On January 7th, 2019, at 8 PM (7 PM Central), ABC premiered the 23rd season of perennial reality TV favourite The Bachelor. Starring ex-NFL tight end Colton Underwood, this latest installment also held the promise of following Revian Chang, an Asian contestant, and her own search for love. It was a search that ended at roughly 11 PM (8 PM Central) that very same evening.
It was an event that I couldn’t pass up covering, and Revian somehow found the article I had written and reached out to thank me via email. After the weeks it took me to finally ask her to do a short interview she graciously agreed, opening up on her short stint on the show and what it meant to be a Chinese woman on the historically very white show.
There’s an easily traceable history of past contestants and future contestants running in the same circles. Did you know anyone else who had also applied to be on Colton’s season? Is there a whisper network for Asian-American applicants?
I didn’t know anyone who also applied for my same season. However, I was friends with a few previous contestants prior to applying.
In an interview with NPR Chris Harrison said that they “don’t get the same cross-section of casting,” specifically referring to the fact that there aren’t as many non-white applicants to the show as white applicants. He went on to say that “[minorities] don’t see themselves represented on television. They don’t see themselves represented equally. And so I would assume, ‘Why would I be going to do this if I don’t see myself there anyway?’” Do you agree with that?
I can understand the assumption as to “why would I do this if I’m not being represented, and if I am represented…it’s not equally,” and rejection or misinterpretation are both scary. But if we continue to assume this, then minorities continue to have a lack of representation.
I went in knowing that most contestants and viewers of The Bachelor are white. I didn’t allow it to scare me off. I think I wasn’t scared because I am confident and happy in who I am. And if a major network show were to cast me, I hoped I would be a good representation for a minority group.
Posted in Asia, interview, race, relationships, television
Tagged #Justice4Revian, ABC, ABG, asian, Chinese, Colton, Colton Underwood, diversity, injustice, introduction, limo entrance, Mandarin, premiere, race, relationships, representation, Revian, Revian Chang, rose ceremony, Season 23, subtle asian traits, television, The Bachelor, TV
As I write this #BachelorNation, millions of viewers strong, is wrapping up the second episode of the 23rd season of The Bachelor. Having said that, let’s cut to the chase: I’m watching The Bachelor again (though I have not resurrected my meme instagram account)! In all seriousness, the actual chase being cut to is this: there’s a Chinese girl on Colton’s season!
As a quick aside, there have been other Asian women on The Bachelor, and vastly more than the number of Asian men on sister show The Bachelorette. Those contestants, mentioned in past race-related Bachelor posts, have (to my knowledge) all been mixed race (and always with one white parent). All of a sudden here we are, 17 years after the show has premiered, and we have Revian Chang.
Similar to past topics only cursorily mentioned, the Facebook group subtle asian traits is entirely deserving of its own blog post. Putting that aside for now, it’s the following post on that page that brought the news to my attention:
For the uninitiated, “ABG” stands for “Asian Baby Girl”, which Urban Dictionary helpfully defines as a “Cute asian girl looks like aecinira on twitch.” Which is helpful to some readers, probably. The post was edited soon afterwards to reveal the reason for the title of this post: Revian never made it past the first night.
Posted in language, race, relationships, sex, television
Tagged #Justice4Revian, ABC, ABG, asian, Chinese, Colton, diversity, injustice, introduction, limo entrance, Mandarin, premiere, race, relationships, representation, Revian, Revian Chang, rose ceremony, Season 23, subtle asian traits, television, The Bachelor, TV
Even though I wrote a little over a thousand words last week on my experiences with Doctor Strange [required reading for this blog post] there were a couple of additional criticisms I wanted to level against both that specific film and the industry as a whole. While I covered pretty thoroughly how Asians were poorly represented in Marvel Studio’s latest offering, what I didn’t really touch on was why.
When Diversity Means Painting With All the Colour of the Wind
In the months leading up to the release of Doctor Strange the conversation about the Ancient One’s casting began heating up. With mainstream news outlets picking up on the controversy there were many waiting to hear from the creators themselves, which brings us to the episode of the Double Toasted podcast that guest starred screenwriter C. Robert Cargill.
While his explanations regarding the character have since been championed by those defending the casting decision, even after his rescinding all comments made, and in spite of them being refuted by others, in particular by Shaun of the No, Totally! podcast, what I want to focus on are what he says right after that:
Now if you don’t want to actually listen to him, which I find perfectly understandable, I’ve also transcribed the relevant quote [emphasis added]:
“But when you start to see this film you’ll see that what we were able to do with Kamar-Taj, we made one of the most multicultural films most people have seen in years. Like this film is [. . .] I’m not certain that there’s a single major race that isn’t represented with a speaking role in this film. It allowed us to bring in, even as small characters to build upon later, a lot of characters from the Doctor Strange universe who come from all over the world. We were able to play with a lot of things and it gave us a lot to work with.”
Posted in Asia, film, race, television, writing
Tagged accessible, Ancient One, Asia, asian, authentic, Big Hero 6, black, C. Robert Cargill, casting, Cheo Hodari Coker, Danny Rand, diversity, Doctor Strange, film, Finn Jones, Iron Fist, Japanese, K'un-Lun, Kamar-Taj, Luke Cage, netflix, race, representation, San Fransokyo, Scott Derrickson, screenwriter, showrunner, stereotyping, television, TV, writer, writers' room, writing