While it doesn’t quite promise to sweep the box office like the franchise it spun off from, Hobbs and Shaw is garnering a fair amount of excitement among demographics that want to see Dwayne “The Rock” Johnson do to a helicopter what Chris Evans already did in Captain America: Civil War back in 2016. Well, that and audiences that want to watch two of the biggest, burliest men in Hollywood punch a third big, burly man. That’s not to say that these are the reasons to give this action movie a pass (and in fact seem like strong arguments to actually go check it out).
As the marketing on some posters seeks to remind audiences, “This time there is no team.” In spite of the fact that Hobbs and Shaw is “presented” by Fast & Furious, Dominic Toretto and co. are nowhere to be seen. Not only is la familia absent, but this movie stars two of their former antagonists. Johnson plays the titular Luke Palagi Hobbs, a federal agent hellbent on taking them down in Fast Five, and Jason Statham is Deckard Shaw, an assassin-turned-mercenary who sought revenge on the team for putting his brother in a coma. That said, the general quality of villain-centric films isn’t the reason to skip this one, either (though Suicide Squad should have been enough of a deterrent on its own).
The reason not to watch Hobbs and Shaw takes place at the very end of Fast & Furious 6.
The answer to the question the title of this clip poses is answered by the very screenshot of the man walking with a phone held to his ear (written SPOILERS for the Fast & Furious franchise and others moving forward)–
Posted in family, film, morality, race, television
Tagged #justiceforhan, Chris Morgan, Deckard Shaw, family, Fast & Furious, Fast Five, Glenn, Han, Han Seoul-Oh, Hobbs and Shaw, Jegan, Justice For Han, Shaw, Shaw killed Han, Sung Kang, The Fast and the Furious, The Walking Dead, villain
To say that the relationship between a child and parent is fraught with emotions, most of them far from easy to put into words, is putting it lightly. Yet this is the subject of Mum, a short film that captures a visit from a trans woman to her aging mother. Having already won a handful of accolades, it began screening as part of New Irish Shorts 3 at the Galway Film Fleadh just this past Thursday, July 13th.
Mum is the creation of many talented individuals, chief among them being director Anne-Marie O’Connor and actor and star Kate O’Donnell. In addition to being able to review the short film I was also offered an interview with the two of them that allowed me to gain a better understanding of how this particular work came to be.
First off, congratulations to the both of you on the awards that Mum has won so far, at both the London Independent Film Festival and Global Shorts. To springboard off of that into our first question, as it’s screened as part of “New Irish Shorts 3” at the Galway Film Fleadh, what helps to make this an Irish film outside of the talent involved?
O’Connor: The song that is played and sung throughout the short is Black Velvet Band. It was important to me for this to link the film as it was a song that Kate’s mum used to sing to her and a song that my dad used to sing to me as a child. And although geographically it isn’t set in Ireland, the relationship between Kate and her mum feels very Irish to me and in writing this I felt that Linda was second-generation Irish and that Kate was a product of that upbringing.
I noticed in the credits that Mum was created by the two of you, but that it was only written by Anne-Marie. Could you both go into some detail regarding the creative process?
O’Connor: Kate and I are good friends and have been for years, and as she’s a leading trans actor and activist I’ve always wanted to work with her creatively. We often discuss the way that transgender people are portrayed in film and TV (the fascination with the transition, the no-one-will-ever-love-me storyline, sex workers or outsiders) and wanted to make a short that didn’t fall into those familiar tropes, to have a transgender central character in a universal story.
So I met with Kate and I asked her what story she would tell if she could and it simply came from her saying she’d love to go home and paint her mum’s nails; something she used to do when she was younger but is impossible to do because her stepfather makes life difficult (he’s always been difficult, way before Kate transitioned!). And so we built the story around her own story. It was very important for both of us that Kate was acknowledged in the creative process. So that is why it is created by both of us.
Posted in Europe, film, interview, lgbt, relationships, writing
Tagged actor, Anne-Marie O'Connor, Black Velvet Band, Colm Whelan, director, family, filming, interview, Kate O'Donnell, lgbt, Mum, short film, trans, Transgender, You've Changed
It’s a term that elicits a broad range of emotions, with each of our respective childhoods affecting how we react to it. Who we were, growing up, is a significant factor. But what about instances when who we are now is worlds apart from the person we once were?
Having spent much of her career up to now working in television, Mum is Anne-Marie O’Connor’s first short film, and one that she created with the help of star Kate O’Donnell, a transgender actor. Her debut short focuses on a trans character of the same name whose visit home is derailed by the discovery that her mother is in very poor health.
Much like the director, O’Donnell’s limited experience is also in television, where she starred in an episode of the transgender romcom series Boy Meets Girl. As the character at the centre of this short film she delivers a performance that, while uneven at points, always feels painfully real. Continue reading
Posted in Europe, family, film, lgbt, review
Tagged actor, actress, Anne-Marie O'Connor, Ash Palmisciano, Boy Meets Girl, childhood, family, Galway Film Fleadh, Joseph Pearson, Kate O'Donnell, LGBTQ, Margot Leicester, Mum, short film, trans, Transgender
It’s funny, because with a title like “And the Baby and Other Things” you would think that this episode would be centred on little baby Barbara and her parents, Sophie and Oleg.
What’s also funny is that I wrote that opening line before watching this episode, and hey, I was exactly right. The “Baby” in question actually has nothing do with the daughter of the most-cheered-for couple on prime time television. That being said, Sophie and Oleg were actually one of my favourite parts of an episode that continues the trend of Season 6 being heavily back-loaded with Caroline-centric plots. Continue reading
Posted in Comedy, family, relationships, review, television
Tagged 2 Broke Girls, And the Baby and Other Things, baby, Beth Behrs, Caroline, CBS, Christopher Gorham, Denise, family, Han, Jonathan Kite, Kat Dennings, Mail Boxes Etc, Matthew Moy, Max, Mikaela Hoover, Oleg, review, Rose Gold iPhone, S6E19, Sophie, The Bachelor
I couldn’t believe my eyes when I began watching the promo for this week’s 2 Broke Girls. Max meeting her father, really? Typically any references to her upbringing are about her extremely neglectful mother, and the last time that was touched on in any major way was literally three seasons ago.
That episode was the Season 3 finale, “And the First Degree”, and it’s impossible for “And the Dad Day Afternoon” not to be compared to it, for better or for worse.
Posted in Comedy, family, review, television, writing
Tagged 2 Broke Girls, abandoned, And the Dad Day Afternoon, And the First Degree, Beth Behrs, Caroline, CBS, dad, daddy issues, deadbeat, disappointed, family, father, Han, Jonathan Kite, Kat Dennings, Matthew Moy, Max, Oleg, reunion, review, Rita, S6E18, Sophie
Caroline won’t shut up about her boyfriend Bobby. You know, that cute guy Bobby, her boyfriend? Given their burgeoning relationship, and the fact that he also mentions her in the same way, it makes perfect sense that this would be a Caroline-centric episode. With how few and far between these moments are, however, it doesn’t seem like the writers’ room is as comfortable with the setup as they probably should be.
That being said this is just about as linear a narrative as you can get, and while the premise is tried and true the actual scenario presented is a little harder to swallow.
Meeting your significant other’s family is such a comedic staple that it spawned an actual trilogy [everyone forgets Little Fockers], so Caroline being invited to Bobby’s childhood home, which he moved back into after his father died, is pretty standard fare. His insisting that Max go as well also makes sense, since he considers her Caroline’s family. What’s far less plausible is the entire diner staff being able to just tag along with them. Continue reading
Posted in Comedy, family, review, television, writing
Tagged 2 Broke Girls, acting, And the Jessica Shmessica, Beth Behrs, Bobby, Caroline, CBS, Christopher Gorham, dinner, directing, Don Scardino, ex-girlfriend, family, Han, happier with your mouth open, Jonathan Kite, Kat Dennings, Matthew Moy, Max, mom, mother, Oleg, relationship, review, Rita, S6E17, sauce, Sophie, Teresa, WKUK