“What do you think of when you hear the word colonial?”
That was the question posed to me and others by a Black interpreter, a title that the Colonial Williamsburg Foundation has chosen to use over the more popular “historical reenactor.” It’s also one I had asked myself in the months leading up to the one-week vacation my spouse and I would be taking in Williamsburg, Virginia. To be perfectly honest, my answer before visiting didn’t amount to very much at all. Leftist internet circles and the odd Key & Peele sketch had helped me arrive at the conclusion that the Founding Fathers were a problematic bunch, but having eschewed American History in high school my familiarity with them was limited to binge-listening to Hamilton.
In spite of, or maybe due to, the level of my ignorance, I was excited to take a trip back to the 18th century in what I would later learn was the first permanent English colony in the Americas. While the City of Williamsburg owns the public streets that the restored Colonial-era buildings can be found on, buying tickets allowed the two of us to enter several of them and join walking tours. (Lifehack: teachers receive a 25% discount, so either marry one or finish a years-long education degree to save a little money!)
The interior of the Governor’s Palace, with portraits of Queen Charlotte and King George III bordering the doorway.
While eventually I’ll run out of ways to write this, the purpose of the third installment of the Evan Yeong Literary Awards is to shine a spotlight on an artistic medium that has taken a bit of a back seat as screen media becomes increasingly more prevalent, calling attention to a select handful of books I read these past 12 months. In 2015 every pick was objectively a winner, but given the rocky year following it’s no surprise that these awards have their ups and downs.
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