It’s the Year of Our Lord 2019 and storytelling is still important. In some cases the stories are the same, like the age-old tale of good triumphing over evil, but they’re being delivered in increasingly more novel ways. Comics are drawn and fan fiction is written and YouTube sketches are filmed, and sometimes the collaborators aren’t even in the same city, let alone country. In other cases the stories, while nothing new, are finally being given the opportunity to be told. The idea of finding yourself isn’t an original one, but the narrative of coming out as gay or lesbian or transgender or any other identity has only recently found a foothold in popular media.
Storytelling and identity are crucial building blocks to our culture, and both are heavily intertwined (as are all things, these days) with the internet (it would be remiss of me not to mention that I chose to do so in a podcast I co-hosted). This is certainly as true for a multi-award-winning online first-person shooter as it is for a series of books that wrapped up a dozen years ago. The Overwatch and Harry Potter universes are like ours in that they are populated by a myriad of different characters, some straight and some LGBT+, but I want to delve into how the similarities, and ultimately the differences, of their respective coming out stories (in both cases the term “coming out” feels accurate, as none of the characters discussed were initially introduced as being anything other than straight).
“Yer a Gay Man, Dumbledore”
Before touching on her approach to revealing one of her characters’ sexual orientations, it’s worth making note of how the billionaire author has reentered our collective conversation. Two years ago a BuzzFeed writer was one of the first to report on a shocking revelation found on Pottermore, a site Rowling created for her legion of fans to learn more about the Wizarding World. Most people online will have come across this by now, but the page in question was about the Chamber of Secrets, and explained that wizards once vanished their excrement in lieu of using toilets. It resulted in one of my favourite Tumblr posts:
The user has since deleted their blog, so no direct link, sorry!
Posted in internet, lgbt, literature, relationships, video games, writing
Tagged Ana, Bastet, Blizzard, books, comics, coming out, Dumbledore, Fantastic Beasts and Where to Find Them, gay, Grindelwald, Harry Potter, J. K. Rowling, lesbian, lgbt, Michael Chu, Overwatch, Pottermore, queer, Reflections, Soldier: 76, Tracer, Twitter, video games, writing
As laid out in the first-ever Evan Yeong Literary Awards, the purpose of these blog posts has been to provide a retrospective of the books read in the past year. Typically these have been written and published in January, but here we are. Better late than never, as I always say.
This is the first of these awards to be written during my relatively new career in publishing. While I wouldn’t say I have a strong understanding of the ins and outs of what’s hot in the industry, I certainly have a healthier grasp of things, especially compared to past years when I had none whatsoever.
The other notable difference is that the list of books read has been censored in part, due to a number of the books having been unsolicited manuscripts that I was asked to read during my time as an Editorial Intern at Penguin Random House Canada. A handful were also unpublished manuscripts or ARCs (Advanced Reader Copies) and have been marked as such. You can check out a full list [with the exact dates of when I read each one] at this link.
ALMOST AS COMPLEX AS THEIR NAMESAKE
Zealot: The Life and Times of Jesus of Nazareth by Reza Aslan
Those who aren’t as familiar with the works of C.S. Lewis should know that “Aslan” is the name of the Judeo-Christian-God-stand-in of that author’s Narnia series. The lion is a complex figure, embodying a dichotomy of a being that is “isn’t safe” while also “good”. Aslan himself is a likewise complicated man, having been raised Muslim, converted to Christianity in his teens, then back to Islam, a faith he continues to practice, and did during the writing of this book. A fascinating fact for both believers and nonbelievers alike is his statement that whether or not he was the son of God, the Nazarene definitively performed miracles.
SHOULD HAVE WON THE 2017 GILLER PRIZE
Brother by David Chariandy
One of many short, powerful works of fiction that I read this year, Brother is as unpretentious and beautiful a novel as you’re likely to find, and a worthy contender for Canada’s loftiest and most coveted literary prize. Shining a spotlight on Scarborough in the 90s, an area that I have (recently) shamefully joked about only “technically being Toronto”, this book would have served as a reminder of the real life stories that are overlooked and underheard.
The actual winner of the 2017 Scotiabank Giller Prize was Michael Redhill’s Bellevue Square, which I read the ARC of. Brother was longlisted. Continue reading
Posted in art, Canada, Christianity, Comedy, food, Islam, literature, race, relationships, religion, review, science, sex, writing
Tagged An Ocean of Minutes, Anonymous, Beauty Queens, Blink, books, brother, David Chariandy, E. V. Cunningham, Evan Yeong Literary Awards, Horns, horror, Joe Hill, Joey Comeau, Joy Kogawa, Libba Bray, literature, Malagash, Michael Pollan, novel, Obasan, race, relevant, Reza Aslan, romance, satire, Ted Dekker, The Botany of Desire, The Case of the One-Penny Orange, The Incest Diary, Thea Lim, Zealot
To say that the relationship between a child and parent is fraught with emotions, most of them far from easy to put into words, is putting it lightly. Yet this is the subject of Mum, a short film that captures a visit from a trans woman to her aging mother. Having already won a handful of accolades, it began screening as part of New Irish Shorts 3 at the Galway Film Fleadh just this past Thursday, July 13th.
Mum is the creation of many talented individuals, chief among them being director Anne-Marie O’Connor and actor and star Kate O’Donnell. In addition to being able to review the short film I was also offered an interview with the two of them that allowed me to gain a better understanding of how this particular work came to be.
First off, congratulations to the both of you on the awards that Mum has won so far, at both the London Independent Film Festival and Global Shorts. To springboard off of that into our first question, as it’s screened as part of “New Irish Shorts 3” at the Galway Film Fleadh, what helps to make this an Irish film outside of the talent involved?
O’Connor: The song that is played and sung throughout the short is Black Velvet Band. It was important to me for this to link the film as it was a song that Kate’s mum used to sing to her and a song that my dad used to sing to me as a child. And although geographically it isn’t set in Ireland, the relationship between Kate and her mum feels very Irish to me and in writing this I felt that Linda was second-generation Irish and that Kate was a product of that upbringing.
I noticed in the credits that Mum was created by the two of you, but that it was only written by Anne-Marie. Could you both go into some detail regarding the creative process?
O’Connor: Kate and I are good friends and have been for years, and as she’s a leading trans actor and activist I’ve always wanted to work with her creatively. We often discuss the way that transgender people are portrayed in film and TV (the fascination with the transition, the no-one-will-ever-love-me storyline, sex workers or outsiders) and wanted to make a short that didn’t fall into those familiar tropes, to have a transgender central character in a universal story.
So I met with Kate and I asked her what story she would tell if she could and it simply came from her saying she’d love to go home and paint her mum’s nails; something she used to do when she was younger but is impossible to do because her stepfather makes life difficult (he’s always been difficult, way before Kate transitioned!). And so we built the story around her own story. It was very important for both of us that Kate was acknowledged in the creative process. So that is why it is created by both of us.
Posted in Europe, film, interview, lgbt, relationships, writing
Tagged actor, Anne-Marie O'Connor, Black Velvet Band, Colm Whelan, director, family, filming, interview, Kate O'Donnell, lgbt, Mum, short film, trans, Transgender, You've Changed
Way back in early 2012 I posted a three-part series about two sitcoms that had premiered the previous fall. Covering 2 Broke Girls‘ and New Girl‘s respective casts, styles of humour, and approaches to race, these posts exist as a window into their first seasons as well as an unfortunate snapshot of some embarrassingly unrefined writing from yours truly [with some unrefined opinions as well, as my perspective on Morgan Freeman and Black History Month has certainly shifted since then].
All credit where it’s due, both have come a long way since their inceptions, and in generally positive ways. While not shying away from their trademark “classy-dirty” style of comedy, 2 Broke Girls eased off of the racist humour and began giving their secondary cast members more screen time and character development. New Girl had Hannah Simon’s Cece join the primary cast, with Damon Wayans Jr. even returning for a lengthy stint after his departure following the pilot. I feel fairly confident in saying that neither show every truly dipped in quality, which is saying a lot for the medium and genre they share. I would even go so far as to say that both managed to improve with each passing season.
Now, in 2017, there were a few weeks where the fate of these two sitcoms was in question. To address them consecutively…
2 Networkless Girls?
After months of reviews in which I mused on the future of the show I finally penned a post in April asking “Is 2 Broke Girls Cancelled?”. It has since garnered more comments than anything else on this blog. In it I catalogued what the creators and industry insiders had to say about its future, as well as my personal opinion as someone who has reviewed 101 episodes of the show. I felt like, as someone who stuck with 2 Broke Girls longer than the contributors to its very own wiki even did I was allowed some say.
It was Deadline that pulled back the curtain on the fact that CBS was airing a sitcom that was produced for Warner Bros. That same outlet also broke the news that the network had axed 2 Broke Girls. CBS scheduling director Kelly Kahl is quoted as saying that, as far as she knows:
“it was a creative decision more than anything else. It was not a show we own but we picked up (new comedy series Me, Myself & I and By The Book) from Warner Bros. So I don’t think it was a business decision, I think it was creatively we felt it was time.”
It’s noted that the show made Warner Bros. a very significant amount of money per episode. In spite of being a key players in their weekday lineup, CBS appears to be searching for something else they can wholly own, distribute, and profit from. Kahl even says in the same breath as “was not a show [they owned]” that it was “a creative decision”, but as with all art it comes down to profits. Continue reading
Posted in Comedy, relationships, television, writing
Tagged 2 Broke Girls, Beth Behrs, cancellation, CBS, comedy, Fox, Kat Dennings, New Girl, relationship, renewal, Renewed, reviews, sitcom, TV, writing
Look, at this point pretty much everything is pointing towards 2 Broke Girls not getting a Season 7. I have a Google Alert set up for any related news, and week after week I’m sent articles tracking its flagging viewership and overall ratings. At 4.6 million, last month’s “And the Alley Oops” marks the smallest audience the show has ever had throughout the course of it airing. What’s more, at the time of this writing CBS still has yet to renew the sitcom for its 2017 fall lineup.
With all of that being said, and this very likely being the penultimate episode, I’m definitely realizing very late in the game that this show is all about Ms. Caroline Channing.
It’s an odd prospect to consider given how much the sitcom has focused on Kat Dennings’ Max Black. Dennings objectively has the larger personality and star power, given her minor role in the Thor franchise. Considering how much 2 Broke Girls has doubled down on their crass humour and one-liners, Max shares the title role but commands a larger portion of the spotlight. So what do I mean when I say it’s really all about Caroline? Continue reading
Posted in Comedy, money, review, television, writing
Tagged 2 Broke Girls, And the Rock Me on the Dais, Beth Behrs, Bobby, Candy Andy, Caroline, CBS, characters, Current Total, Disney, funny, Han, Kat Dennings, Matthew Moy, Max, movie, New Total, press junket, relationship, review, Rock Me Amadeus, S6E21, Sophie