Tag Archives: humour

“Hello, I’m a Stand-Up Comedian.” “And I’m PC.”

After the events of this past week [and given the temporary resolution] now is as good a time as any to have a little bit of fun. With so many of us actively fighting for both our rights and the rights of those who cannot speak for themselves a momentary reprieve is needed, a way of recovering in between bouts. It may even be a good idea to turn to comedy, to try laughter in the face of the shockingly grim edicts being rained down by a particular governmental administration.

For a broad number of reasons 2017 appears to be the only year where the current POTUS could ever have been inaugurated. It’s not just our contemporary political landscape that has become so dauntingly complex, however, the same can be said of the comedic sphere as well.

Back in 2015 comedian Jerry Seinfeld was a guest on the ESPN podcast The Herd with Colin Cowherd where he responded to the host commenting about other notable stand-up comedians opting to steer clear of performing on college campuses.

“I don’t play colleges, but I hear a lot of people tell me, ‘Don’t go near colleges. They’re so PC.’

He elaborated on that a bit, saying-

[College students] just want to use these words: ‘That’s racist;’ ‘That’s sexist;’ ‘That’s prejudiced.’ They don’t know even know what they’re talkin’ about.”

-before agreeing with Cowherd that these people are “hurting comedy.”

My favourite thing about this is the

My favourite thing about this is the “PRESENTED BY PROGRESSIVE” right at the bottom.

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Socially Conscious Comedy Part II: Key and Peele on Being Black in America

Seeing how I love to pretend that binge-watching comedy sketches counts as research, I decided to follow up on last week’s post about Amy Schumer with a post about Key and Peele.

I find a lot of Schumer’s work funny because I can relate to it. It’s not quite the same with Key and Peele, since I am neither black, nor male, nor American.

Although sometimes their characters aren’t male either.

Even though I have little in common with Jordan Peele and Keegan-Michael Key, I do find their work hilarious. They do a variety of flawless impressions and have a much wider range than Schumer, who generally sticks to one (albeit very funny) schtick.

Like Schumer, they also take on some very serious social issues in their comedy. Since they are both half-black, Key and Peele often touch on the way racism affects the lives of black or biracial individuals. Below, I’ve included three racial inequalities that Key and Peele do a great job revealing via their sketches.

1) Racial Profiling and Police Violence

As a Canadian, the prevalence of police violence towards black Americans blows my mind.  Don’t get me wrong, Canada certainly has our own problems when it comes to police violence. That said, our more recent incidents of violence are due to taser-overuse, rather than unnecessary use of a firearm. It’s uncomfortable to watch cases of police violence when they are discussed on American news, since the focus tends to be on whether or not the victim of police violence “deserved it.” Black victims, even twelve-year-olds with pellet guns, are framed as threatening, in order to excuse why a cop discharged their firearm.

Key and Peele often subvert this “threatening black man” trope in their sketches. In “Flash Mob” and “White Zombies” Key and Peele play non-threatening black men who are mistaken as dangerous by the white people (or white zombies) around them.

Similarly, “Solution to Racial Profiling” mocks the racial double-standard that fames black youth in hoodies as “thugs” while their white peers are described as “misunderstood”.

One of their more serious sketches, “Negrotown,” addresses police violence directly, by imagining a world where police violence and racial profiling no longer existed.

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Socially Conscious Comedy Part I: 3 Important Feminist Issues That Amy Schumer Humorously Highlights

I realize Amy Schumer isn’t for everyone. She’s pretty crude, and some of her sketches shift suddenly from funny to uncomfortable.

She also hasn’t done the greatest job approaching intersectionalism through her humour. While she humbly apologized for racially inappropriate jokes that she made in the past, she recently missed the mark again with race jokes in her movie, Trainwreck. That said, I think Schumer offers some fantastic socially conscious comedy. She’s created a niche as a funny feminism, and has drawn attention to some really important women’s issues through her jokes. Below, I’ve outlined a few of the difficult issues that Schumer addresses on her show.

1) Rape

Rape is never funny. However, the way Western society often responds to rape is an absolute joke. Schumer has perfected the socially conscious ‘rape joke’, not by downplaying the seriousness of the violent crime, but by mocking the ridiculous social circumstances that allow rape to go unpunished.

In “A Very Realistic Video Game”, Schumer draws attention to the way female military officers rarely see justice after being assaulted by a fellow officer.

Similarly, her sketch titled “Football Town Nights” looks at the way athletes’ celebrity status has led entire towns to defend young rapists as though they were victims rather than perpetrators .

2) Internalized Misogyny

There are a lot of ways women police ourselves. We try not to be too cocky, or too naggy, or too loud and obnoxious, or too vain. We are taught to police these behaviours because they will make us less likeable, less dateable, or an embarrassment for our significant others.

Sketches like, “I’m Sorry” or “Compliments” draw attention to the pressure women feel to act coy, even in situations where their male counterpart would be encouraged to be confident.

Meanwhile, “I Have a Boyfriend” and “Hello Mi’Lady” highlight the way women can be manipulated into accepting unwanted advances, since ignoring or rejecting them is considered “bitchy” or “cruel”.

3) Unrealistic Beauty Standards

Schumer regularly takes on unrealistic beauty standards, especially those that target female celebrities.

Her parodic music video, “You don’t need make-up,” mocks (most) men’s misconception of what ‘natural beauty’ actually looks like.

Meanwhile, “Schumerenka vs. Everett” highlights the way women are expected to sustain a certain type of look, even in the athletic world. This is a problem recently highlighted by a racist/sexist New York Times article that framed Serena Williams as masculine, and even animalistic for her physical strength

With her recent rise to celebrity status, Schumer has also experienced her fair share of body shaming. At her first audition, for example, she was told to “either lose weight or gain a bunch of weight” in order to secure a role as either “the fat friend or the romantic lead.” She has also been targeted by Twitter trolls for being “too fat”. Recently, she dedicated an entire episode to these trolls, by having men on her show debate if she was actually hot enough to be on TV.

Rape, misogyny and beauty standards aren’t just ‘lady problems’, they are societal problems. These issues matter, and I’m glad Amy Schumer is drawing attention to them via her show. I’m also glad Schumer approaches these issues with a sense of humour. Humour has a powerful way of helping us self-examine ourselves, and think more deeply about problems we might have dismissed if they hadn’t made us laugh.

5 Reasons Why Galavant is my New Guilty-Pleasure Comedy

I love watching comedies when I’m in school. It allows me to check out mentally on those days when I feel like I can’t seem to turn off my brain. Although I am looking for thoughtless fluff, I still want to avoid straight-up terrible writing and plots. This makes my comedy search a little more difficult. Luckily, John and I came across Galavant, which provides what I am looking for in at least the following five ways.

1.It’s funny, without being offensive

I hate Seth MacFarlane. Just don’t like the guy at all. Yet his form of humour (i.e. let’s see how far we can push the line without getting in too much trouble) seems to dominate contemporary comedy. There certainly have been times when I have laughed at Family Guy or American Dad, but more often than not they leave me with a sour taste in my mouth.

One of the only gif’s from Family Guy that made me laugh instead of cringe.

I still want something that will surprise me into laughing out loud, but I don’t want to only ever be surprised because the punch line was too offensive for me to be expecting it.

Unlike McFarlane’s shows, Galavant is all about pushing around puns and being- well, for lack of a better word- silly. After being bombarded with jokes that make fun of real life trauma, it’s nice to be able to laugh at something because it’s just silly.

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Re: What Guys Really Think About Your High-Waisted Shorts

I’m not really sure how to preface this post. I suppose I could state that I am a straight male who is attracted to most women, but all that would really
communicate is the obvious fact that I am a human being who has his own personal preferences, just like anyone else. There are some things I like, and others that I don’t.

The article that I’m responding to, “What Guys Really Think About Your High Waisted-Shorts”, was written by Ashley Hesseltine, and I think it’s safe to say that she makes her opinion about particular fashion trends starkly apparent from the start. The people wearing the item of clothing she’s railing against are described as:

“Girls of all ages, body types, booty types, and textual orientations have been rocking these denim doozies with crop tops, fake flower crowns, and leather boots in 3,000-degree weather because fashion.”

Which, as I mentioned from the beginning, is more or less okay. We can have our own opinions about a number of things, and if one of those things is what Vanessa Anne Hudgens of High School Musical Fame [I wasn’t a huge fan of Bandslam, sorry] chooses to encase the lower half of her body then more power to you. Hesseltine admits outright in her second paragraph that she ” couldn’t care less which unflattering clothing items from Urban Outfitters females choose to wear in their attempts to be trendy-“. Then that sentences continues and fulfills the promise of the title:

“-but I was made aware that my male friends were NOT on board with this look. So I asked for their input, and as always…priceless.”

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Surprise Witness: Crass Cartoons and Reprehensible Rappers

GORDON: Friends, Romans, Countrypersons! Lend us your ears! We come to try out a new twist on our weekly discussions!

EVAN: Given Kat’s absence that I mentioned prior, I took a page from what’s been going on over at Marvel to really shake things up hereabouts [while still keeping the spirit of the blog you all love so much].

So Gordon and I got to brainstorming a feature to replace Culture War Correspondence for now [?], and what we settled on was a riff on a little something called “Defending Your Sh*tty Taste”, a podcast on Cracked.com.

GORDON: As the name would suggest, “Defending Your Sh*tty Taste” simply entails each of us bring up one or more cultural elements- shows, music, trends, etc.- which are generally despised, devaluated, or looked down upon by the general public, and proceeding to talk about what value we see in ’em and why we personally enjoy ’em.

EVAN: Before we get started in earnest, I think it would be good to lay down some ground rules, and sort of explain the general format.

Like you said we’ll each be bringing up our own topics [which we’re well aware have their problems] and extolling their virtues. It will be up to the other person to point out the flaws. What I’m going to insist on is that we solely target the cultural element itself, not bringing up or comparing anything else [ex: “But as a communist doesn’t this conflict with your belief that _____?”]

GORDON: I’d also point out that this isn’t really a debate. We’re not here to bash each other’s pleasures, no matter how sick and indecent they might be… Evan.

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Fame Day: #thevagenda, When Twitter took down the Tabloids

Have you seen these revamped tabloids floating around?

These awesome rewrites were prompted by a recent challenge that Vagenda Magazine gave on Twitter:

It’s a Twitter campaign I love for two big reasons. Continue reading