Category Archives: internet

Aaron Diaz: Has a Lot of Opinions About DC

If you peruse the website ComicsAlliance daily, like I do, then you’ve stumbled upon the increasingly controversial work of webcomic artist Aaron Diaz.

Starting in early October, with his post on tumblr Rebooting the Justice League!, Diaz has gone from being the creator of webcomic Dresden Codak to becoming the supposed saviour of the comic book industry. Featuring his own personal take on DC’s super hero team, he redesigned everything from costumes to origins.

This spawned a few other posts, such as Rebooting DC’s Villains!, in which he recreates the Legion of Doom as the “Secret Society,” and Rebooting Batman!, where the Caped Crusader is recreated to fit his new alternative DC canon [his earlier incarnation of the Dark Knight can be seen here]. Beginning with his take on the Justice League, each post has been featured on Comics Alliance, much to the delight/irritation of its readers.

Diaz states clearly that his reboots were spawned by DC’s own “New 52” [which I discussed, in part, here]. Their new designs for Starfire and Harley Quinn, in particular, were targeted in their elevation of sex appeal over utility. Diaz gets downright aggressive in his post DC Comics Reboots Dresden Codak!, where he imagines what it would be like if the company redesigned his own webcomic.

As you can see above, the female characters are overly curvaceous and barely dressed, while the men are very obviously the same male body type with different costumes and hair colour. While a point is being made satirically, he single-handedly slams the work of an entire publishing company instead of the individual artists or writers responsible for the designs he dislikes.

As one would expect, the comments on his tumblr consist almost entirely of praise for his work. One particular question asks “Can you just, like, take over DC and make this happen for reals? These redesigns actually look like superheroes I WANT to read about.” On his Justice League reboot Stephanie Charette admits that “I have never before commented on anyone’s Tumblr, but I must. This is what the comic’s industry needs to do. THIS. THIS. THIS.”

Leaving his tumblr for more balanced opinions, the comments on his features on ComicsAlliance provide a happy medium between blind adoration and outright disdain. Paying no heed to the ones about the rate he updates his comic [which is neither here nor there], there are comments which were written calmly and logically.

On one of ComicsAlliance’s latest features, Aaron Diaz’s ‘Tales of the Uncomfortable’ Takes a Halloween Look at Harley Quinn, a commenter states that “The message of DC has been beaten like a dead horse (particularly on this site) and I really don’t know what else to say anymore.” Thankfully someone else does, and they bring up a post on the tumblr of webcomic artist Amanda Lafrenais. The commenter even pulls a direct quote:

And I REALLY enjoyed, save for minor nitpicks, Aaron Diaz’s redesigns, criticisms and praise of costumes. However his newest post on the subject about cleavage and crimefighting kind of made me wanna talk about it. A friend pointed out that, yes baring your breasts is very impractical in fighting. But so are capes. And spandex. And having no padding or armor.

In her post Lafrenais goes on to push the idea that costumes aren’t really intended to be realistic [their utility further broken down by Edna Mode]. While she admires what Diaz has done, she implores artists not to “take the fun away,” and that there is a point where “practicality ends and fantasy begins.” Even though her post doesn’t address part of what Diaz is railing against, the overt sexualization of women, she does attempt to soften the extreme logic from which many of his designs were birthed.

On a personal note, I liked many of his redesigns, particularly his take on Batman and Robin. Conversely, I strongly disliked  some of his ideas, primarily taking Gorilla Grodd and making him more “Planet of the Apes” than “Mighty Joe Young.” The man has some great ideas [their originality contested by many commenters on ComicsAlliance], and he aims for a creative revitalization of the industry, which I can agree with.

My issue would be with the apparent bitterness his work gives off. His reboots were all well and good, but his portrayal of DC rebooting his own characters was unnecessary and extreme. I can understand in part why he’s doing what he’s doing, but he could cut down on the vitriol.

Lastly, I was very confused with a particular question I read on his tumblr. When a reader asked if he would be willing to redesign the entire DC universe, similar to what Marvel did with Brian Michael Bendis and their Ultimate line, Diaz responded with “I’d do it, and only if they paid me five times whatever Marvel pays Bendis.” I’m unsure as to whether he meant it sardonically, or if he actually believes he deserves five times the money Bendis does. Either way, I found it difficult to take.

Tune in next Thursday, when I write on Christopher Bird, aka “Mightygodking” [or “MGK” for short]. His titular blog is one of my all-time favourites, and his opinions on comics [and one character in particular] are deserving of some exploration. Particularly when viewed opposite of those of Aaron Diaz.

[follow-up post can be read here]

Barnes and Noble Partners with Wayfair.com, World Becomes a Sadder Place

Barnes and Noble: now your source for superfluously shiny things

Barnes and Noble will now be selling, among other things, popcorn makers, vacuum cleaners, and dehumidifiers via their website. The former sanctuary of all things book-related has prostituted itself out, it seems, to Wayfair, an online retailer. I may represent a non-objective opinion while relaying this information.

Wayfair is one of those frightening oh-my-gosh-we-sell-fricking-everything (like seven different types of bread boxes everything) websites where everything is in Helvetica (I watched that movie and am now a temporary font snob1) but all of the products elicit the same creepy feeling one gets from the idea of ordering cookies from magazines or packages of prepared meals from dieting programs. The kind of website that offers an ice bucket shaped like a crown for $517.49 and a Wonderbread plastic sandwich box for $3.99. That has 101 search results for the words “tissue box covers”.

So I weep for you, Barnes and Noble. I know that you were doing that thing where you tout overpriced polka-dotted notebooks under “Designed Exclusively for Barnes and Noble by [vaguely exotic name],” and I know that you were doing that thing where you partnered with Godiva, but at least the stationary was book-related and the chocolate was delicious. But furniture? Infomercial cookware? Who is going to buy their thermostat from Barnes and Noble, I ask you?2

I’m sure that there’s a grand marketing scheme going on here, and that by all calculations this will probably be a profitable move for Barnes and Noble, or the deal they struck with Wayfair was a steal enough for them to cut their losses if it doesn’t work. But the idea of like the internet-aged Wells Fargo catalogue just doesn’t make sense. Amazon and Walmart did not spend the majority of their retailing lifespans dedicated to a single item like you have, Barnes and Noble. Do not think that you can become them. You can’t. Borders is even gone, and you were doing way better than them anyways, on the internet front – you started earlier than they did and handled it a lot more classily (til now, that is). You kind of have the Nook thing going on, and if you get your act together on that front instead of diversifying your attention away, you could actually continue to matter in that market. Don’t let Amazon get you down!

Remember when you used to at least pretend like you were a friendly bookstore instead of a gigantic, impersonal corporation? You’re definitely failing at that with this move. I will just be interested to see what making yourself an unspecified and abstract retailer does to your customer loyalty.

1 I’m not even sure if the website’s font actually IS Helvetica, but it’s something trying to look Swedish, I can tell you that much

2 Weird upper-middle class people with too much mascara and blonde hair, that’s who, I’m pretty sure.

Epic Meal Time: Leaving Grease Stains on Pop Culture

Last week the comics publication that I run put out an Epic Meal Time themed issue. While many here didn’t get it [need to better gauge my audience] it’s undeniable that the YouTube cooking show is nothing short of a cultural phenomenon.

It began back almost exactly a year ago, when Harley Morenstein uploaded a video of him and his friends eating a pizza they covered in fast food [it included an entire Big Mac and a Taco Bell Crunchwrap Supreme]. Ever since then Morenstein and co. have spiraled out of control, taking the internet by storm.

The following video is my personal favourite of theirs, and inarguably their most popular [at almost 11 million hits at the time of this writing]:

How big can a bunch of guys covering food in bacon get, you ask?1 Big enough to appear on The Tonight Show with Jay Leno and do a live show at the 2011 San Diego Comic Con. Type in “Epic Meal Time” followed by either “tribute” or “parody” on YouTube and prepare to be buried under an avalanche of internet video creators mimicking Morenstein’s in-your-face way of narrating the show.2

I watch these videos for more than the knowledge of how many different combinations of pork and alcohol3 there are, though. I believe this is a legitimately well-made show.

Continuity has allowed for characters like “Muscles Glasses” [Alex Perrault] to become this invincible juxtaposition of steely biceps and iron stomach. His ability to down shots of hard liquor mixed with anything from Big Mac sauce to gravy may not be inspiring, but is definitely impressive.

Tyler Lemco is without a doubt the comic relief of the show. Since the episode Maximum Mac & Cheese he’s begun devolving into a simpleton of sorts, a trend I definitely don’t have a problem with. It’s the little things, like him placing trays of bacon into the dishwasher with the phrase, “You put them in the oven, and then you’re done.” It may also have a lot to do with the fact that he appears to be the only one who has gained a significant amount of weight.

Josh Helkin has one one eyebrow perpetually raised.4 David Heuff’s always wears an exaggerated frown. Ameer Atari is, well, kind of a doofus.5 But I don’t hold that against him.

Harley Morenstein is the creator of Epic Meal Time, but since he edits the videos, conceptualizes most if not all of the episodes, and narrates using his own material he deserves a decent amount of credit.6 It may only be a three to eight minute show, but the content is still funny, the ideas fairly fresh, and the production values high.

With a little help from his friends Morenstein has created a generation of people who now believe bacon is one of the five major food groups. He’s making money off of YouTube by cooking meat with meat. He’s affecting and making culture, inspiring dozens upon dozens of young people to stuff their faces for the sheer posterity of it. Epic Meal Time has left an indelible mark on pop culture. Probably because grease stains are just so difficult to get out.

1. I did realize that this was a pun. But only after I had already written it.
2. The best ones are definitely Vegan Meal Time and the Regular Ordinary Swedish Meal Time series.
3. And there you go. I just realized what a nightmare this show must be to devout Muslims.
4. He also looks high. A lot of the time.
5. That is a sweet name, though. Seriously.
6. Not to mention the beard. It pretty much has a life of its own at this point.

Does The Onion Even Have Lines? #CongressHostage

So The Onion tweeted [#CongressHostage] about Congress holding schoolchildren hostage last Thursday. The Internet, as expected, exploded for a bit in a few places and then returned to normalcy.

A rather convincing photograph of what appears to be Speaker of the House John Boehner holding a little girl hostage

The tweets were fake live-action reports of an Onion headline that day that reported that Congress had taken hostage 12 schoolchildren and were demanding, for their release, 12 trillion dollars “in cash”. A less tasteful part of the story involved John Boehner threatening to kill “one child every hour” until the money was given, with a rather amusing photoshopped picture of Boehner holding a gun to a girl’s head.

The US Capitol police responded with a release affirming that there was no situation of any kind at the Capitol, which created a scad of angry tweets ridiculing at anyone who could “be so stupid to believe” the story – and by scad I mean like hundreds, which seems to be many more than the small amount of people who took the story to be actual news. Time asked if The Onion went to far with #CongressHostage, and lots of followers said that they did, which created another scad of angry tweets ridiculing anyone who would be offended by The Onion story and lamented over the lack of education about satire, etc. etc. Basically summarizing the whole debate, @GS_Design responded to Time’s question: “Does the Onion *have* lines?”

Some people compared the event to the War of the Worlds broadcast in 1938; @kevinhamel55 asked, “@TheOnion today, War of The Worlds in 1938; is there any difference?” (the answer is yes, yes there is, because this time nobody thought the world was actually ending and hundreds of people weren’t calling studios panicked, afraid for their lives; whether this makes the Onion more or less successful than the 1938 broadcast is another matter altogether).

Admittedly, in perhaps poor taste The Onion’s #CongressHostage thing started with this tweet: “BREAKING: Witnesses reporting screams and gunfire heard inside Capitol building.“, which wasn’t really funny or entirely unbelievable in any way. Further tweets were more appropriately hilarious: “Reports from those who know Congress say the legislative body had seemed desperate as of late“. Another tweet that isn’t really funny enough to justify its offensiveness was: “Two chaperones are also being held, one of whom is said to be pregnant “. It’s sort of amusing just because it’s so intensely typical of a hostage situation report, but it had nothing to do with the story’s strongest point, the nature of Congress in real life – as exemplified by the tweet: ‘Obama on bullhorn: “John, I know you can hear me in there. Please, you don’t need to do this.”

The article was a pretty accurate metaphor about Congress’ sense of desperation, as well as the public and presidential opinion of Congress this year, and the #CongressHostage stunt did a good job of drawing attention to it, at least. @TheOnion’s twitter account gained something like 7,000 followers, and the article received a ridiculous amount of news and blog coverage. The whole event was just another example of The Onion doing what The Onion does – drawing public attention to the nature of veracity and sensationalism in news sources, which is almost always good. The best summary of the situation in the current cultural context, in my opinion, came from @FultonMatt, who tweeted: “@TheOnion’s #CongressHostage has gone too far. Why can’t they just hack dead kid’s phones like a real news org?

#OccupyWallStreet: Protesting with Hashtags

So there’s about a thousand people protesting on Wall Street (ish) right now and I don’t really know exactly for what. The movement is #OccupyWallStreet and it started on September 17 and consists of about 1,000 (mostly) student-aged people (My official estimate of the demographic: I’m picturing literary references and lots of beards) just kind of hanging around the Wall Street area. Sometimes there are marches. People are sleeping in the park. People online are ordering pizzas to be delivered to the protesters. One girl took off her shirt.

You might want to know what people are actually protesting – that’s where things get more vague. Some advertisements speak of the need for One Demand, but nobody has decided what that demand is or should be or could be. Interviews with the protesters range from the idiotic to the informed, revealing mostly a mixture of the two (along the “I don’t know who my house representative is but I can tell you the percentage of the population that holds 50% of the wealth” line). The attitudes seem to be predominately socialist, or at least anti-capitalist, with lots of complaints alluding to the Bush tax cuts, the 2008 bank bailouts (if you don’t really know what those are about either, a good explanation by my friend Chris here.), and a lot of derogatory use of the word “corporations”.

An #OccupyWallStreet protester with an Anonymous mask and a hijab.

The whole situation is a strange crossover between internet networking and the real world – the Twitter support and piles of enthusiastic comments and exclamation all over the web have only translated to about 1,000 protesters at any time, and not even in the street the protest was planned for (the NYPD blocked off the key sections of Wall Street before any protesters got there). Online, however, the results are impressive (it’s kind of like looking at the Ron Paul campaign) – Anonymous, the 4chan-based hacker group with frightening amounts of power, is credited for much of the protest’s popularity.

It’s fascinating and kind of beautiful to watch – this is the first generation that grew up with the internet, and you can tell. Twitter-based protests are just called “protests” now. We are the generation that will use hashtags in our protest signs. It’s like old protests, but improved: we still have unconstructive platitudes, but at least some of them are ironic, dangit.

The coming-of-age of the first generation raised on the internet looks like this.

The use of the word “Occupy” in the title seems inaccurate, as if the protesters knew what they would do if they actually got control of the place. I’m imagining collages made with cut-up quarterly reports.

The thing is that Wall Street is now just as nonphysical as the organization of the protests – there’s not really much actual money to burn, anymore, and there aren’t safes full of the hoarded wealth of the rich. Significant money never really physically goes to Wall Street, or really anywhere – money is numbers in a computer and property value and stock value; it’s kind of hard to figure out where it actually exists.

The physicality of the protest is less impressive than its internet following and even seems a little incongruous – it’s like the event is being swallowed by its own abstractness; an internet-developed protest trying to cross the line of physical reality and occur in front of a physically symbolic place just doesn’t work out in the digital age.