Tag Archives: Xenophobia

Fame Day: Nate’s Vlogs

We really can’t get started on Fame Day without giving a shout-out to the youth of France, who have turned out en masse over the past couple days in protest of  the forcible deportation of a Roma student who was taken from a school bus in the middle of a field trip. These students have been actively calling for the resignation of the popular anti-Roma Interior Minister, Manuel Valls, to resign, and since the beginning of the protests, French President Hollande has caved to the protest and declared that the formerly expelled Roma student will be allowed to return to school.

For all the flak I give France for their issues with bigotry and Islamophobia, I really have to tip my hat to these students. These are high schoolers coming out across the country to demand justice from their government, and lo and behold, they got responded to (in a way that didn’t exclusively involve tear gas). This took some guts and ingenuity I wish the youth in the US had- I don’t know the last time high schoolers protested independently on any issue (since the 70s, at least), and I really wish the same tradition of dissidence existed over here as it does in other countries.

But let’s move on to the star of the day:

Nate’s Vlogs.

Continue reading

“Asian-Americans,” Admission, and Assimilation

As some of you know, I review the CBS sitcom 2 Broke Girls every Monday night. I do so mostly because The A.V. Club has dropped it from its reviewed shows, and partly because it brings in the hits. This past episode featured the following exchange between Korean diner owner [he’s Korean, the diner is not] Han Lee, played by Matthew Moy, and casting director Tom, played by Eddie Shin:

Before you ask, yes, I put the video together myself.

The reason this struck me is that it highlights a humorous turn of events that I’ve observed more than once. As I mentioned in my review, Shin’s character’s response echoes, almost word for word, that of Howling Commando Jim Morita, played by Kenneth Choi in Captain America: The First Avenger:

Yes, I put that clip together as well. Sorry for the out-of-sync sound. Continue reading

Shame Day: Concerned Women for America

“Concerned Women for America.”

It sounds almost like a cartoonish satire of the kind of people who storm into PTA meetings demanding to know why their children have been
“exposed to filth” after discovering a copy of Catcher in the Rye, Slaughterhouse Five, or Harry Potter in their kids’ assigned reading list. The kind of people who warn about the corrosive and unwholesome messages hidden in rock songs, or who sit horrified in front of the TV as some sensationalist dead-inside “journalist” warns about the latest secret teenager trend that’s sure to kill them/get them pregnant.

And as much as it sounds like something that’s ripped out of Footloose, Concerned Women for America is very real.

And that is an absolute shame.

Let’s take a look at some of the bilge that these guys are producing.

What caught my eye was a recent article of theirs on Malala Yousafzai, a heroic Pakistani girl and women’s rights and peace activist. In this post, the authors launch a vicious attack on Islam as being an inherently barbarous and misogynistic religion with a murderous agenda for any who dare oppose it. As the article states

“Malala questioned the station of women under Islam’s oppressive thumb, and the Taliban tried to put her six feet under the ground.”

This, quite simply, is a lie.

Yes the Taliban tried to kill Malala, and yes, Malala questioned the station of women-but what the authors of the article neglect to mention is that Malala Yousafzai is a Muslim herself.

Apparently it’s not enough that this fifteen year old girl (and she is fifteen, not fourteen, as the CWA article wrongly states) has to deal with the threat of violence and murder- she now has to endure her activism being hijacked by the “Concerned Women for America” bent on turning her sacrifice into a smear campaign against her own religion, which they claim is both “false” and “hate-filled.”

But why stop there?

The “Concerned Women for America” are also turning their ignorant ire against the “Slut Walks,” which for those of you who may be unaware, are parades of women wearing clothes of different degrees of modesty or exposure to make the point that it doesn’t matter how you’re dressed- one’s wardrobe is never an “invitation to rape” as some sex-offenders have tried claiming.

Being the moral, upstanding people that they are, CWA has sent up a howl of protest against these walks, declaring:

“The latest desperate bid for attention by the publicity-starved feminists is to sponsor SlutWalks — events where scantily clad women take to the streets en masse to claim their “right” to dress and behave however they want or to go anywhere at any time without the risk of being sexually assaulted or deemed streetwalkers.”

“They propose somehow to make the point that even if what they wear, their drunken state, or their presence alone in a very vulnerable place might indicate their willingness to participate in a sexual free-for-all, women should not be subject to lewd propositions or be at risk of being raped.”

Now I could leave it right there- those two statements alone are enough to demonstrate without a shred of doubt just what vile, reprehensible misogynistic scum the CWA is made of, but just to hammer in a few more nails for safe measure, here are some of there other quotes.

Here’s a lovely little comment regarding the Russian punk-rock protest group “Pussy Riot,” recently sentenced to two years in prison for singing an anti-government song in a cathedral.

Their formal statements about the incident reveal their utter lack of morality, embrace of a “blame-everyone-but-us” ideology, and disdain for capitalism and individual responsibility. Like their U.S. counterparts, they want “human rights, civil and political freedoms” for themselves but not for Christian believers or anyone else with different beliefs… Christians around the world are facing intolerance of their beliefs and sometimes violence as well. In spite of the Constitution, religious liberty is under attack in the United States, with the federal government telling religious institutions that they must violate their beliefs and support homosexual “marriage,” homosexual adoptions, contraception, and abortion or face penalties.

Really? A handful of women sing a song in a church decrying the increasingly totalitarian state, get the ridiculous sentence of two years prison for doing so (the same action in the US would merit a fine, if that) and it’s you who are the persecuted ones.

Here’s another good one- outrage that a Macy’s employee was fired for confronting a transgender person for using the women’s dressing room.

Transgender?  Give me a break!  First of all, there is no such thing; it is a choice of behavior.  And hope as we might, our desire to behave in a certain way does not legitimize a chosen behavior.  It certainly does not entitle them to circumvent the rights of society and our moral tenets in order for them to “have their way.”  Natalie Johnson, the employee in question, was quoted in an ABC interview, “I refuse to comply with this policy,” and “There are no transgenders in the world.  A guy can dress up as a woman all he wants.  That’s still not going to make you a woman.”

An easy call? Certainly not, but this self-righteous outrage is just plain stupid. What if the person in question had been born a hermaphrodite? How would he or she be treated then? Would that kind of ambiguity have justified the guy/gal being denied service? If that’s our logic, why not deny service to people in wheelchairs for not conforming to the societal norm? That logic just doesn’t hold up.

End of the day, “Concerned Women for America” is what cancer would look like if it were an social movement. Shame on this vile organization.

Go Rewatch The Girl With the Dragon Tattoo

If you’ve heard of this series (in either its film or book form), there’s a good chance it’s because David Fincher of Fight Club/Se7en/The Social Network fame directed the American remake. Even if you’ve heard of it, there’s a also a good chance you haven’t seen it- Fincher’s The Girl with the Dragon Tattoo did only so-so at the box-office, not quite tanking, but also not becoming as popular as many were speculating it would be. And that’s a real tragedy, because the story, in spite of its flaws, is a really good one- you’re just going to have to make a few adjustments in how you see it.

I. Watch the Swedish Version Instead

In my post about the differences between British and American television, I pointed out that American film typically physically glamorizes each and every character- no matter how minor- while the Brits are comfortable with their protagonists actually looking like people you’d meet on the street. While not quite to on the level of the British (from what little I have seen of Swedish film), the Swedes do seem to lean more towards the Brits when it comes to this, and while it doesn’t like it’s all that important, “humanizing” the characters a bit more by making them look like people you’d actually know gives all that more grittiness and clout to the issues the story grapples with.

Beyond that, there’s the issue of casting for Lisbeth Salander. Now I’m not going to knock either Noomi Rapace or Rooney Mara, partly because they’re both terrifying…

But I do nevertheless have to address the eyebrows.

More specifically, the fact that Mara’s Lisbeth doesn’t have any.

Ok, that’s not entirely fair- Mara’s version does have eyebrows- they’re just wispy blonde and really hard to see. And that’s something that’s pretty dang unsettling- heck, it’s downright terrifying.

I know it’s probably petty, but Rapace’s Salander, having eyebrows we can actually see, makes it that much easier to watch an already tough movie.

II. Watch the Second Movie First (Then the First, Then the Third)

Not having had any background knowledge of the series, I accidentally wound up watching the second part of the trilogy (The Girl Who Played With Fire) instead of the first segment (The Girl With the Dragon Tattoo). As confusing as it was, I think that this is the best way to do it. While it’s a good movie, The Girl With the Dragon Tattoo really is something of a stand-alone piece, often accused of being pretty linear and slow. The subsequent stories, filled with high stakes of human trafficking and political intrigue, are a lot faster and more action-packed, but really depart from the general style of the first segment. By starting with The Girl Who Played With Fire, you get to be dropped right into the action and have a relaxing “flashback” with TGWTDT that fills in all the blanks and builds up tension and momentum for the final film, The Girl Who Kicked the Hornet’s Nest. Give it a shot- I promise it’ll pay off.

IV. Cut Steig Larsson Some Slack

A lot of critics of both the film and the books have pointed out that the male protagonist in the stories, Mikael Blomkvist, is essentially author Steig Larsson’s literary avatar. As a result, plenty of people blow off the films and books as just being Larsson’s own little fantasy in which he, the last honest journalist teams up with a goth-punk hacker to solve mysteries together. The fact that Fincher chose Daniel Craig (a.k.a. James ****ing Bond) to play Blomkvist probably didn’t do anything to assuage those accusations.

But here’s the thing- Larsson can’t be accused of writing a fantasized version himself into his books because the real Steig Larsson is way more badass!

As a boy, Larsson witnessed the rape of a woman, and so wracked with guilt at not having been able to do anything, wound up dedicating the rest of his life to fighting for justice and equality. In the 70s, he traveled to Eritrea to train an all-female squad in the Eritrean People’s Liberation Front. He returned to Sweden to found a watchdog journalist group and investigate and combat neo-nazism and white supremacy, despite continually receiving death-threats.

Yeah, that’s not so much a biography as it is a superhero origin story. That’s enough right there to make Jack London and Ernest Hemingway look like pansies. If anything, Blomkvist is a version of Larsson nerfed for the sake of believability. Let’s cut the guy some slack.

IV. Understand a Bit About What’s Being Addressed

Part of the issue with the series is that it’s a commentary in no small part on Swedish social and political issues. I only recall it being hinted at in the American version, but the Swedish version of the film spent a bit more time touching on the Wennerstrom family’s (and the entire country’s) shameful flirtation with Nazism in the 30s and 40s, as well as the ongoing issues of xenophobia and racism in contemporary Sweden. Beyond that the series tries to address issues of corruption within the state, as well as the ugly reality of human trafficking (which despite growing awareness, might not quite strike home with American audiences). You don’t need to have a detailed understanding of the intricacies of State-Capitalist governance and Scandinavian history, but knowing a bit about the very real issues of fascism and racism in Europe does add a whole lot.

So what are you waiting for? Go watch ’em!