I’ve never been ashamed to openly admit that I’m a Christian (or that I was a virgin, for that matter, way back in 2011 when I still updated this blog on the reg). That being said, the truth is that I spend precious little time in faith-related spaces on the internet. I might pause mid-scroll when I spot an interesting thread from /r/christianity, but the majority of my engagement with religious writing online comes from Facebook, where a friend will share a link to a Relevant article or a rebuttal from a Professor of Theology at Wheaton College to a write-up on how his school has become too “woke.” But that wasn’t always the case. There was a point in time, almost exactly six years ago, when the faith-related internet content I read and enjoyed was of a decidedly different bent.
The Babylon Bee, March 17, 2016
The Babylon Bee was launched on March 1st, 2016, and by all accounts was something believers never even knew we wanted: a Christian version of The Onion. In its early days we were treated, and I write this with complete seriousness, to such satiric bangers as “Worship Leader Caught In Infinite Loop Between Bridge And Chorus” and “Witty Church Sign Sparks Revival.” These were articles clearly written with the kind of inside baseball that is so integral to comedy, deftly lampooning the life experiences of countless Christians. And, just like The Onion, The Babylon Bee was an immediate hit on platforms like Facebook, where the headline alone is enough to sell the joke.
As the years went by, however, I noticed that not only were fewer members of my various circles linking to the site, but those that were yielded stories that were less and less focused on (sorry about the alliteration) critiquing contemporary Christian culture and more and more focused on…politics.
Posted in Christianity, Comedy, gender, internet, politics, writing
Tagged Adam Ford, Babylon Bee, Christian, Christianity, comedy, conservative, humour, internet, jokes, Kyle Mann, one joke, politics, religion, satire, Seth Dillon, Some More News, The Babylon Bee, Transgender, Twitter, writing
As laid out in the first-ever Evan Yeong Literary Awards, the purpose of these blog posts has been to provide a retrospective of the books read in the past year. Typically these have been written and published in January, but here we are. Better late than never, as I always say.
This is the first of these awards to be written during my relatively new career in publishing. While I wouldn’t say I have a strong understanding of the ins and outs of what’s hot in the industry, I certainly have a healthier grasp of things, especially compared to past years when I had none whatsoever.
The other notable difference is that the list of books read has been censored in part, due to a number of the books having been unsolicited manuscripts that I was asked to read during my time as an Editorial Intern at Penguin Random House Canada. A handful were also unpublished manuscripts or ARCs (Advanced Reader Copies) and have been marked as such. You can check out a full list [with the exact dates of when I read each one] at this link.
ALMOST AS COMPLEX AS THEIR NAMESAKE
Zealot: The Life and Times of Jesus of Nazareth by Reza Aslan
Those who aren’t as familiar with the works of C.S. Lewis should know that “Aslan” is the name of the Judeo-Christian-God-stand-in of that author’s Narnia series. The lion is a complex figure, embodying a dichotomy of a being that is “isn’t safe” while also “good”. Aslan himself is a likewise complicated man, having been raised Muslim, converted to Christianity in his teens, then back to Islam, a faith he continues to practice, and did during the writing of this book. A fascinating fact for both believers and nonbelievers alike is his statement that whether or not he was the son of God, the Nazarene definitively performed miracles.
SHOULD HAVE WON THE 2017 GILLER PRIZE
Brother by David Chariandy
One of many short, powerful works of fiction that I read this year, Brother is as unpretentious and beautiful a novel as you’re likely to find, and a worthy contender for Canada’s loftiest and most coveted literary prize. Shining a spotlight on Scarborough in the 90s, an area that I have (recently) shamefully joked about only “technically being Toronto”, this book would have served as a reminder of the real life stories that are overlooked and underheard.
The actual winner of the 2017 Scotiabank Giller Prize was Michael Redhill’s Bellevue Square, which I read the ARC of. Brother was longlisted. Continue reading
Posted in art, Canada, Christianity, Comedy, food, Islam, literature, race, relationships, religion, review, science, sex, writing
Tagged An Ocean of Minutes, Anonymous, Beauty Queens, Blink, books, brother, David Chariandy, E. V. Cunningham, Evan Yeong Literary Awards, Horns, horror, Joe Hill, Joey Comeau, Joy Kogawa, Libba Bray, literature, Malagash, Michael Pollan, novel, Obasan, race, relevant, Reza Aslan, romance, satire, Ted Dekker, The Botany of Desire, The Case of the One-Penny Orange, The Incest Diary, Thea Lim, Zealot
Way back in early 2012 I posted a three-part series about two sitcoms that had premiered the previous fall. Covering 2 Broke Girls‘ and New Girl‘s respective casts, styles of humour, and approaches to race, these posts exist as a window into their first seasons as well as an unfortunate snapshot of some embarrassingly unrefined writing from yours truly [with some unrefined opinions as well, as my perspective on Morgan Freeman and Black History Month has certainly shifted since then].
All credit where it’s due, both have come a long way since their inceptions, and in generally positive ways. While not shying away from their trademark “classy-dirty” style of comedy, 2 Broke Girls eased off of the racist humour and began giving their secondary cast members more screen time and character development. New Girl had Hannah Simon’s Cece join the primary cast, with Damon Wayans Jr. even returning for a lengthy stint after his departure following the pilot. I feel fairly confident in saying that neither show every truly dipped in quality, which is saying a lot for the medium and genre they share. I would even go so far as to say that both managed to improve with each passing season.
Now, in 2017, there were a few weeks where the fate of these two sitcoms was in question. To address them consecutively…
2 Networkless Girls?
After months of reviews in which I mused on the future of the show I finally penned a post in April asking “Is 2 Broke Girls Cancelled?”. It has since garnered more comments than anything else on this blog. In it I catalogued what the creators and industry insiders had to say about its future, as well as my personal opinion as someone who has reviewed 101 episodes of the show. I felt like, as someone who stuck with 2 Broke Girls longer than the contributors to its very own wiki even did I was allowed some say.
It was Deadline that pulled back the curtain on the fact that CBS was airing a sitcom that was produced for Warner Bros. That same outlet also broke the news that the network had axed 2 Broke Girls. CBS scheduling director Kelly Kahl is quoted as saying that, as far as she knows:
“it was a creative decision more than anything else. It was not a show we own but we picked up (new comedy series Me, Myself & I and By The Book) from Warner Bros. So I don’t think it was a business decision, I think it was creatively we felt it was time.”
It’s noted that the show made Warner Bros. a very significant amount of money per episode. In spite of being a key players in their weekday lineup, CBS appears to be searching for something else they can wholly own, distribute, and profit from. Kahl even says in the same breath as “was not a show [they owned]” that it was “a creative decision”, but as with all art it comes down to profits. Continue reading
Posted in Comedy, relationships, television, writing
Tagged 2 Broke Girls, Beth Behrs, cancellation, CBS, comedy, Fox, Kat Dennings, New Girl, relationship, renewal, Renewed, reviews, sitcom, TV, writing
Let’s get right to business here, folks.
I’m sure most of you are aware that, last Monday, Late Show host Stephen Colbert joked about Trump’s mouth being Vladimir Putin’s “cock holster.”
This prompted outrage among many conservatives, and lead to the Twitter hashtag #fireColbert, along with calls to boycott CBS advertisers. Today, the FCC (Federal Communications Commission, for our non-American readers) announced it was starting an investigation into Colbert’s joke, “following up on complaints” of obscenity/indecency/profanity. As much as that sucks, it’s not the FCC I want to call up to the dock today. It’s the folks who got them involved.
Conservatives (who might accidentally stumble across this blog) – let me address y’all directly:
Many of you have cited that the joke was homophobic:
I gotta ask ya, Conservatives –
– since when do you give a **** about homophobia?
A sizeable chunk of the past twenty years has been dedicated to the battle to stop gay marriage, which was – to hear you talk at least – the breaking of the seventh seal. I mean seriously, we have had millions and millions of dollars and countless work-hours poured into this battle. Gays were, as you once claimed, destroying the moral fabric of the nation with the indecent and immoral behavior. To sanction it as a nation was to spit in the face of God!
Unlike rejecting refugees, widows, orphans, and the poor, of whom the Bible makes absolutely no mention.
Posted in advertising, America, bizarreness, celebrity, Comedy, government, internet, language, lgbt, media, morality, news, politics, television
Tagged #fireColbert, Barack Obama, CBS, censorship, Donald Trump, FCC, gay, homophobia, homophobic, homosexuality, Obama, political correctness, Putin, quote, stephen colbert, Trump, Twitter