I never really liked Shakespeare.
Never hated the guy, mind you- downright enjoyed a few of his plays (The Tempest, Coriolanus, Hamlet). Still, I never really could bring myself to relish the bard’s works with the same zealous enthusiasm of the drama geeks and English majors.
With that in mind, you might spare me perhaps a little of the horrified gasping when I ask:
Is it time to stop reading Shakespeare?
And I ask that with all sincerity. I’ve made no secret about my general dislike of the theater and the culture surrounding it, but I’m not here to talk about those guys.
You know the type. Melodramatic airheads who’ll actually only refer to this as “the Scottish play”…
I’m talking about the actual works of William Shakespeare here.
Why still read ’em?
After all, with every passing year, we drift further and further away from those stories. In spite the film industry churning out one or two adaptations or modernizations of Shakespeare’s plays, there’s only so many ways to re-imagine Romeo and Juliet.
Posted in bizarreness, history, language, literature, Sociology
Tagged academia, adaptation, antigone, aristophanes, avon, bard, books, coriolanus, Culture, economy, electra, greek tragedy, Hamlet, literature, Macbeth, modernization, othello, play, plays, reboot, remake, Romeo and Juliet, Shakespeare, sonnets, sophocles, study, The Godfather, the merchant of venice, the tempest, theater, timon of athens, Tourism, value, Values
A few weeks ago a close friend called me up because her family had bought a bunch of tickets to see The Phantom of the Opera at Seattle’s Paramount Theatre. Lucky for us, they ended up with a few extra tickets that they needed to sell. The tickets were an incredible deal and Seattle isn’t very far from where we live, so we leapt at the opportunity.
On the day of the play we were ecstatic. In high school, several friends and I had become obsessed with the film version of The Phantom of the Opera. One of these friends made himself a Phantom-like cape for Halloween and even managed to convince the rest of our class that we should have a Phantom of the Opera theme for our grad banquet. While John wasn’t quite as familiar (or obsessed) with Phantom, he had acted in community theatre in high school and was looking forward to seeing a professional version of such a well-known play.
At this point I should probably warn you about spoilers, just in case you have never seen the film or the play.
Since our tickets were such a great price, we were hardly surprised when we were seated in the nosebleeds. Quite frankly, we didn’t care. We were too busy looking around at the ornate theatre itself.
This was the only photo I was allowed to take in the theatre itself. As you can see, we were pretty far back. The brown object in the centre is the chandelier, covered up, and the stage is covered with a dark screen that makes all the objects appear covered in cobwebs.
Posted in art, Culture War Report, film
Tagged boat, Broadway, chandelier, Christine, elaborate, Eric, experience, film, IMAX, Lake under the Paris Opera House, Paramount Theatre, Paris Opera House, Phantom of the Opera, play, Raoul, Seattle, set, set design, sing for me, spoilers, stage, surrounded, the movie, the Phantom, theatre, tickets