I’ll be the first to admit that I could broaden my scope regarding how I engage with current events. It’s much to my chagrin that my primary news sources are Facebook’s trending sidebar and whenever my grandfather changes the channel to CP24, in that order. That said, every now and then one of the comic book news sites I visit daily will offer me a glimpse of what’s happening outside that bubble.
In the case of this topic, I was informed not of what actually happened but of the response to it, days after the fact. The “event” in question took place during Miley Cyrus’s interview with Variety, which as the title would suggest was largely focused on her role on The Voice, Donald Trump, and coming out. To be more specific, it was the following question and answer [and yes, it is in fact related to comics]:
Why do you think inequality still exists for women in Hollywood?
A lot of it could be changed if we had a female president. That would give us a subconscious boost. I think people will have to realize they’re looking really dated. For example, there’s a show called “Supergirl.” I think having a show with a gender attached to it is weird. One, it’s a woman on that fucking billboard — it’s not a little girl. Two, what if you’re a little boy who wants to be a girl so bad that this makes you feel bad? I think having a title like “Supergirl” doesn’t give the power that people think it does.
Posted in comics, feminism, gender, lgbt, media, television
Tagged Andrew Kreisberg, comments, context, criticism, CW, female, feminism, gender, girl, lgbt, male, Miley Cyrus, pansexual, Supergirl, Vanity Fair
To begin with, I’m not the most unbiased person to be writing about this. “Sk8ter Boi” came out when I was attending a Canadian public school for the first time, and it had a fairly indelible effect on me. My being a fan of Avril Lavigne extended out into high school, and I can still remembering a friend getting me Let Go for my fourteenth birthday. As far as I’m concerned, some of her stuff continues to hold up.
Like most people I liked Under My Skin a fair amount, but wasn’t a huge fan of The Best Damn Thing. Watching the punk-pop star cavort around to the infectious beat felt wrong, like this was some sort of betrayal of who she started as. Of course, people change, and I eventually came around to tracks like “Hot” and “What the Hell”.
Years passed, and eventually she fell off my radar. I noted when she and Deryck Whibley of Sum 41 got a divorce and gawked at her marriage to the widely reviled Chad Kroeger of Nickelback. They recorded a song together and I thought not much of it.
Then I woke up one morning and signed online to a barrage of accusations leveled against her with “racist!” being the common denominator among them. Being fairly invested in this entire thing [as a lapsed Avril Lavigne fan and a person in staunch opposition to racism in any form] I of course had to check out the “Hello Kitty” music video post-haste. I do want to inform you all that I’ve had to watch it several times for the writing of this post and have not enjoyed it once.
Posted in Asia, bizarreness, celebrity, design, fashion, internet, morality, music, race
Tagged 2Yoon, appropriation, arigato, audience, Avril Lavigne, Canadian, context, cultural appropriation, fanbase, Japan, Japanese, kawaii, minna saikou, music video, racism, racist, representative, stereotype