“Change is good.” That’s a slogan I very vividly remember from a McDonald’s commercial around the turn of the century. A classroom full of kindergartners is shocked to find out that the Golden Arches are now serving white meat chicken nuggets, and are silent as one of their members takes the first tentative bite. Once she speaks those three words they break out into cheers, ecstatic that their beloved nuggets are just as delicious as before. Change is good. Or, more accurately, it can be.
This past Tuesday I was going through my handful of comic book news sites only to find that Comic Book Resources [also known as CBR], the fourth and last on the list, was borderline unrecognizable. Instead of seeing-
-like I was used to, I was greeted with-
While I was taken aback by the seemingly sudden redesign, the truth is that if I’d been more observant I would have seen this coming from a long way off. Continue reading
Posted in comics, internet, news, Uncategorized, writing
Tagged Albert Ching, Axel-In-Charge, CBR, column, Comic Book Resources, comic books, comments, criticism, design, editor, feature, forum, In Your Face Jam, internet, journalism, list articles, listicles, news, pipeline, redesign, site, The Buy Pile, The Mission, Tilting At Windmills, Valnet
As the title attests, and as you probably know by now, I’m a guy. A cisgendered male, to be more specific, which for those not in the know means that I was born male and identify as one. And as a guy I’ve been writing about feminism on this blog since day one. While it’s always been my goal for the site to be a platform for female voices speaking out on those same issues [made reality in having Kat hop on board as well as the majority of our guest writers] the truth is that there are an essentially infinite number of topics and only so many bloggers.
That’s all to say that ideally this probably should’ve been tackled by a woman. While a given female perspective may not necessarily be the correct one, the fact of the matter is that they would be able to write from a level of understanding that I cannot. Yet here I am, covering Wonder Woman, arguably one of the biggest feminist icons.
Yesterday Entertainment Weekly shared an exclusive promo image from Warner Bros.’ upcoming Wonder Woman movie. Diana Prince AKA Wonder Woman, the titular character, played by Gal Gadot, is second from the left. The other women, from left to right, are her mother Hippolyta [Connie Nielsen],
Menalippe [Lisa Loven Kongsli], and General Antiope [Robin Wright].
As it’s made its way across the internet it has generally been regarded with a lot of excitement and enthusiasm, which should be no surprise given the fact that Wonder Woman is literally the biggest draw for people lining up to see Batman v. Superman: Dawn of Justice. When it comes out in theatres next year it will have been Hollywood’s first return to female-led superhero movies since 2005’s Elektra, and arguably stands for so much more than the Jennifer-Garner-played red-clad assassin ever could.
Make no mistake, I am very excited for it. Seeing the Amazonian on the silver screen for the first time is also the primary reason I’m seeing BvS in the next few days, and a Wonder Woman t-shirt that I shamefully purchased at Hot Topic [shameful for the store, not the product] is the only merchandise I have bought and plan on buying [the poster on the right was free]. In spite of that, or maybe directly because of it, I ended up with a number of thoughts about the promo picture released. While the first point is the shortest and has nothing to do with my gender, the ones that follow may be defended by readers who can better relate. Which is to be expected, and that I hope people feel comfortable doing if they want to. Continue reading
Posted in comics, design, fashion, feminism, film, gender, race
Tagged armor, armour, authentic, boob plate, breastplate, comics, design, director, empowerment, EW, fashion, feminism, film, Gal Gadot, heels, Hippolyta, hot, Jurassic World, multiracial, Patty Jenkins, practical, promo picture, race, realistic, Robin Wright, Themyscira, wedges, white, wish fulfillment, Wonder Woman
Well readers, it’s that time of year again. Mildewed jack-o’-lanterns are being unceremoniously swept away from doorsteps as families hang lights and holly around their homes. Carols are beginning to play in stores across the nation and cheery folks, bundled up in their coats, are already beginning to make their lists. The elves and reindeer aren’t waiting for December and so, readers, neither shall I. And let me kick off the holidays here at Culture War Reporters by declaring this:
I hate Christmas.
Generally speaking, I always have.
And my family did celebrate the holidays, with my parents (who make Buddy the Elf look like Ebenezer Scrooge) even making a few luckless attempts at getting me to celebrate advent as well.
I’d say that my mom isn’t as bad, but her holiday tradition is- I make no exaggeration- screaming “IT’S # DAYS BEFORE CHRISTMAS!” at the top of her lungs.
But for all the zeal my parents had I was generally free from the hustle and bustle of the season. One of the benefits of growing up in the middle of a primarily Muslim country is that one isn’t generally blasted with “Carol of the Bells” until one is prepared to put a drill to one’s head.
Coming to America, that was something I had difficulty adjusting to, to put things mildly. But that’s not the issue I have- not entirely anyways.
It was the expectation. Continue reading
Posted in America, bizarreness, Christianity, design, film, media, morality, music, religion
Tagged carol, celebration, Christian, Christianity, Christmas, Christmas with the Kranks, Commercialization, cups, design, elf, Europe, holiday, Jesus, Joshua Feuerstein, non-Christian, Pagan, season, secular, snow, Starbucks, The Family Man, The Santa Clause, tradition, War on Christmas
Hello everyone, my name is Emily and I am bad at math. Sometimes this makes me feel like a failure as a feminist.
See, I’m a nerd at heart (surprise!), and a lot of my favourite websites and blogs accrete STEM (Science, Technology, Engineering, and Mathematics) news alongside covert footage of the new Millenium Falcon. I certainly don’t mind — after all, I follow NASA on Facebook. I really am truly interested in most of the science news that comes across my dash, but it’s like being a child with a crush on one of her parent’s friends: I think it’s so incredibly cool and it thinks I’m kind of silly. Left-brainers range from befuddled to downright arrogant when dealing with us right-brainers.
At any rate I see a lot of news about how important it is to get more girls into STEM fields, and it leaves me feeling a little guilty. I would consider myself both a nerd and a feminist, and yet my brain seems to be built like a sieve with number-shaped holes. Seriously, when my husband was doing his engineering degree he would sometimes vent about the concepts he was learning and even when I was trying very hard to focus and follow what he was saying, my brain would go fuzzy and I’d entirely lose track of his words. Numbers just make my brain congeal a little.
This, but with math.
I’m not exaggerating. I can do the same problem four times and get four different answers. The numbers swim and change places, and working through problems feels like pushing something heavy through something thick, only to find out you were moving the wrong heavy object once the job is done. STEM types laud math for being so reliable and utterly logical, but it’s always felt rather arcane to me. Continue reading
Posted in education, feminism, Guest Post, science, sex, technology
Tagged #distractinglysexy, art, design, Education, engineering, Equality, excellence, failure, feminism, Feminist, gender disparity, heart, intelligence, IT Crowd, math, Men, nerd, pressure, professional, research, science, sexism, STEM, struggle, talent, tech, technology, unwelcome, women, work
In my last post, I told you a little bit about Lisa Nakamura, her research, and the talk she gave at my university about Tumblr activism. I also promised to tell you about her second lecture the next time I wrote.
Both of Nakamura’s lectures were about digital media, but unlike her first talk, her second presentation focused on the physical material of digital technology.
Unless you’ve been hiding under a rock, or recently time-travelled to 2015, you probably wouldn’t be surprised to hear that most of your digital hardware came from Asia. You may even be familiar with the way Asian women have been racialized as innately predisposed to factory work because of their “supposed docility, nimble fingers and attention to mind-numbing detail”.
Click on the image to view the full infographic.
However, you might be surprised to learn that this stereotype has been applied to women of colour ever since the digital revolution. In her paper on “Indigenous Circuits: Navajo Women and the Racialization of Early Electronics Manufacture” Nakamura examines the way digital factory work is both gendered and racialized. She refers to the work of Karen Hossfeld when she insists that
“…by the eighties in Silicon Valley, electronic assembly had become, not just women’s work but women of color’s work.” (290)
Posted in feminism, history, internet, morality, race, technology
Tagged American Indian Movement, Asia, Asian women, black boxed, China, Chinese factories, computers, design, digital revolution, docile, economic convenience, electronic assembly, Ethical, exploitative labour, factory work, Fairchild Semiconductor Company, female factory workers, feminism, gender, gender stereotypes, gendered, Indigenous Circuits, iphone, Karen Hossfeld, labor of love, Lisa Nakamura, Navajo, nimble fingers, phone, physical, planned obsolescence, predisposed, Protest, race, racial stereotypes, racialized, rugs, scholars, Silicon Valley, smart phones, stereotype, Tumblr, weaving, work
So, as I said I probably would, I did end up seeing Big Hero 6 this past Tuesday. While I ended up enjoying it a fair amount the problem, if I can call it that and which the post I just linked to addresses, was in the back of my head the entire time. To reiterate it here, the idea that both a city and almost the entire cast of superhero team had to be altered to make it more relatable, presumably to a Western [read: American] audience.
As mentioned I did like it, but during and after the film I was struck by the fact that a balance, if that’s what the creators were truly going for, was never really attained. To start with, San Fransokyo.
Based off of the name one would assume that this would be equal parts American and Japanese city, a blend that encapsulated the best of both worlds. The actual design approach is laid bare when considering the words co-director Don Hall used when describing the setting [emphasis added]:
“an alternate version of San Francisco.”
“I love the Painted ladies. We gave them a Japanese makeover; we put a cafe on the bottom of one. They live above a coffee shop.”
“Where Hiro lives, it feels like the Haight. When you get to the downtown area, that’s when you get the most Tokyo-fied, that pure, layered, dense kind of feeling of the commercial district there. When you get out of there, it becomes more San Francisco with the Japanese aesthetic.”
To put this in more musical terms, this isn’t so much a mashup as it is a remix. The former is a blend of two or more parts with both being displayed prominently, the latter is a modified version of something, the original of which is typically easily identifiable. Continue reading
Posted in America, Asia, bizarreness, cartoons, design, film, media, race, television, writing
Tagged 50/50 Fallacy, aesthetics, asian, Aunt Cass, Big Hero 6, casting, characters, Chinese, concept art, design, diversity, Equality, film, firefly, Japan, Japanese, Joss Whedon, Kaylee, mash up, race, remix, representation, San Francisco, San Fransokyo, Serenity, setting, Tokyo, TV, writing
I don’t know a lot about video games nowadays, but I do know one thing: I love the Assassin’s Creed franchise. This may lie entirely in my simple love for stabbing and vaguely historically accurate settings, but I’m down with what they’ve got going on. In fact, I got thoroughly hyped for whatever game developer Ubisoft’s announcement was going to be at this year’s E3 without knowing almost anything about it.
Here’s the trailer they released:
The following tumblr post more or less sums up my reaction [after I finished gawking at the assassinations, of course]:
Posted in art, bizarreness, business, feminism, internet, money, video games
Tagged Alex Hutchison, animation, Anita Sarkeesian, Assassin's Creed: Unity, avatars, characters, creative director, Dan Lowe, design, excuse, Far Cry 4, female, four white men with stubble, James Therien, Jonathan Cooper, Manveer Heir, marketing, money, Montreal, reality of production, technical director, Ubisoft, video games