On January 7th, 2019, at 8 PM (7 PM Central), ABC premiered the 23rd season of perennial reality TV favourite The Bachelor. Starring ex-NFL tight end Colton Underwood, this latest installment also held the promise of following Revian Chang, an Asian contestant, and her own search for love. It was a search that ended at roughly 11 PM (8 PM Central) that very same evening.
It was an event that I couldn’t pass up covering, and Revian somehow found the article I had written and reached out to thank me via email. After the weeks it took me to finally ask her to do a short interview she graciously agreed, opening up on her short stint on the show and what it meant to be a Chinese woman on the historically very white show.
There’s an easily traceable history of past contestants and future contestants running in the same circles. Did you know anyone else who had also applied to be on Colton’s season? Is there a whisper network for Asian-American applicants?
I didn’t know anyone who also applied for my same season. However, I was friends with a few previous contestants prior to applying.
In an interview with NPR Chris Harrison said that they “don’t get the same cross-section of casting,” specifically referring to the fact that there aren’t as many non-white applicants to the show as white applicants. He went on to say that “[minorities] don’t see themselves represented on television. They don’t see themselves represented equally. And so I would assume, ‘Why would I be going to do this if I don’t see myself there anyway?’” Do you agree with that?
I can understand the assumption as to “why would I do this if I’m not being represented, and if I am represented…it’s not equally,” and rejection or misinterpretation are both scary. But if we continue to assume this, then minorities continue to have a lack of representation.
I went in knowing that most contestants and viewers of The Bachelor are white. I didn’t allow it to scare me off. I think I wasn’t scared because I am confident and happy in who I am. And if a major network show were to cast me, I hoped I would be a good representation for a minority group.
Posted in Asia, interview, race, relationships, television
Tagged #Justice4Revian, ABC, ABG, asian, Chinese, Colton, Colton Underwood, diversity, injustice, introduction, limo entrance, Mandarin, premiere, race, relationships, representation, Revian, Revian Chang, rose ceremony, Season 23, subtle asian traits, television, The Bachelor, TV
As I write this #BachelorNation, millions of viewers strong, is wrapping up the second episode of the 23rd season of The Bachelor. Having said that, let’s cut to the chase: I’m watching The Bachelor again (though I have not resurrected my meme instagram account)! In all seriousness, the actual chase being cut to is this: there’s a Chinese girl on Colton’s season!
As a quick aside, there have been other Asian women on The Bachelor, and vastly more than the number of Asian men on sister show The Bachelorette. Those contestants, mentioned in past race-related Bachelor posts, have (to my knowledge) all been mixed race (and always with one white parent). All of a sudden here we are, 17 years after the show has premiered, and we have Revian Chang.
Similar to past topics only cursorily mentioned, the Facebook group subtle asian traits is entirely deserving of its own blog post. Putting that aside for now, it’s the following post on that page that brought the news to my attention:
For the uninitiated, “ABG” stands for “Asian Baby Girl”, which Urban Dictionary helpfully defines as a “Cute asian girl looks like aecinira on twitch.” Which is helpful to some readers, probably. The post was edited soon afterwards to reveal the reason for the title of this post: Revian never made it past the first night.
Posted in language, race, relationships, sex, television
Tagged #Justice4Revian, ABC, ABG, asian, Chinese, Colton, diversity, injustice, introduction, limo entrance, Mandarin, premiere, race, relationships, representation, Revian, Revian Chang, rose ceremony, Season 23, subtle asian traits, television, The Bachelor, TV
We’ve spent the past few weeks talking about Whiteness, but maybe it’s time just to ask the question directly.
When I say something’s White, what image pops into your head?
Is it something like this?
Or something like this?
Or maybe one of these?
There is a certain image attached to White people, or the very least, generalized to White “culture.” That of the dork. The effete nerd. The bland, out-of-touch suburbanite, fearfully barricading themselves in their comfortable gated community.
And that’s a little ****ed up.
My day isn’t ruined when I hear a comedian lampoon White folks. I don’t fly into an indignant rage when someone cracks a joke about mayonnaise being too spicy. I certainly don’t think being called “Cracker” carries the same nasty implications as someone getting called “Nigger.”
But I’d be lying if I said it didn’t annoy me just a tiny bit. Continue reading
Posted in America, bizarreness, dance, Europe, history, morality, race, Sociology
Tagged Aamer Rahman, asian, black, Capitalsm, consumerism, cultural appropriation, Culture, dancing, Daniel Tosh, David Roediger, heritage, identity, Identity politics, irish, James Baldwin, Latino, non-white, normal, Old World, Pepsi, St. Patrick's Day, stereotype, stereotypes, Stuffwhitepeoplelike.com, Tanner Colby, Wasp, white, white guilt, whitewashing
Last week, I asked what exactly it meant to be White. Today, I’d like to step back and show you what it was that brought up this question in the first place.
It was this image here:
Now that got posted by a friend of mine. Good guy, but with a habit (in my opinion) of reposting whatever liberal dreck pops into his FB feed without taking the time to question it. Allow me to break down why that image is such festering garbage.
First and foremost, it’s unbelievably racist. Not white-hoods-and-burning-crosses racist (we’ll get to them in a minute) – we’re talking the condescending, insidious racism of White liberal elites.
“Because I’ll endorse Obama and speak at the Women’s March, but **** Asians and Palestinians.”
Posted in America, bizarreness, environmentalism, film, geography, government, health, history, media, morality, politics, race, Sociology
Tagged African-American, Allegany, Amernian Genocide, Appalachia, Armenian, asian, Asian-American, BET, bigotry, black, Bosniak, classism, Cletus the slack jawed yokel, Deliverance, environment, gay, Hick, Holocaust, identity, Infrastructure, irish, It's Always Sunny In Philadelphia, Italian, jewish, McPoyle, Meryl Streep, non-white, People of Wal-Mart, Polish, poverty, privilege, Redneck, Roma, Rural, Scandinavian, Srebrenica, The Beverly Hillbillies, Todd Berry, Trump, white, White trash
Just to start with, I honestly don’t think anyone expected to see Scarlett Johansson mercilessly gunning down Asians in two separate movies:
Lucy (2014) – “You speak English?” *BLAM*
Ghost in the Shell (2017) – Well, at least they’re armed this time.
That’s a bit of a tangent, but still relevant as this was sparked by the live-action Ghost in the Shell adaptation, which premiered in theatres across the country today. It’s also worth starting things out with a diversion, if only because I didn’t want you to get into a breakdown of the title a split second after reading it.
FACT: All Asian Americans are Asian by definition, but not all Asians are Asian Americans. The truth is that most Asians aren’t. While they may share an ethnic heritage, as well as many cultural similarities, Asian people who were born and raised in and reside in an Asian country have vastly different wants and needs and priorities than those who were born and raised in and reside in North America [and other non-Asian countries].
For the purposes of clarity I will be referring to the former as “Asians”, and the latter as “Asian Americans”.
With all of that being said, it should be obvious that Asians and Asian Americans also have very different views when it comes to their shared representation in Western media. Continue reading
Posted in America, Asia, bizarreness, film, race, television
Tagged Asia, asian, Asian-American, casting, demographic, Ghost In The Shell, Japan, Japanese, Lucy, opinion, opportunity, perspective, race, representation, Scarlett Johansson, whitewashing
This is short [and quite late] even as “For Your Consideration” posts go. While past instances have been particularly research heavy, this installment really leans into the gist of those three words. I’m here to present all of you nice people with a little something to ruminate on, and this time I don’t even have a particular stance on it myself.
Jeremy Whitley is a comic book writer that Marvel appears to be actively grooming, and who I first read due to his penning one of a handful of short stories in the Secret Wars: Secret Love one-shot [a truly excellent Danny/Misty Knight romance].
Secret Wars: Secret Love – “Misty and Danny Forever”. Written by Jeremy Whitley, illustrated by Gurihiru.
Since then he’s also written a tie-in issue of Champions, and is currently on the ongoing The Unstoppable Wasp as well as responsible for another upcoming event one-shot [this time for the summer’s Secret Empire]. Suffice to say, Whitley is swiftly making a name for himself at one of the two largest publishers in the industry.
What he was once primarily known for, and which I’m positive he’s very proud of, is Princeless. Starting back in 2012, the all-ages series has released six volumes and been nominated for two Eisner awards. What’s particularly notable is how he has in part been writing the book for his daughter, with the following interview answer explaining a lot about the title hero’s character design:
“My daughter is black and while I encourage her to look for role models of all colors, girls need to be able to see girls that are like themselves in media. They need it even more when it comes to seeing them portrayed with strength. And, unfortunately, I think that’s sort of a symptom of this exclusionary tendency in the self-professed nerd culture circles. I would love nothing more than to change that culture, but barring that, I’ll help create another one.”
With that in mind it should be of no surprise whatsoever that Whitley is very concerned about diversity and representation in media, and has made a concerted effort to include that in all of his books.
Now to get to the actual meat of this post, I began following him on tumblr not too long ago where he’s very active in engaging with his fans. It was a couple of weeks back that I came across the following exchange between Whitley and two such comic readers:
Posted in comics, internet, lgbt, race, television, writing
Tagged asian, Bury Your Gays, comic books, conflict, death, drama, Glenn, happiness, happy, Jeremy Whitley, lgbt, LLAG, plot armor, Princeless, The Walking Dead, tragedy, Whitley, writing
The following is research that was done for my post titled “The K’un-Lun of Netflix’s Iron Fist [Within the Larger Context]”, as a means of supporting one of my points. Due to its length I decided to dedicate another short post to it to avoid adding to what was already too lengthy an article.
I would encourage you to read that one in full, though this should certainly be interesting enough on its own.
For the vast majority of my blog posts about Marvel comic books I refer to the Marvel Database, an unofficial wiki updated by fans. While that format can and does lend itself to the occasional error, the citations at the bottom of the page referring to specific runs and issue numbers allow for fact-checking if needed. At this point in time there are no direct mentions to K’un-Lun being anything other than one of the Capital Cities of Heaven, besides a heading for the alien race the H’ylthri with no text underneath it.
However a number of other sources have slightly differing origins. Comic Vine, another well-regarded comic book wiki, mentions on its entry for the city that:
“K’un-Lun is the stronghold of a colony of humanoid aliens, place of origin unknown, whose spaceship crash-landed upon a small, extradimensional world, approximately a million years ago.”
Unfortunately there are no citations listed anywhere. This tidbit of information is also listed on Marvel Directory, a largely defunct site that appears to have been last updated in 2015. Their entry categorizes K’un-Lun as an “Alien world” and only refers to the issue where the location first appeared, Marvel Premiere #15. As far as anything from Marvel themselves, the page on the publisher’s own wiki currently does not exist.
Power Man and Iron Fist Vol. 1, #69. Written by Jo Duffy and Steven Grant, illustrated by Alan Weiss.
Posted in Asia, bizarreness, race, writing
Tagged alien, aliens, Asia, asian, Capital Cities of Heaven, China, Chinese, comic books, extraterrestrial, H'ylthri, human, Iron Fist, K'un-Lun, Marvel, research