Tag Archives: Marvel

Homosexuality In Comics As Of May 20th

hulklingwiccankissIn the series following superhero team The Authority Batman/Superman analogues Midnighter and Apollo shared a kiss in 2000. A decade later Kevin Keller premiered in an issue of Veronica, the first openly gay character in Archie Comics history; he meets his future husband in a military hospital after being wounded in action. This year Young Avengers Hulking and Wiccan shared their first kiss, the result of the former proposing to the latter. Not to be outdone, fellow Marvel character Northstar will actually be beating the couple to the altar with his fiance this June.

Two days ago, May 20th, DC Senior VP Publicity Courtney Simmons announced that “One of the major iconic DC characters will reveal that he is gay in a storyline in June.”

As far as the Big Two go, Marvel’s ahead of the game. In this case, “the game” refers to “positive representations of homosexuals in comics.” Northstar announced “I am gay” in 1992, and since then has been followed by characters such as X-Man Graymalkin, Avengers Academy member Striker, and alternate-universe versions of many, many characters. In comparison, “new” Batwoman Katherine Kane is a lesbian, and is currently heading her own ongoing series, something Marvel can’t claim.

To be more specific, DC is going to reintroduce a previously existing character (previously straight) as “one of [their] most prominent gay characters.” This means that the character will not be Batman or Superman. As someone who can’t really get behind the company’s New 52 2011 relaunch I cannot speculate on what remaining characters may be coming out as gay. What I can state, however, is why other “major, iconic” characters could never be rebooted in this way.

It’s not because of fan outrage, though that’s a factor. So many of the really iconic DC characters have rich histories which involve their heterosexual love interests. It’s difficult to imagine Clark Kent without Lois Lane and her reporting on the Big Blue Boy Scout, and basically every male hero has a girlfriend who has played a significant part in their formation as a character. Batman is a character whose sexuality defines him almost not at all, though in his case his long-questioned relationship with the Boy Wonder may prove iffy.

That being said, I don’t see how major and/or iconic this gay DC character can be. To be that said character will have to have been around for a number of years. Fans are always complaining about something, but to retcon years of history will be a very messy process. I’m looking forward to finding out who it is, but am skeptical about how much clout the person will really have in the grand scheme of things.

[Very] Brief Thoughts On Entertainment

A bitter, angry old man once said:

There’s been a growing dissatisfaction and distrust with the conventional publishing industry, in that you tend to have a lot of formerly reputable imprints now owned by big conglomerates. As a result, there’s a growing number of professional writers now going to small presses, self-publishing, or trying other kinds of [distribution] strategies. The same is true of music and cinema. It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.

That same man wrote The League of Extraordinary GentlemenV for Vendetta, and one of Time Magazine’s All-Time 100 Novels, Watchmen. Alan Moore certainly has the writing credentials, but is he accurate in his assessment of the future of entertainment?

The truth is, as you’re probably well-aware, that the publishing industry is an ever-changing thing. ComicsAlliance writer Chris Sims has called for the “big two” [Marvel and DC Comics] to get serious about webcomics. In other words, for the two publishers to release content for free to compete in an age where people just aren’t buying print anymore. It would work as a way to increase and maintain interest in their product, and would even help sales; people who like reading something online will typically buy it if they like it enough.

As for creativity, I wrote in a post earlier this month [Mashin’ It Up] about people who are seemingly just reaching into a bucket of tropes and smashing them together at high speeds. Cowboys and Aliens was a movie that came out last year, and it wasn’t even original; it was an adaptation of a [honestly, not very good] webcomic. Not only that, but by next year Gore Verbinski will have directed Lone Ranger, with Johnny Depp as Tonto. That could be considered one step closer to Captain Crunch, I suppose.

At the same time adaptations are being made of novels. They may not be original screenplays, but the original work is nothing like a TV show from the 80s, it’s not built on nostalgia. Audrey Niffenegger’s The Time Traveler’s Wife was adapted for the big screen, and although it didn’t do great with the critics it still stands as evidence that books will do well; and they’ll do well enough to warrant films. This could lead into the conversation about how some books receive film opportunities before they’re even published, but that’s for another time.

The “conventional publishing industry” will continue to change; it has and it will continue to. Alan Moore is a cynical miser of a man [subjective], but he has a point that shouldn’t be ignored. We’re not doing great in regards to creativity, and it’s an area we should expect more from. Cynicism may appear to be the logical place to turn to, but looking for media worthy of attention is the more worthy activity.

Christopher Bird: Should Be Writing For Comics

Part of this post hinges on you having read the last one I did, Aaron Diaz: Has a Lot of Opinions About DC. In it I wrote about webcomicker Diaz, his redesigns of DC characters [and his reasons for doing so] in particular. Where that post and this one overlap is that Diaz wrote new origin stories for his reboots, and these have been the subjects of replete praise.

Christopher Bird, creator [and namesake] of the blog Mightygodking, is another man with ideas that involve the intellectual property of others. A man who knows [and loves] comics, he’s written his fair share of posts about them, and demonstrates an impressive knowledge of the work of both Marvel and DC. We would expect someone in his position to have strong opinions about the direction both companies are going with their comics, maybe even implying that either company would do well to hire him to write for one of their properties.

MGK should write Marvel’s Doctor Strange. And he has reasons.

Eight days ago MGK released the 42nd of his “I Should Write Dr. Strange” posts. That’s 42 reasons why Marvel certainly wouldn’t suffer by putting him in charge of writing about the Sorcerer Supreme himself.

The reasons, however, are never directed at his own qualifications. From the very first post, in which he creates a scenario where the colour blue has been magically leached from our existence, he presents stories. There’s little to no explanation whatsoever before he starts it off with the sentence, “One day, you wake up, and blue is gone.” From then on it’s a description of an eerie, uncomfortable scene right up until the last two paragraphs. The last one is but a single sentence, “And that’s why this is a job for Dr. Strange.”

I read through all 42 of his reasons this week, and was thoroughly engrossed and enchanted by every one. As someone who loves comics but isn’t terribly familiar with Dr. Stephen Vincent Strange, I found myself garnering an appreciation for the character and wishing that these stories, all hypothetical, were a reality.

Where MGK really excels in his knowledge of the lore behind it all. Whereas Diaz took and remade characters, creating an entirely new universe for them, MGK makes his narratives fit in Marvel continuity and acknowledges the world he’s writing in even though he has no obligation to do so. When he writes about Dracula he mentions Blade, and when writing about the death of Cytorrak [picture shown above] he makes sure to hint that there’s a chance not all is well with the Juggernaut. He even justifies his entire act of writing these reasons by explaining how it all continues to work even when Doctor Strange was no longer Sorcerer Supreme.

When it comes to writing about comics, especially Marvel and DC, it’s easy to criticize. While Diaz provided an alternative of sorts there’s a sense, in his redesigns, that he rejects a great deal of the characters’ original origins and histories. I enjoyed a few of his takes on a few heroes, but ultimately wasn’t convinced that this was an entire world worth creating.

MGK, Christopher Bird, on the other hand has won me over with his tremendous tales of superheroism and magic. He tips his hat at every turn to the ones who came before him, even though he technically does not come after them. He doesn’t disparage current writers [which isn’t to say that he’s never criticized any aspect of the industry], but instead provides stories, dozens of them, to prove that he knows the character and what he’s doing.

And, if after all of that, he hasn’t proved that he should write Doctor Strange, maybe he can convince you that he should write The Legion.

Everyone’s Talking About Miles Morales

It doesn’t matter if comics are something you keep up with or not, you’ve probably heard the news: Spider-Man is black. Yes, you’re reading it here for possibly the third or fourth time, but it’s true. Our resident wall-crawler is now a person of colour, and people are not happy.

In case you haven’t heard anything at all about this change, allow me to restate what’s been said a thousand times already. In the Ultimate Marvel universe Peter Parker has died, and replacing him is a half black, half Latino teenager by the name of Miles Morales.

Ever since this news was announced by USA Today five days ago the internet has erupted in outrage. Many see Marvel’s decision as the purest example of forced diversity, that in the politically correct culture we live in this is just one more addition to a long line of changes made to make us more accepting.

What’s really riling people up, though, is the media. Erik Hayden’s article for The Atlantic Wire entitled “The Backlash to the Backlash of a Multiracial Spider-Man” informs us that the way the news is being portrayed is strongly affecting how we react, whether it be Glen Beck tying this change to something Michelle Obama said or Scott Mendelson of the Huffington Post pointing out that “[. . .] Parker Had To Die To Make It Happen.” As media consumers people are taking on opinions and making them their own.

The most upsetting article so far was one I found on The Daily Mail website entitled “Marvel Comics reveals the new Spider Man is black – and he could be gay in the future.” My problem with the article was not that they misspelled his name and omitted the dash, it was the gross assumption implied by the title, and the fact that said title would both pull in and incite readers.

The title is based on a quote [found in the article] by Sara Pichelli, an artist who created the new Spider-Man’s look. It goes as follows: “Maybe sooner or later a black or gay – or both – hero will be considered something absolutely normal.” Nowhere does she mention that Miles Morales might be gay. Nowhere in that statement does she even hint at it. All Pichelli did was muse that perhaps one day our comic book heroes will have a little more diversity.

My ire at faulty journalism aside, allow me to lay down a few facts that may be able to extinguish any flames of frustration over this change in character. Miles Morales is the new Spider-Man in the Ultimate universe. Peter Parker died in the Ultimate universe. It’s not regular Marvel continuity and as far as anyone is concerned in the regular comics Pete’s still donning those red and blue webbed tights and trash-talking the petty thugs of New York City.

If you can’t cope with the very fact that Marvel had the audacity to kill Peter Parker in the first place check out the Wikipedia page on Ultimatum. People die in the Ultimate universe all the time, and it’s almost always permanent. If key members of the X-Men can bite the bullet then really anyone’s fair game.

On the off chance that you’re still upset tune in to MGK [Mightygodking] and what he has to say about the topic. He’s got a point.