Tag Archives: Africa

Let’s Talk About Hypocrisy

Before I begin, I believe I ought to clarify something.

In this post, I’m going to be addressing the issues of hardship and tragedy and our responses to both of these things as a culture. Naturally none of this is meant to rob any gravity from Friday’s events- pain is, as always, pain. Any and all criticism here is directed strictly at hypocrisy, not sorrow.

There is a scene in season 2 of AMC’s hit series The Walking Dead, in which one of the group’s children goes missing and the other is [accidentally] shot and badly injured- both of which are bad things even without the ongoing zombie apocalypse. After managing to stabilize the boy, his mother begins questioning whether or not her son would be better off dead, rather than going on living the horrific and nightmarish existence life had become. Her exact words went as follows:

Why do we want Carl to live in this world? To have this life? So he can see more people torn apart in front of him? So he can be hungry and scared for however long he has before he…

So he can run and run and run and run and- and even if he survives he winds up- just another animal who doesn’t know anything other than survive…

Now whether or not you’re familiar with the series, this scene will still probably get a reaction out of you. Horror, perhaps, at how vile life must be for a mother to suggest her son dying would be a better alternative. Pity, maybe, for a person so driven and desperate.

Or, if you’re like me, utter indignant rage.

Let’s take a look at that soliloquy again. What’s the criteria this person puts on a life so awful it might as not be lived? Constant hunger, constant fear, and exposure to violence. In other words, the life of the majority of men, women, and children on this planet since the dawn of time.

You heard the lady- might as well just keel over.

And what’s her description of people who live this life? Oh, right- animals.

“And a very merry **** you to you as well”

What really gets me is that this (almost certainly) wasn’t meant to portray Lori as the vicious, self-pitying hypocrite that she came across as. Someone- nay, a whole line of writers and editors and censors- let that whole speech slide on the basis that it’d portray the character as sympathetic and troubled. And it’s this twisted attitude towards life that I want to address.

Early in the summer, I wrote a post on the need to portray graphic violence in media– especially in regards to war. I argued that our distance from the conflicts the US was engaged in made war too easy to ignore. The lack of the presence of violence, or our understanding of the consequences, made it all cheap and trite. Really this problem exists not only with violence, but with every aspect of our alienated society. We love beef, but how many of us could actually kill a cow? I’m not talking about hunting one down using nothing but a smooth rock, I’m just talking about simply ending one’s life. Could you do it? If not, I submit that you shouldn’t have a right to eat beef or wear leather.

Take a look at this cartoon.

Hard to argue with that, huh? Just as you shouldn’t be able to eat meat if you’re unwilling to kill the animal, you really shouldn’t be able to buy clothes and shoes unless you are personally willing to oversee the sweatshops in which they’re made. One way or another, you shouldn’t be able to reap the benefits of something without being at least capable of getting your hands dirty- and nowhere does that apply more than perhaps our government.

You might be familiar with the famous scene from Fahrenheit 9/11, in which Michael Moore attempts to pass out army recruitment flyers to members of congress (not surprisingly, most duck the offer). These people who were more than willing to send other people’s kids out to die in the desert suddenly found themselves far less eager when in the same situation- one congressmen protesting that his son had kids of his own (after all, all soldiers are childless and single).

And before any liberal readers get too smug, you’re far from exempt either. After the tragic mass murder in Newtown on Friday, I came back from work to find a letter in my inbox from a progressive organization I’ve signed petitions with before. “Act now!” they cried, “Demand gun control!”. This from the same people who bombarded me with pleas to re-elect President Obama, author and owner of a freaking “kill list“, to say nothing of his administration’s shoot-first-and-suppress-questions-later policy with drone strikes, and the “operation fast and furious” debacle.

Now all of this is just to demonstrate the social pathology this culture is suffering from.It’s not that we’re involved in countless injustices (that’s all bad in and of itself, but it’s not the point right here)- it’s that we have the gall to act hurt, or shocked, or horrified. Injustice is not greater for having finally happened to you. Pain and suffering don’t intensify based on their proximity to you. If you won’t cry out over the violence overseas, what right do you have to cry out over the violence at home? What right does a person have to feel depressed about cyber-bullying when he’s wearing a shirt made by an eight year old?  If you shrug your shoulders, stick your hands in your pocket, and walk off whistling when you’re told about homelessness in India, what right do you have to complain about mortgage payments in Indiana? Let’s cut the narcissism, shall we?

Storm and “Black Hair”

This is somewhat of a continuation off of yesterday’s Fame Day post, concentrating particularly on the Marvel character Storm. Kris Anka’s design for the weather-wielding Ororo Munroe harkens back to her appearance in the 80s [seen on the right].

Keeping consistent with most changes to beloved comic book characters, the mohawk was met with both praise and scorn.

Trawling the comments section of the ComicsAlliance article on the topic, I came across two guys who were very interested in not just the style of her hair, but the state or quality of it as well.


Earlier on Scafin commented about wanting to see Storm’s hair in its natural state. In following up with my reply to his thoughts  [and with a slight miscommunication as to what I meant by “black hair”] he said:

I don’t mean color, though. I really want to see her with white, afro-textured hair. I understand why she was given relaxed hair when she was introduced, as that was the norm back then, but the ubiquity of relaxed hair has declined since then.

The thing is, Storm as a character has always had straight, white hair. The fan-run Marvel Database tells me that she’s descended from “an ancient line of African priestesses, all of whom have white hair, blue eyes, and the potential to wield magic.” That answers Scafin in that the character has never had “black hair.” It’s part of who Storm is now [having been depicted as a young child that way] and to retcon that many years of portrayal would fare poorly with fans.

This leads to another question, though, which is why Storm was designed this way at all. This comment on an article about Storm’s marriage to the Black Panther had the following to say about the character’s creation:

I’m going to break this down as quickly and efficiently as possible, so we can concentrate on the more important aspects of the comment.

  • People are upset about the marriage because Marvel didn’t lead up to it well enough. In other words, they weren’t invested, and that’s adding to the fact that marriages in comic books typically do not work [see Peter and Mary-Jane in “One More Day.”]
  • That this is the sexual domination of White over Black when one of the very first relationships Storm gets into in the comics is with Forge, a member of the Cheyenne people. He was not, and still isn’t, white.

David Brothers, a blogger on staff with ComicsAlliance, agreed with part of what Africa had to say, commenting on the same article:

I liked Hudlin’s run on Panther. It was one of the precious few times that Storm actually felt like a black character, instead of a fetish object with blue eyes and perfectly straight hair.

This is in stark contrast to the article he wrote for Marvel a year earlier titled “A Marvel Black History Lesson Pt. 1.” In it he has more than a few good things to say about the heroine, which can be summed with these words:

If Gabe Jones stood for reality, Black Panther for ingenuity, Robbie Robertson for integrity, The Falcon for equality, Luke Cage for self-awareness, and Misty Knight for unadulterated cool, Storm was the combination of all of their traits and more. She was the daughter of a Kenyan princess and a photojournalist from Harlem, and therefore a direct link from African Americans and the continent known as “the Motherland.” She was powerful on a world-class level, refused to allow anyone to be her master, and commanded a massive amount of respect from all who knew her.

Taking into account Brothers’ apparent conflict in viewing the character, I
personally come away from this with the knowledge that Storm is more than just eye candy, she is a strong [in terms of power and character] heroine on par with many of her peers.

While Storm having straight hair may have been a product of the time she was created in, that in no way affects who she is as a character. Marvel has the right to maintain consistency in how she is portrayed, and has other characters who are better examples of having “black hair.” While the event of her marriage had its flaws Storm remains someone who has both strong ties to Africa and one of the most prominent black superheroes of all time. The straightness of her hair should in no way detract from that.