Almost exactly a year ago today I wrote a little about race and my latest obsession at the time, ABC’s The Bachelor. At that point we were in the middle of its 20th season, which had the very affable Ben Higgins as the pearl of great price 28 women were striving to attain.
While both that show and its spinoff, The Bachelorette, have never had stellar track records as far as racial diversity, things came to a head when Jubilee Sharpe, the final Black contestant remaining, was eliminated on the first day of February [AKA Black History Month]. Cue soundbites from higher-ups that “[they’re] doing a whole lot of tweaks”. Not that that’s anything new, as a lengthy interview that NPR conducted with host Chris Harrison back in 2015 reveals they’ve long been aware of the issue, and that they want to do something about it. Harrison also used the exact words “we really tried” after surmising that a previous previous star was “1/16th Cherokee Indian”, if that’s any indication of what we might expect.
Those of you who follow both shows will be well-aware of the events that took place at the beginning of this week, but before I get into that I want to fill in the gaps between that last post and this one.
So, What Happened After Ben’s Season?
The cyclical nature of franchise means that the The Bachelor premieres every January, with The Bachelorette following not too long afterwards in May. ABC Entertainment Group president Paul Lee, the man who hinted at the “tweaks” up above, also told reporters at the time that:
“I’d be very surprised if ‘The Bachelorette’ in the summer isn’t diverse. I think that’s likely”
He also made reference to something called the “farm team”, which sounds, at least to this writer, like a pretty degrading term for the contestants featured on each season of The Bachelor or The Bachelorette. Variety notes that the norm is for the next Bacheloron [a gender neutral term for the star of either program that I took from an article I’ll link to later] to be from the previous season’s “farm team”. With that in mind both fans and critics of the franchise saw the 12th season of The Bachelorette as the perfect opportunity to make that much-needed change. Continue reading
Posted in language, race, relationships, television
Tagged ABC, attraction, audience, Bachelor, Bachelorette, Bacheloron, black, Caila, Caila Quinn, casting, Chris Harrison, farm team, JoJo, JoJo Fletcher, Jubilee, Jubilee Sharpe, language, race, Rachel, Rachel Lindsay, reality TV, The Bachelor, The Bachelorette, TV, viewers
“When one pair of legs closes, another one opens.”
Or at least that’s what Polish Oprah says. I’d be careful about disagreeing with her, since critics are hanged by the neck until dead. It’s also the tactic that 2 Broke Girls appears to be taking, since I can’t remember a point when both Max and Caroline were in serious romantic relationships at the same time. One may have a brief fling while the other is dating, but that’s about the extent of it.
Larger ensemble comedies have likewise chosen to give select characters the spotlight re: significant others, but in this case the rest of the cast plays second fiddle to the duo at its core. The inability, or unwillingness, of the show’s writers’ room to allow both Max and Caroline date concurrently speaks to their narrow focus. One at a time; wait your turn, please.
To be fair this episode actually closes on the idea that they might be trying to make a change moving forward, so we should probably get to what actually happens-
Posted in Comedy, relationships, review, sex, television
Tagged 2 Broke Girls, 3rd date, And the Tease Time, Beth Behrs, Bobby, burlesque, Caroline, CBS, Christopher Gorham, dancing, Han, Jonathan Kite, Kat Dennings, Katie Wee, lingerie, Matthew Moy, Max, Oleg, relationship, review, Rita, S6E16, sex, Sophie, third date, underwear
“Actions speak louder than words.”
That’s a difficult motto to live by on a blog, but a crucial one in regards to short films given their limited run time. Considering the fact that you could fit the dialogue in Juanjo Giménez’s Timecode on a single sheet of paper only elevates its importance.
With a handful of award-winning short films [including Rodilla and Maximum Penalty]
already to his name the Spanish director’s latest features two security guards who work in an underground parking garage, one taking the day shift and the other the night. Playing Luna and Diego are Lali Ayguadé and Nicolas Ricchini, respectively, and although their shared acting experience is limited there’s no question of their being talented performers.
Both Ayguadé and Ricchini have impressive careers as dancers and choreographers, and their remarkable control over their bodies causes them to imbue every movement with purpose, whether it’s stiffly brushing past each other or jogging back up a hallway to clock-in to work. This even extends to raising the corner of a mouth being raised ever so slightly. This largely wordless short film might collapse in on itself with different talent, but the duo make it look effortless. Continue reading
Posted in art, Europe, film, music, relationships, review
Tagged acting, actor, choreography, cinematographer, composer, dancer, dancing, Iván Céster, Juanjo Giménez, Lali Ayguadé, music, Niccolas Ricchini, Pere Pueyo, performance, review, score, security guard, short film, Timecode
Move over, 2 Broke Girls, Superior Donuts owns the 9 PM Monday time slot now! The half hour delay of gratification for fans of the sitcom may have been frustrating, but it’s far from something to worry about. After all, it’s not like CBS has moved the show to Friday evenings, where programs go to die.
This week feels like things are back to basics, although the showrunners do try something new within that framework. What’s notable is the absence of an expected Sophie and Oleg B story, with the two narratives instead belonging to the title characters. That’s right, while we get our regular dose of Max we’re also treated to much more Caroline than usual! Continue reading
Posted in relationships, review, television, writing
Tagged 2 Broke Girls, And the Turtle Sense, Beth Behrs, Bobby, Caroline, CBS, Christopher Gorham, Dessert Bar, Han, Jonathan Kite, Kat Dennings, Matthew Moy, Max, movie theatre, Oleg, relationship, review, S6E15, Sophie, sorority
Last week, CWR published our review of Animus, a short but powerful film directed by Mark J. Blackman. This writer had an opportunity to put a few questions to Animus actor/producer Johnny Sachon, who was nice enough to take the time to respond.
What inspired the story behind Animus?
It all came about quite organically. I’d worked with Katie [Goldfinch] a few times before. We both felt that we brought the best out in each other and wanted to challenge each other. As we’ve both produced films as well we made the decision to develop something together.
I met Mark [J. Blackman] in Cannes 2012 and had been following his work since. Out of the blue Mark contacted me regarding another project which sadly didn’t come work out for me. However, Mark asked me if I had anything else I was working on… and it just so happened I did. I guess everything happens for a reason.
2016 was a strange year for a lot of people and from my point of view I felt a lot happened in my own life as well that I wanted to explore and even exorcise in some way. The three of us met, and again, quite organically began discussing all of this and found a mutual subjects and ground to build upon. We spoke about absolutes – we wanted to produce a drama set in one location that focused on the performances. Having recently worked on projects that were bold and intensive when it came to their scale of production Animus was quite a refreshing challenge we all looked forward to. Out of these meetings Mark wrote Animus. The first draft was remarkably close to what you see on screen. Continue reading
Posted in film, interview, media, morality, relationships
Tagged actor, Animus, interview, Johnny Sachon, Katie Goldfinch, LateShift, Mark J. Blackman, producer, review, Shadows, short film
First off, I want to apologize for the quality of the header image. As some of you may know I had to switch over to screencapping previews on YouTube some time ago due to CBS’s refusal to update the photo section of the 2 Broke Girls section of their website. Most have turned out okay, but this one is not very good. I really am sorry and will try to do better next time.
Yet another point I’ve touched on again and again is whether this is the last we’ll see of Ed Quinn’s Randy, and I think I can finally say that this is the case. Unless, of course, the show’s ratings [which I’ve been keeping a close eye on] end up tanking 2 Broke Girls Season 7, in which case his return seems both inevitable and justified. Continue reading
Posted in Comedy, family, relationships, review, television
Tagged 2 Broke Girls, And the Emergency Contractor, Beth Behrs, break-up, breakup, Caroline, CBS, Ed Quinn, Han, Jonathan Kite, Kat Dennings, Matthew Moy, maturity, Max, mommy support group, mother, motherhood, Oleg, Olmeca Altos Plata tequila, parent, Randy, relationship, review, S6E14, Sophie