Four days ago actor Morris Chestnut, who will appear in the upcoming Kick-Ass 2, posted the following on both his Twitter feed and Facebook page:
It’s time to get familiar with the Black Panther character.
This prompted the usual onslaught of internet speculation, and both have since been taken down. The next day he wrote a tweet to quell the masses who were clamouring to hear more about an upcoming Black Panther film.
I, for one, was personally grateful to hear this news.
“Why?” you might be asking, “Evan, I thought you were all about introducing the Wakandan super-king into the Marvel cinematic universe.” You would not be wrong in your assessment, and let me explain why, exactly, I felt this way. Continue reading
Posted in Africa, America, bizarreness, comics, film, race
Tagged Adewale Akinnuoye-Agbaje, Africa, African-American, America, American, Batman Inc, Batman Incorporated, Batwing, Benin, black, Black Panther, Chiwetel Ejiofor, comic books, comics, continent, country, David Zavimbe, DC, Democratic Republic of Congo, Djimon Honsou, film, gotham, Jimmy Palmiotti, Justin Gray, Marvel, Morris Chestnut, movie, Nigeria, race, T'Challa, vibranium, Wakanda
Earlier today, I came across this article over at Kasama and I felt that the subject material was topical enough for me to put the difficult issue of violence in media (which I had promised to write on earlier this week) on the back burner.
Is Batman a Fascist?
It’s not the first time the question has come up regarding superheros- in fact, it’s the idea has been around for a while, but with the popularity of Nolan’s trilogy, the debate has again found itself in the mainstream- or at least, as mainstream as comics get.
Of course you could approach this whole debate with some skepticism- with every major event, there’s always some stylishly iconoclastic deviation, like the argument that the Civil War wasn’t actually about slavery, or the like. The critique of superheroes as being responsible for supervillains (see the “escalation” conversation at the end of Batman Begins) could be argued to be the latest soapbox for contrarians. That said, it can’t be denied that the arguments against Batman have some really solid points (just look at anything on him over at Cracked.com)
Let me break the argument down to it’s basic points:
- Batman is just an out-of-touch, or straight up disturbed, rich kid who uses his wealth to nurse pathological guilt over his parent’s death. Had he been poor, he probably would’ve wound up being the kind of petty criminal Batman typically takes out.
- Batman’s very existence creates a cycle of escalation- in response to his extreme vigilantism, extreme criminality is created.
- Batman acts outside the law, respecting no privacy, due process, or legal rights of any kind. He uses force to try to create a world compliant with his own personal morality.
That’s all pretty hard to argue with, but I’m going to try it anyways. Continue reading
Posted in comics, politics
Tagged Alan Moore, Batman, Batman Begins, Batman: Cataclysm, Batman: No Man's Land, Bruce Wayne, Cracked.com, crime, escalation, escape from new york, Fascism, Fascist, Frank Miller, gotham, Islamophobia, Kasama, Nolan, Occupy Movement, Seduction of the Innocent, superho, supervillain, wealth