Way back in early 2012 I posted a three-part series about two sitcoms that had premiered the previous fall. Covering 2 Broke Girls‘ and New Girl‘s respective casts, styles of humour, and approaches to race, these posts exist as a window into their first seasons as well as an unfortunate snapshot of some embarrassingly unrefined writing from yours truly [with some unrefined opinions as well, as my perspective on Morgan Freeman and Black History Month has certainly shifted since then].
All credit where it’s due, both have come a long way since their inceptions, and in generally positive ways. While not shying away from their trademark “classy-dirty” style of comedy, 2 Broke Girls eased off of the racist humour and began giving their secondary cast members more screen time and character development. New Girl had Hannah Simon’s Cece join the primary cast, with Damon Wayans Jr. even returning for a lengthy stint after his departure following the pilot. I feel fairly confident in saying that neither show every truly dipped in quality, which is saying a lot for the medium and genre they share. I would even go so far as to say that both managed to improve with each passing season.
Now, in 2017, there were a few weeks where the fate of these two sitcoms was in question. To address them consecutively…
2 Networkless Girls?
After months of reviews in which I mused on the future of the show I finally penned a post in April asking “Is 2 Broke Girls Cancelled?”. It has since garnered more comments than anything else on this blog. In it I catalogued what the creators and industry insiders had to say about its future, as well as my personal opinion as someone who has reviewed 101 episodes of the show. I felt like, as someone who stuck with 2 Broke Girls longer than the contributors to its very own wiki even did I was allowed some say.
It was Deadline that pulled back the curtain on the fact that CBS was airing a sitcom that was produced for Warner Bros. That same outlet also broke the news that the network had axed 2 Broke Girls. CBS scheduling director Kelly Kahl is quoted as saying that, as far as she knows:
“it was a creative decision more than anything else. It was not a show we own but we picked up (new comedy series Me, Myself & I and By The Book) from Warner Bros. So I don’t think it was a business decision, I think it was creatively we felt it was time.”
It’s noted that the show made Warner Bros. a very significant amount of money per episode. In spite of being a key players in their weekday lineup, CBS appears to be searching for something else they can wholly own, distribute, and profit from. Kahl even says in the same breath as “was not a show [they owned]” that it was “a creative decision”, but as with all art it comes down to profits. Continue reading
Posted in Comedy, relationships, television, Uncategorized, writing
Tagged 2 Broke Girls, Beth Behrs, cancellation, CBS, comedy, Fox, Kat Dennings, New Girl, relationship, renewal, Renewed, reviews, sitcom, TV, writing
Almost exactly a year ago today I wrote a little about race and my latest obsession at the time, ABC’s The Bachelor. At that point we were in the middle of its 20th season, which had the very affable Ben Higgins as the pearl of great price 28 women were striving to attain.
While both that show and its spinoff, The Bachelorette, have never had stellar track records as far as racial diversity, things came to a head when Jubilee Sharpe, the final Black contestant remaining, was eliminated on the first day of February [AKA Black History Month]. Cue soundbites from higher-ups that “[they’re] doing a whole lot of tweaks”. Not that that’s anything new, as a lengthy interview that NPR conducted with host Chris Harrison back in 2015 reveals they’ve long been aware of the issue, and that they want to do something about it. Harrison also used the exact words “we really tried” after surmising that a previous previous star was “1/16th Cherokee Indian”, if that’s any indication of what we might expect.
Those of you who follow both shows will be well-aware of the events that took place at the beginning of this week, but before I get into that I want to fill in the gaps between that last post and this one.
So, What Happened After Ben’s Season?
The cyclical nature of franchise means that the The Bachelor premieres every January, with The Bachelorette following not too long afterwards in May. ABC Entertainment Group president Paul Lee, the man who hinted at the “tweaks” up above, also told reporters at the time that:
“I’d be very surprised if ‘The Bachelorette’ in the summer isn’t diverse. I think that’s likely”
He also made reference to something called the “farm team” which a) I recently found out is sports terminology and has nothing to do with animals or actual farms and b) is the term for the contestants featured on each season of The Bachelor or The Bachelorette. Variety notes that the norm is for the next Bacheloron [a gender neutral term for the star of either program that I took from an article I’ll link to later] to be from the previous season’s “farm team”. With that in mind both fans and critics of the franchise saw the 12th season of The Bachelorette as the perfect opportunity to make that much-needed change. Continue reading
Posted in language, race, relationships, television
Tagged ABC, attraction, audience, Bachelor, Bachelorette, Bacheloron, black, Caila, Caila Quinn, casting, Chris Harrison, farm team, JoJo, JoJo Fletcher, Jubilee, Jubilee Sharpe, language, race, Rachel, Rachel Lindsay, reality TV, The Bachelor, The Bachelorette, TV, viewers
EDITOR’S NOTE: We end each year by each taking a look back and picking our five best posts, explaining both their importance to us and to the world we currently live in. Clicking the banner images will link you to each post, so as 2016 comes to a close join us in remembering how far we’ve come, but also how far we still have to go.
To directly quote my co-writer, “**** this year” has been an increasingly common sentiment as the days tick by, but even given the relentless, overwhelming flood of bad news that 2016 has embodied what’s particularly depressing to consider is how little some things have changed. It’s also telling that in spite of us collectively writing more blog posts than last year I’m left feeling like I wrote less, and that what was written is generally of a lower quality as well.
With that in mind and given the handful of bright spots I managed to find I decided to address this year and my coverage of it a little differently by using the “sandwich approach”. Instead of being presented in chronological order below are two positive aspects to 2016 that bookend what amounts to one singular, continuous problem, and one that I take very personally.
There’s something beautiful about the way a team can run like a well-oiled machine, each of its separate components working in unison to efficiently accomplish a shared goal. While not always my experience with Overwatch those moments, especially when with friends, have been highlights of my year.
With this post I took a closer look at Blizzard’s latest FPS that, since the time of this post being written, has grown the number of playable female characters to roughly 50%, and its place as part of a growing push in video games to expand beyond the male-only titles of the past.
Unbreakable Kimmy Schmidt was a high point of 2015, a Netflix-exclusive sitcom with an unassailably positive young woman at its core. It even took up one of my slots in my last year in review post, where I praised them for including an Asian love interest while scrutinizing how much they truly valued the verisimilitude needed to portray them correctly.
One tragedy of 2016 is that I was never able to make it past the third episode of its second season, the reason being that Tina Fey et al. created twenty-some minutes of television that dragged those who value Asian American representation before running them over with a steamroller, and then putting it in reverse. Friends assure me that it gets better, but how could it not after falling to such great depths? Continue reading
Posted in art, Asia, bizarreness, blog news, race, video games
Tagged 2 Broke Girls, 2016, And the Himmicane, asian, Asian-American, Doctor Strange, female characters, film, Kurt Busiek, Overwatch, review, tf2, The Ancient One, Tilda Swinton, Tina Fey, TV, Unbreakable Kimmy Schmidt, video games, whitewashing, year in review
Even though I wrote a little over a thousand words last week on my experiences with Doctor Strange [required reading for this blog post] there were a couple of additional criticisms I wanted to level against both that specific film and the industry as a whole. While I covered pretty thoroughly how Asians were poorly represented in Marvel Studio’s latest offering, what I didn’t really touch on was why.
When Diversity Means Painting With All the Colour of the Wind
In the months leading up to the release of Doctor Strange the conversation about the Ancient One’s casting began heating up. With mainstream news outlets picking up on the controversy there were many waiting to hear from the creators themselves, which brings us to the episode of the Double Toasted podcast that guest starred screenwriter C. Robert Cargill.
While his explanations regarding the character have since been championed by those defending the casting decision, even after his rescinding all comments made, and in spite of them being refuted by others, in particular by Shaun of the No, Totally! podcast, what I want to focus on are what he says right after that:
Now if you don’t want to actually listen to him, which I find perfectly understandable, I’ve also transcribed the relevant quote [emphasis added]:
“But when you start to see this film you’ll see that what we were able to do with Kamar-Taj, we made one of the most multicultural films most people have seen in years. Like this film is [. . .] I’m not certain that there’s a single major race that isn’t represented with a speaking role in this film. It allowed us to bring in, even as small characters to build upon later, a lot of characters from the Doctor Strange universe who come from all over the world. We were able to play with a lot of things and it gave us a lot to work with.”
Posted in Asia, film, race, television, writing
Tagged accessible, Ancient One, Asia, asian, authentic, Big Hero 6, black, C. Robert Cargill, casting, Cheo Hodari Coker, Danny Rand, diversity, Doctor Strange, film, Finn Jones, Iron Fist, Japanese, K'un-Lun, Kamar-Taj, Luke Cage, netflix, race, representation, San Fransokyo, Scott Derrickson, screenwriter, showrunner, stereotyping, television, TV, writer, writers' room, writing