Giménez, Lali Ayguadé, music, Niccolas Ricchini, nominated, Pere Pueyo, performance, review, score, security guard, short film, Timecode
Last week, CWR was given a chance to review Devil Town, a short film in the spirit of classic 60s horror.While Devil Town’s protagonist may have been unwittingly cornered, the fiendish flick’s creator was more than happy to speak with us about his inspiration. Here’s our interview with director Nick Barrett.
Could you tell us a bit about what inspired the story behind Devil Town?
As with most film ideas it’s usually a collision of different thoughts and influences. In Devil Town’s case I was given an old fashioned whistle as a present and just had it lying around my room, I kept picking it up and thinking why someone would pull it out of their pocket. I’m also a huge fan of the old fifties Twilight Zone as well and always loved their ‘containment’ episodes, ones that were set entirely in say a train station waiting room, a roadside café or, infamously enough, a plane journey at 20,000 feet. These kinds of shows were known as ‘bottle’ episodes (episodes designed to save money by using limited props, actors and locations) but they’re some of my favourites as well – and the concept lends itself perfectly to low budget shorts. When done well the viewer won’t even be aware of the contained environment, or it just becomes so integral to the narrative that it isn’t an issue – you can see it working brilliantly in recent films like The Invitation or Green Room or a TV show like Inside No 9.
Harold Pinter was a big inspiration too – the concept of a stranger invading another’s space, the power struggle between two characters, conflicting class systems, you see all that in things like The Homecoming, The Servant, The Birthday Party and The Caretaker – and I’m sure the concept of a rather sinister tramp was subliminally lifted from the great man’s work. Continue reading
We open on a late afternoon as a ragged street preacher prophesies impending death and doom to disinterested passers-by. Among their number is Patrick Creedle (Matthew Hebden of Cartwheels and The Basil Brush Show), a character as fantastically despicable as his phone conversations are loud and abusive.
Which, for the record, is very.
Creedle steps into a local cafe for a coffee, unaware that the street preacher has followed him inside. Cornering Creedle at his table, Rime of the Ancient Mariner-style, the street preacher demands a few minutes of his captive’s time to relay a tale of creeping horror.
Hebden’s performance is definitely the highlight of the film, appearing instantly despicable without being cartoonish. He’s very much the self-absorbed ***hole that we know to well, and in his more sympathetic moments, Creedle could very much be us if we were caught on a bad day.
Our street preacher (Johnny Vivash of The Creature Below and The Collaborators) does a decent job of portraying a schizotypal vagrant who might not be quite as crazy as he first sounds. His insistence that a dark conspiracy is afoot grows increasingly eerie with every desperate whisper. Continue reading
Posted in film, science fiction
Tagged Devil Town, Elina Alminas, film, horror, horror movies, Invasion of the Body Snatchers, Johnny Vivash, Matthew Hebden, review, short film