I know. Pretty well every woman with a computer has written about how great Mad Max: Fury Road was. I actually meant to write about it last week, but then I decided that I needed to address the news about the Duggars instead.
Not only am I late to the Mad Max conversation, but when I went to write about this post I came across the video I’ve included below, which succinctly summarizes many of the points I was hoping to make.
Even though Rowan Ellis beat me to the punch with several of her points, I loved this movie too much not to add my two cents. I also wanted to dig deeper into some of the feminist identities offered in the film and how they impacted me as a female viewer. Spoilers, obviously.
Furiosa: The Tough, Capable Woman
Furiosa is, of course, the first person anyone is going to think of when I say “strong female character”. She is a brave, intelligent, and capable character. I also love that she isn’t sexualized by the camera angles, and that we aren’t forced to view her through the male gaze.
As much as I absolutely love Furiosa, she doesn’t really bring anything new to the table. We’ve already had hardcore, confident female leaders like Sarah Connor and Ellen Ripley since the 80’s. And as much as I want to be like Furiosa, I don’t always feel myself reflected in these kind of figures. Sometimes that’s okay, sometimes all I want is to escape into the kind of fantasy where I can imagine myself kicking ass and taking names. However, it can be discouraging when movies only have one type of “strong female character” to offer. While I absolutely love female heroes like Furiosa, I really loved having less capable heroines in Mad Max as well. Heroines who were well-rounded and brave in spite of their weaknesses and fears. Continue reading
Posted in feminism, film
Tagged abusive, ally, almost, capable, Cinema Blend, Colin Stacey, Community, cool, criticism, damsels, death, Ellen Ripley, Eve Ensler, family, female, feminine, feminism, feminist hero, Fragile, Furiosa, George Miller, heroic, idealistic, Immortan Joe, Kate Leth, Mad Max, masculinist, mourn, nurture, Nux, Orient, people of color, POC, power, preserve, privilege, prizes, rape, reformed, Sarah Connor, sexual violence, Splendid, survivors, the Congo, The Dag, the green place, the Keeper of the Seeds, the Many Mothers, The Vagina Monologues, titillate, toast, Tom Hardy, toxic masculinity, Transformers, treasures, Tumblr, Valhalla, violent, vulnerability, vulnerable, Vuvalini, warboys, we are not things, west
Congratulations Are In Order
First thing’s first, I’d like to extend all the congratulations in the world to Em Liu of Fiction Diversity for having one of her articles hosted on The Hooded Utilitarian. This is thrilling to me for a number of reasons, listed in no particular order: she’s someone I follow and who I’ve had conversations with between our two blogs , The Hooded Utilitarian is one of my go-to places for pop culture critique on the internet, and the topic she wrote on is one that is very near and dear to my own heart, namely: “Hollywood’s (Real) Problem with the Asian Male”.
I very, very strongly recommend that you read it in its entirety, because with the sole exception of one small portion I’ll be addressing I believe it to be the gospel truth. If you still absolutely refuse to for some absurd reason, and I’m going to ask you to check it out again before moving on . . . the post catalogues the portrayal of Asian men in American cinema, specifically in terms of their desirability. It was particularly eye-opening to me in that one of the earliest examples goes back to the late 1950s with The Crimson Kimono [poster on the right, obviously].
After elaborating on how things have mostly been downhill from there, Liu takes care not to shy away from the fact that one of the cultural reactions to this trend has been “a troubling emphasis on the need for the Asian male to simply ‘get the girl‘ onscreen.” Allow me to take a brief, and very relevant segue to discuss how strongly that idea resounds with me, and how badly I once wanted [and oftentimes still do want] this.
The Thirst Is Real [Leonard Nam Should Be In More Stuff]
I very vividly remember being in my early teens and watching a trailer for 2004’s The Perfect Score-
To stop you before you get there, yes, it is funny that Chris Evans [aka Captain America] and Scarlett Johansson [aka Black Widow] appear together years before their stints in the Marvel Cinematic Universe. And yes, in her dream sequence she does imagine becoming a leatherclad ass-kicker, life is weird, isn’t it? Carrying on- Continue reading
Posted in Asia, feminism, language, race, relationships, sex
Tagged asian, badass, Brian McBrian, capable, competent, competition, conquest, desirable, diversity, Fast Five, Fiction Diversity, film, Gal Gadot, Gisele, Han, Hollywood, Leonardo Nam, male, male gaze, relationships, representation, sexuality, Sung Kang