Tag Archives: Teen Titans

Fame Day: Dwayne McDuffie

This post is one that I write with both deep respect for its subject, as well as a great sense of loss. His impact on the world of comics is greater than many realize, and it was a truly tragic event when he passed away on February 21st of last year due to complications from emergency heart surgery.

While I didn’t know it at the time, McDuffie had a huge influence on my becoming a fan of comic books. Growing up in the Philippines, my dad got his hands on a bunch of trade paperbacks, one of which was Static [now Static Shock]. The series was one of many that was published my Milestone Media, a comic company co-founded by McDuffie and three others. Their aim was to “express a multicultural sensibility” that he felt was missing from the industry, and they succeeded.

The titular Static was the electric alter-ego of African American teen Virgil Ovid Hawkins, and continues to be one of my favourite comic characters ever. One of the many created by McDuffie for Milestone, he embodied the awkwardness of adolescence and the effects of vigilantism on one’s personal life. His world was realistic and gritty without succumbing to the darkness that other such worlds do. Static was well-written, action-packed, and, most importantly, relatable.

After Milestone had stopped publishing new companies, McDuffie went on to enter the world of television. He was hired as a staff writer for the Justice League animated series, and was promoted to both story editor and producer as the show became Justice League Unlimited. Of the show’s 91 total episodes McDuffie wrote, produced, or story-edited 69. McDuffie also did extensive work on continuing the Ben 10 series, wrote for the Teen Titans show, and scripted a number of DC’s direct-to-DVD animated films.

Dwayne McDuffie also had an extensive career working for both DC and Marvel, and earned three Eisner Awards. In addition he was awarded many others, including Comic Con International’s Inkpot Award. Above all, he was able to affect the entire industry for the better. It’s just a tragedy that he left us as soon as he did.

Attitudes Towards Feminism in the Past Week 2

My first post ever on this blog was the first “Attitudes Towards Feminism in the Past Week.” It’s been quite a few months since then, but I guess it’s just that time again. To be more accurate, though, these are observations I’ve made in the past two to three weeks.

Most everyone knows about DC’s “New 52.” Well, people who know comics know about it. To summarize it quickly, the people at DC comics have decided to relaunch [reboot] 52 new titles this year. Most have since come out.

Since I am wont to read a comic book every now and then, I perused a few of the bigger titles. I specifically went out of my way to read Catwoman and Red Hood and the Outlaws, two releases that  appeared to have been garnering more than their fair share of attention. They weren’t.

Comics Alliance and io9 put it into much better words than I do, and I strongly, strongly suggest you read at least one of their articles. If I were to personally point out the problems with both comics, they would go as follows:

In Catwoman her first on-panel appearance involves her changing into her suit; red lingerie and butt/boob-shots abound. The issue ends [SPOILER] with her and Batman having sex. It ends with a whole page of them just- going at it.

Red Hood and the Outlaws is a comic which features Starfire, a character who also showed up in the immensely popular cartoon Teen Titans. My problem here isn’t so much with her costume design [on the right]; it’s what you expect from most female heroes nowadays. My problem is that she spends most of her time out of that costume and in a barely-there bikini. She also wants to basically have sex with everyone.

DC’s responded to fans’ reactions about Starfire on Twitter. Essentially, we’re not supposed to be letting our kids read these comics.

This past Sunday I watched Ironclad, a period piece which features Paul Giamatti as an irate Prince John trying to take over in spite of the Magna Carta he just signed. Baron William de Albany, played by Brian Cox1, must defend a castle alongside templar Thomas Marshal [James Purefoy]. Kate Mara plays Lady Isabel, who occupies the keep they guard.

Lady Isabel serves two purposes.

1) To be a strong female character in a heavily male-dominated film/era.

2) To incessantly try to seduce Marshal, haranguing him about how his vows keep him from love and that he should listen to his emotions.

I hated Lady Isabel.

Mara’s character strives to be both fierce and independent [she hits a man in the face with a mace]2, yet her single goal seems to be trying to get into a templar’s pants [tights?]. As a role model she teaches that the ultimate victory is not over the iron grip of royalty, but instead the taking of a holy warrior’s virginity.

In two comic issues and one film [all released in 2011] we’re given a picture of what strong female characters should be. Attractive, certainly, but also sexually aggressive. Sexual freedom and independence seems to be what helps define a woman as strong and in control. This has caused me to come to the conclusion that the last thing I want my daughter becoming is a “strong female character.”

This has been  attitudes towards feminism in the past week. Two.

1. Who I must point out was also Colonel William Stryker in X2. It’s the only thing I can think when I see him.

2. Though when you take into account the fact that one man is cleaved in twain and another is beat in the face with a disembodied arm, it’s not that big an accomplishment.