Tag Archives: stage

The Power of Twitter Showcased at the Oscars: #OscarsSoWhite, #YesAllWomen, and #AskHerMore

Twitter has changed the way news is reported. The Black Lives Matter movement has been particularly successful in raising awareness for cases of police brutality that generally would have been overlooked by mainstream news channels.

Arguably the second most important aspect of Twitter is its ability to connect celebrities to their fan base. With the prevalence of these two features, it’s hardly surprising that celebrities and celebrity events have become more politicized.

This year’s Academy Awards are a prime example of this overlap between the celebrity world and political struggles that have been highlighted via Twitter. Below, I’ve included a few notable examples of Twitter flexing its muscles at the Oscars

#OscarsSoWhite

I’m not going to dwell too much on the circumstances of the #OscarsSoWhite boycott, since Gordon and Evan have already thoroughly explained its context. However, I do want to talk a bit about how the controversy was handled by the Oscars host, Chris Rock.

tumblr_o3ajap2ea01rwbf4ro1_500

Overall, I thought Rock did a great job calling out the Academy without reducing his monologue to a humourless lecture. However, in his article for Salon, Arthur Chu points out that,

Acting like caring about day-to-day violence in the streets and the impact media and culture have on that violence are somehow mutually exclusive — a common, frustrating, tired argument anyone who talks about racism in media will inevitably see dozens of times in the comments section — ignores history.

It ignores the many, many arguments that have been made about how the excuses made for the deaths of Trayvon Martin and Mike Brown frequently come verbatim from untrue stereotypes out of TV and movies, how the only way Darren Wilson’s description of Brown as a “demon” who was “bulking up to get through the bullets” could possibly make sense to anyone is after a lifetime of media portrayals of the scary superhuman black man. It ignores Martin Luther King going out of his way to call Nichelle Nichols and tell her not to quit “Star Trek” because having a black woman on TV who wasn’t a domestic servant mattered. It ignores the ongoing civil rights protests around the Oscars back in the 1960s and ’70s, including Marlon Brando making history as the first and only best actor winner to boycott the ceremony, sending American Indian Movement activist Sacheen Littlefeather to accept the award in his place.

Similarly, several activists have since pointed out the one-dimensionality of calling for more black representation only to appeal to Asian-American stereotypes for a laugh. Continue reading

Advertisements

In Defence of the Theatre [or What the Film Version Just Can’t Give You]: A Culture War Report

theatreA few weeks ago a close friend called me up because her family had bought a bunch of tickets to see The Phantom of the Opera at Seattle’s Paramount Theatre. Lucky for us, they ended up with a few extra tickets that they needed to sell. The tickets were an incredible deal and Seattle isn’t very far from where we live, so we leapt at the opportunity.

On the day of the play we were ecstatic. In high school, several friends and I had become obsessed with the film version of The Phantom of the Opera. One of these friends made himself a Phantom-like cape for Halloween and even managed to convince the rest of our class that we should have a Phantom of the Opera theme for our grad banquet. While John wasn’t quite as familiar (or obsessed) with Phantom, he had acted in community theatre in high school and was looking forward to seeing a professional version of such a well-known play.

At this point I should probably warn you about spoilers, just in case you have never seen the film or the play. 

Since our tickets were such a great price, we were hardly surprised when we were seated in the nosebleeds. Quite frankly, we didn’t care. We were too busy looking around at the ornate theatre itself.

chandalier

This was the only photo I was allowed to take in the theatre itself. As you can see, we were pretty far back. The brown object in the centre is the chandelier, covered up, and the stage is covered with a dark screen that makes all the objects appear covered in cobwebs.

Continue reading