This is short [and quite late] even as “For Your Consideration” posts go. While past instances have been particularly research heavy, this installment really leans into the gist of those three words. I’m here to present all of you nice people with a little something to ruminate on, and this time I don’t even have a particular stance on it myself.
Jeremy Whitley is a comic book writer that Marvel appears to be actively grooming, and who I first read due to his penning one of a handful of short stories in the Secret Wars: Secret Love one-shot [a truly excellent Danny/Misty Knight romance].
Secret Wars: Secret Love – “Misty and Danny Forever”. Written by Jeremy Whitley, illustrated by Gurihiru.
Since then he’s also written a tie-in issue of Champions, and is currently on the ongoing The Unstoppable Wasp as well as responsible for another upcoming event one-shot [this time for the summer’s SecretEmpire]. Suffice to say, Whitley is swiftly making a name for himself at one of the two largest publishers in the industry.
What he was once primarily known for, and which I’m positive he’s very proud of, is Princeless. Starting back in 2012, the all-ages series has released six volumes and been nominated for two Eisner awards. What’s particularly notable is how he has in part been writing the book for his daughter, with the following interview answer explaining a lot about the title hero’s character design:
“My daughter is black and while I encourage her to look for role models of all colors, girls need to be able to see girls that are like themselves in media. They need it even more when it comes to seeing them portrayed with strength. And, unfortunately, I think that’s sort of a symptom of this exclusionary tendency in the self-professed nerd culture circles. I would love nothing more than to change that culture, but barring that, I’ll help create another one.”
With that in mind it should be of no surprise whatsoever that Whitley is very concerned about diversity and representation in media, and has made a concerted effort to include that in all of his books.
Now to get to the actual meat of this post, I began following him on tumblr not too long ago where he’s very active in engaging with his fans. It was a couple of weeks back that I came across the following exchange between Whitley and two such comic readers:
Seven years after an unnamed apocalypse, lone survivor Edgar (along with his beloved puppy, K.O) wander a urban wasteland. Edgar spends his days scouring local buildings for supplies and marking contaminated zones with spray paint warnings and signals for help.
From the first frame the audience is taken on a brutal journey of brutal isolation as we follow Edgar (Orial Pla) through the cold and decaying cityscape, both depressing and still strangely beautiful. And that, right there, is perhaps the greatest charm of the film.
Director Lluís Quílez does a masterful job at creating a stark, bitter, but still utterly believable world. Quílez captures not only the grand sense of loss but the simple, even monotonous existence of his protagonist. Throughout I was constantly reminded of the feel of first half of I Am Legend (in the best possible way). Special kudos to Quílez for his research, as Edgar’s own warning symbols bear an uncomfortable resemblance to the FEMA marking system used during actual disasters.
A fantastic job is done of showing the mundane, day-to-day “chores” of living in a post-apocalyptic wasteland. Which is something I’ve ironically always found to be one of the most interesting parts of the genre, but I’m weird like that.
“I killed my Facebook page years ago because time clicking around is just dead time. Your brain isn’t resting and it isn’t doing. I think people have to get their heads around this thing. All this unmitigated input is hurting folks.” – Louis C.K.
It’s been over 2 years since I deleted (not deactivated, big difference) my Facebook account.
I had been a loyal and active member since 2006. I had posted thousands of photos, generated twice as many likes, had a business page for my photography, and met many, many incredible people from all over the place, some of whom I had never met in person until they let me crash on their couch when I visited their city. It seems a bit odd, considering all those connections, benefits, and likes, that I would just go ahead and make such a major decision like that.
So, what happened?
Facebook, when it started, was great. It was a simple news feed layout with status updates and the ability to upload and share photos — nothing more. Maybe there was a section where you could show us your favourite shows, music, and sports, but that was about it. It was fun, innocent, and a great way to keep in touch with old friends and family. Over the course of time Facebook began evolving, as most sites do — they began adding features like additional timeline content and games. Harmless stuff, other than those damn invites to join Farmville (I still hate you Farmville and I hope you burn in social media hell!). Even at that point, it was still a place to see what people were up to. Eventually I started spending too much time endlessly browsing my news feed and becoming more and more bothered about what I was reading. It was a sensory overload of everything you could imagine. People were fighting over nothing. Trolls were out spreading incredibly hurtful comments. People were using their high friend count as a way to push their opinions on others. I was seeing some very negative content coming from people who I had thought were genuinely kind. It was coming from all directions and it was too much to take. I tried the Facebook friend cleanse and deleted well into the hundreds. That seemed fine, but eventually I started blocking others who posted annoying posts/shares — I didn’t want to delete them, because well, a few of them were family, but their posts bothered me. It got to the point where logging in just wasn’t fun anymore, so I decided to pull the plug.Continue reading →
Nobody would blame you for not remembering Heroes. The show’s stint at the top was so short and its tailspin into oblivion was so swift and violent that it’s once glorious reputation and critical acclaim has almost been obscured entirely.
“Eclipsed”, if you will…
For those of you unfamiliar, let me offer a quick recap.
Heroes followed a number of seemingly unrelated people who, in the days following a solar eclipse, find that they’ve developed superpowers. As they struggle to cope with their new abilities, their storylines begin to entwine as the looming threat of destruction, along with a mysterious and sinister figure, approaches.
The show’s total simplicity made it both accessible to a wide audience (especially one that wouldn’t necessarily consider themselves comic book/superhero fans) and further made the show easy to follow, even with its large cast of characters. That large cast in turn meant that most everyone would have someone they’d be able to relate to, and kept the episodes moving along at a decent pace with no real room for boredom. And all of that went out the window.
EVAN: Human beings and animals that have somehow taught themselves how to read English, welcome to another E>. This week Gordon and I have come off of a mini-hiatus, and as a result are just a tad rusty.
As a result we will be discussing the very broad topic of movies, devoting a portion of our time to each one. Gordon is going to be starting us off with . . .
GORDON:The big screen experience.
If you’ve been to theaters recently (no, Evan, it is NOT spelled “theatre”), you may have noticed a series of ads harping on how “some things just weren’t meant for a small screen.”
“Spectacle” is the term for it. How much is it integral to movies and the movie-going experience? Do we really lose anything by watching a movie on our TVs rather than in front of the big screen? Continue reading →
You can click the image above to check out a whole bunch more.
No, the reason for that, dear readers, is The Grid. A weekly publication, this newspaper describes itself on its website as:
…a weekly city magazine and daily website providing a fresh, accessible voice for Toronto. Our goal is to capture the vibe and energy of a city in ascendance, largely by rejecting the glossy, doggedly aspirational vision of it you see in so many other publications. Continue reading →