EVAN: Human beings and animals that have somehow taught themselves how to read English, welcome to another E>. This week Gordon and I have come off of a mini-hiatus, and as a result are just a tad rusty.
As a result we will be discussing the very broad topic of movies, devoting a portion of our time to each one. Gordon is going to be starting us off with . . .
GORDON: The big screen experience.
If you’ve been to theaters recently (no, Evan, it is NOT spelled “theatre”), you may have noticed a series of ads harping on how “some things just weren’t meant for a small screen.”
“Spectacle” is the term for it. How much is it integral to movies and the movie-going experience? Do we really lose anything by watching a movie on our TVs rather than in front of the big screen? Continue reading
Posted in advertisement, advertising, Evan and Gordon Talk, film, media
Tagged action, ad, big screen, blockbuster, Bond, Cinema, drama, horror, indie, indie film, movies, price, screen experience, sequels, series, spectacle, theater, tickets, visuals
I have not seen Skyfall– I’m gonna kick things off by stating that right here and now. Nevertheless, I have been following the movie’s development for a while, and the apparent consensus from both the critics and the fans is that “at long last” Daniel Craig’s Bond actually gets back to the spirit of the rest of the series.
Let me break that down a bit.
See, the issue voiced by many Bond fans regarding Craig’s version is that the gritty realism often feels too much like something from the Jason Bourne universe. Many argue that Craig’s Bond lacks the feeling of the older movies, which were (comparatively) more lighthearted and glamorous than the darker and harsher installments we’ve seen over the past few years. This complaint, I’ve noticed, seems to come a lot more from older generations, usually from the 80s backwards, while my own generation seems much more comfortable with Craig’s version. It’s not that it’s about familiarity- after all, there were Bond films while we were growing up, however, I think the whole “New JB VS Old JB” contention really comes down to a shift in values.
I mean, let’s take a look at some of the old James Bonds.
They were off sipping Martinis, flirting with enemy spies, and driving classic cars that turned into planes or submarines or shot lasers and rockets. And all of that was a reflection of the time. The Space Age, where new and innovative technology was bringing us ever closer to a Jetson family standard of living. Those Bond movies were simply a reflection of that era. The same goes for the hedonistic Brosnan Bond of the 90s. The crazy (nearly to the level of cartoonish) villains and schemes, the deus-ex-machina technology (I’m looking at you remote-controlled muscle car) all reflected the materialistic culture that dominated the time.
In the same way, the new James Bond films are a reflection of our own age. The glamorization that marked earlier films would, if applied now, just look condescending. As the economic crisis drags on and as we become more and more acclimated to the issues of unemployment, poverty, and constant warfare, sympathizing with slick government agents in tuxedos driving luxury cars and infiltrating Mediterranean cruises gets pretty dang tough. The bloodied and battered, and ultimately more realistic, Bond that Craig gives us simply appeals more to us. He’s not so much a tour guide for us into the wild and fascinating world of espionage as he a full, tragic character struggling in a lousy situation. The whole divide is demonstrated beautiful in this clip from Casino Royale.
Even the Bond villains are demonstrative in a shift in values. Back in the 70s and 80s, the audience lived with the idea that all life on earth could be ended by a nuclear war. Madmen with doomsday devices simply made sense as the natural Bond enemy. Despite the hype over Iran and, a while back, North Korea, today the idea of a nuclear holocaust is relegated more to survivalist compounds. What are we worried about today? Shadowy cabals of wealthy warmongers manipulating our lives from inside our own governments. Even though Quantum of Solace was less popular as a Bond movie, it’s a perfect example of this similar shift in worldview. What were they bad guys after? A military coup in Bolivia in order to secure the rights to 90% of the country’s water. Even if it’s not too exciting, it’s still believable.
Now none of this is to knock any of the movies (barring A View to Kill, which was freaking awful), it’s simply to explain why there’s been a bit of contention over Craig’s incarnation. The simple fact of the matter is, Bond is going to evolve with time. Surely that’s something to be admired, not complained about…
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Tagged A View to Kill, Bond, Brosnan, cars, Casino Royale, Daniel Craig, deus ex machina, doomsday device, economy, espionage, film, Generation, glamour, glamourization, gritty, Ian Fleming, James Bond, Jason Bourne, luxury, movie, New James Bond, nuclear holocaust, nuclear weapons, Old James Bond, Quantum of Solace, realism, Skyfall, submarine car, supervillain, technology, Worldview
To start things off, current Bond actor Daniel Craig announced in 2008 that we might be ready for a bit of a shift in the mythos of Ian Fleming’s most well-known character. He’s quoted as saying “After Barack Obama’s victory I think we might have reached the moment for a coloured 007.”
Four years later and the Huffington Post has an interview with latest Bond Girl Naomie Harris, with an exchange that goes as follows:
In recent years there’s been talks of the possibility of fans seeing a black James Bond at some point. Do you have any personal favorites that you would consider for the role?
I didn’t realize that there was this talk and then I did a film with Idris [Elba] and he said that he met Barbara Broccoli [James Bond producer] and that it does seem like there is a possibility in the future that there could very well be a black James Bond. And I would have to vote for Idris because I just finished working with him and he’s a great guy. [Laughs]
Obviously this change would rile people [and racists] quite a bit, but it actually fits in with a very popular fan theory. The idea is that “James Bond” is a codename that’s passed on from one agent to the next, justifying the change of roles as the decades have rolled on, and the extreme personality changes in the character. Lee Tamahori, the director of Die Another Day actually espouses this theory, and thought it would be great if former Bond Sean Connery could make an appearance in his movie alongside Pierce Brosnan.
Idris Elba is an immensely-talented actor, and a shoe-in for the role. The London native has clearly thought long and hard on the issue, and although he appears to have had some uneasiness about it, the following quotes show that he now appears to be very on board with the idea.
I would do it, but I don’t want to be called the first black James Bond. Do you understand what I ‘m saying? Sean Connery wasn’t the Scottish James Bond and Daniel Craig wasn’t the blue-eyed James Bond. So if I played him, I don’t want to be called the black James Bond.”
– Idris Elba, interview with CNN, 2011.
I’d be honoured to play the part if it comes my way.
– Idris Elba, at the Golden Globes, 2012.
I engaged in a recent debate with someone over the casting of Ben Kingsley as the Mandarin in the upcoming Iron Man 3, and the same argument I’ve heard time and time again popped up. “The person who’s best for the job gets cast.” Somehow, though, I doubt that those who believe this will be using the same logic in support of Idris Elba portraying James Bond.
In all honesty, the world probably isn’t ready for a Black James Bond. People are, in general, averse to change, especially when it comes to their beloved characters. While a film with Elba as Bond will receive a large amount of criticism [much of it racist], it may just be the beginning to a world that truly doesn’t see colour.
Posted in film, race
Tagged 007, Barbara Broccoli, Ben Kingsley, black, Black James Bond, Bond, casting, Daniel Craig, Die Another Day, film, Ian Fleming, Idris Elba, Iron Man 3, James Bond, Lee Tamahori, Naomie Harris, race, racism, Sean Connery, Skyfall, The Mandarin