This Fame Day, I’ll be continuing my past line of praising men and women who have shaped our world and yet remained largely uncredited. There is perhaps no man more deserving of our admiration and respect in this regard than Vasili Arkhipov (1928-1998): “the man who saved the world.”
Arkhipov, born to a peasant family in what was then the USSR, joined the navy, participating in World War II, and further earning distinction as being a survivor of the K-19 submarine. Yeah, as in K-19: The Widowmaker.
The Widowmaker (also called The Hiroshima), for anyone who doesn’t know, was a nuclear submarine created by the USSR. Midway through it’s maiden voyage, The Widowmaker‘s nuclear safeguards failed, forcing the crew to heroically sacrifice their lives as they took shifts to rectify the problem, Vasili among them (the crew, not the problem). This event also inspired a movie.
Now the fact that he willingly exposed himself to radiation to help save his crew mates is a feat in and of itself, however, Arkhipov’s true claim to fame was to come a year later, in October of 1962.
This was the height of Cuban Missile Crisis, and Arkhipov was serving as second-in-command on a Soviet nuclear submarine bound for Cuba. While in international waters, the submarine came into contact with a number of American vessels, which began dropping depth charges in an attempt to scare the submarine off. The submarine captain, having been without any contact from Russia for days and suspecting that a war between the US and USSR may have already started, ordered the launch of a nuclear torpedo. Arkhiphov stood up the captain, and after a heated debate, convinced him, along with the other submarines they were traveling with, to stand down. The simple result of Arkhipov’s refusal to let this torpedo be launched was the prevention of a nuclear holocaust and the saving of billions of lives. Without this man, it is almost certain that none of us would be alive today.
So here’s to Vasili Arkhipov, one of the unsung heroes of human history to whom we all owe an unimaginable debt. Thanks for being the sole barrier between mankind and its own bloody self-annihilation!
Posted in Fame Day, politics
Tagged 1962, Cuba, Cuban Missile Crisis, history, K-19: The Widowmaker, K19, nuclear holocaust, Nuclear Submarine, nuclear war, Radiation, Russian, Soviet, Submarine, The Hiroshima, the man who saved the world, The Widowmaker, US, USSR, Vasili Arkhipov
I have not seen Skyfall– I’m gonna kick things off by stating that right here and now. Nevertheless, I have been following the movie’s development for a while, and the apparent consensus from both the critics and the fans is that “at long last” Daniel Craig’s Bond actually gets back to the spirit of the rest of the series.
Let me break that down a bit.
See, the issue voiced by many Bond fans regarding Craig’s version is that the gritty realism often feels too much like something from the Jason Bourne universe. Many argue that Craig’s Bond lacks the feeling of the older movies, which were (comparatively) more lighthearted and glamorous than the darker and harsher installments we’ve seen over the past few years. This complaint, I’ve noticed, seems to come a lot more from older generations, usually from the 80s backwards, while my own generation seems much more comfortable with Craig’s version. It’s not that it’s about familiarity- after all, there were Bond films while we were growing up, however, I think the whole “New JB VS Old JB” contention really comes down to a shift in values.
I mean, let’s take a look at some of the old James Bonds.
They were off sipping Martinis, flirting with enemy spies, and driving classic cars that turned into planes or submarines or shot lasers and rockets. And all of that was a reflection of the time. The Space Age, where new and innovative technology was bringing us ever closer to a Jetson family standard of living. Those Bond movies were simply a reflection of that era. The same goes for the hedonistic Brosnan Bond of the 90s. The crazy (nearly to the level of cartoonish) villains and schemes, the deus-ex-machina technology (I’m looking at you remote-controlled muscle car) all reflected the materialistic culture that dominated the time.
In the same way, the new James Bond films are a reflection of our own age. The glamorization that marked earlier films would, if applied now, just look condescending. As the economic crisis drags on and as we become more and more acclimated to the issues of unemployment, poverty, and constant warfare, sympathizing with slick government agents in tuxedos driving luxury cars and infiltrating Mediterranean cruises gets pretty dang tough. The bloodied and battered, and ultimately more realistic, Bond that Craig gives us simply appeals more to us. He’s not so much a tour guide for us into the wild and fascinating world of espionage as he a full, tragic character struggling in a lousy situation. The whole divide is demonstrated beautiful in this clip from Casino Royale.
Even the Bond villains are demonstrative in a shift in values. Back in the 70s and 80s, the audience lived with the idea that all life on earth could be ended by a nuclear war. Madmen with doomsday devices simply made sense as the natural Bond enemy. Despite the hype over Iran and, a while back, North Korea, today the idea of a nuclear holocaust is relegated more to survivalist compounds. What are we worried about today? Shadowy cabals of wealthy warmongers manipulating our lives from inside our own governments. Even though Quantum of Solace was less popular as a Bond movie, it’s a perfect example of this similar shift in worldview. What were they bad guys after? A military coup in Bolivia in order to secure the rights to 90% of the country’s water. Even if it’s not too exciting, it’s still believable.
Now none of this is to knock any of the movies (barring A View to Kill, which was freaking awful), it’s simply to explain why there’s been a bit of contention over Craig’s incarnation. The simple fact of the matter is, Bond is going to evolve with time. Surely that’s something to be admired, not complained about…
Posted in film, money, politics, Youth
Tagged A View to Kill, Bond, Brosnan, cars, Casino Royale, Daniel Craig, deus ex machina, doomsday device, economy, espionage, film, Generation, glamour, glamourization, gritty, Ian Fleming, James Bond, Jason Bourne, luxury, movie, New James Bond, nuclear holocaust, nuclear weapons, Old James Bond, Quantum of Solace, realism, Skyfall, submarine car, supervillain, technology, Worldview