Tag Archives: Denzel Washington

The Magnificent Seven vs. The Historical Negationism of Westerns

Yesterday marked the North American premiere of The Magnificent Seven, a movie that I’ve been looking forward to ever since I saw the trailer some months back. The reason for that is far more simple than you might have guessed: I’m a sucker for Westerns. A large part of that can probably be traced back to my playthrough of Red Dead Redemption back in college-


-but even before that there had always been something appealing about the clink of spurs, the arid desert heat, and towns that weren’t big enough for two particular individuals. That being said, I did with The Magnificent Seven what I do with everything I’m excited about, which is research it obsessively.


Eventually my search led me to a thread in /r/movies sharing the new poster for the film, which you can see on the right. Clicking on the image should help you get a better look at the titular cast of characters, and reveal an additional reason for my interest you might have expected me to be more upfront about.

Of the seven men four are people of colour.

Denzel Washington, emphasized by the number that outlines him, is bounty hunter Sam Chisholm and leader of the group. On his far right is Martin Sensmeier, of First Nations descent, playing Comanche warrior Red Harvest. Skipping past Chris Pratt on his left are Byung-hun Lee as assassin Billy Rocks and Manuel Garcia-Rulfo as Vasquez, a Mexican outlaw.

Now if there’s anything enthusiasm likes it’s company, and as I scrolled down through the thread seeing if anyone else shared my excitement for the film I came across this comment:

multicultural7 Continue reading


Shame Day: Hollywood and Older Leading Ladies

Take some time, maybe ten seconds or so, to come up with as many older actresses as you can. I’m even going to give you a head start with the picture on the right. Okay, are you done? In spite of the fact that I’ve had this intro in my head for the past few days I could still really only come up with two: Meryl Streep, obviously, and Dame Judy Dench.

Now take the same amount of time and do the same with male actors [I use the qualifier because the term is in fact gender neutral]. Off the top of my head I already have a handful: Morgan Freeman, Robert De Niro, Clint Eastwood, Harrison Ford, and the list goes on. That, in general, should set the stage to what I’m going to be discussing here. Continue reading

Evan and Gordon Talk: Racially Accurate Casting

EVAN: Today’s topic is something that I hold very near and dear to my heart. Years of research on the topic has made me witness to all of the arguments that can be used against needing to have racially accurate casting, and because of this I’m going to propose something a little different

GORDON: Namely?

EVAN: That I switch sides for this conversation, and speak out against it.

GORDON: Intriguing. Mind starting us off with the first salvo?

EVAN: Statement: Racially accurate casting is not important. The most talented actor should be the one who gets the role.

GORDON: Doesn’t appearance play a key role in what makes an actor good? Peter Dinklage is good, but you wouldn’t really find him believable playing Abraham Lincoln or Kareem Abdul Jabbar.

EVAN: In this case his stature, not his race, is what would keep him from playing either role in a convincing manner.

GORDON: But isn’t that essentially the same issue? Imagine the great Denzel Washington playing Lincoln- you’d be sitting there the entire time, no matter how much of a powerhouse Washington would be, taken out of the film because you have to deal with a black guy playing a white guy during the height of the civil war.

In any piece of film where you’re expecting realism, you’re going to expect the actors to conform to the styles and facts of the time. If you portray Georgia in the 1960s, you’re obviously not going to have a largely black cast portraying the upper class  or if you were to set the scene in early 1900s Ghana  you wouldn’t have a cast comprised of Caucasians. It wouldn’t make sense, no matter how good they are.

EVAN: If anything, Cloud Atlas at least proves that a talented actor can portray whoever they like, given an adequate amount of makeup. Halle Berry plays a Korean Man in the film, and does so in a convincing fashion that doesn’t at all take viewers out of the film in the least.

GORDON: I haven’t seen that film, so I can’t speak to the use of the actors for the parts they play. From my understanding that was a work of fantasy (or science fiction, I’m only going off what I can gather from the trailers). And in one or two movies, it’s probably not a big deal. After all, Cate Blanchett played Bob Dylan.

But imagine this applied to each and every movie, it simply wouldn’t work. Realism would deteriorate- and this would be especially detrimental in a film trying to deal directly with race relations.

EVAN: I personally feel that allowing any race to play any other speaks much more in terms of race relations. That’s a world where colour is a non-issue  because it shouldn’t be.

EVAN: I’m dying, Gordon. My life force is seeping out of me.

GORDON: Try to stick with it…

GORDON: And while it’s true that race ought to be a non-issue, that’s simply not how things are or have been in the past. Using black actors to play black characters and white actors to play white characters is fundamental to demonstrating past inequity and injustice with American racism and segregation. And that’s just one element.

Let’s talk about Indians playing Arabs. It happened in Lost and it happened in Community (with multiple actors), but Arabs look nothing like Indians. Indian actors are used simply because they fit the stereotype of what most people think an Arab looks like. It perpetuates an inaccuracy.

EVAN: Isn’t the fact that the role is an Arab important a large enough step? This is a minority with a major role on a TV show, and an opportunity for minority actors to step up, which they have in both cases.

GORDON: Barring Monk and Arrested Development, when’s the last time you saw an Arab actor? I’m not trying to argue against Indian actors, or actors of Indian heritage getting roles, but for the purpose of portraying the world as it is (or at least with some realism) we should have actors with some vague resemblance to the people they’re portraying on film.

After all, would you not be thrown off by guys with German accents playing French resistance fighters during WWII?

EVAN: If they had German accents then they simply wouldn’t be right for the role, which brings me back to my first point.

GORDON: Which, by proxy, brings us back to my first response. Ethnicity (depending on the situation) is just as valid an element of a guy’s candidacy for a role dealing directly with ethnicity as accents, or height, or any other factor (actual talent, of course, being the most important).

Vincent Cassel should probably not play Malcolm X. Adrien Brody should probably not play the Queen of England, though that would be pretty funny.

EVAN: If we’re going to stick with believability, than why is it so important that Indians not play Arabs? No one has ever made a big deal out of this, so clearly people believe that they are what their role calls them to be-

Likewise a Korean can to play a Chinese person can play a Japanese person. Audiences can’t tell the difference and believe that they are whatever the role is, and that’s okay.

GORDON: But Koreans do not look Chinese, Chinese people don’t look Japanese, and Arabs and Indians certainly don’t look like each other. The only reason this happens is because most people either don’t know (partly due to this inaccurate casting) or don’t care (in other words, all non-whites are basically one homogenous mass.

If all your life, you had seen black men and been told “these are Uzbekistanis,” then you’d go your whole life simply assuming that Uzbekistanis are, in fact, indiscernible from guys from Benin.

Your ignorance should not dictate which actors get which parts. Further, no Uzbekistan could really ever get a chance to play and Uzbekistani because of the years of misinformation.

EVAN: But there is a huge difference between a black person and an Uzbekistani. The examples I made have similarities that the example you used clearly does not.

To be such a stickler for accuracy is the other extreme, and just as wrong. You wouldn’t get someone with mental problems to accurately portray a character with mental problems, that just doesn’t make sense. Race should matter if it is noticeable, and like I said in the case of shows like Lost it is not.

EVAN: The logic above was used against me by someone in a thread on Reddit  You can check out our exchange here.

GORDON: Granted, my example was extreme, but that doesn’t change the point. Even though a Thai guy and a Japanese guy share more similarities than a Beninese guy and an Uzbekistani guy, there are still distinct differences between people from Thailand and people from Japan.

With regards to being a stickler- I admit, as I have previously, that you don’t have to have an exact replica of the character you’re trying to portray. Jet Li, I imagine, is doing pretty well for himself, and I still wouldn’t doubt his ability to portray a poor man very well. However, while you don’t need to be point for point, you do need to have some general similarity. That’s why we don’t have Emma Stone portraying Fidel Castro.

EVAN: I feel like the extremeness of your examples is damaging your point. If we’re sticking with race we should do that, and not bring in gender.

GORDON: It’s to demonstrate the underlying point in all of this: Verisimilitude. Realism. Accuracy.

EVAN: And since you said “you don’t have to have an exact replica of the character you’re trying to portray” why isn’t it okay to have Naveen Andrews play Sayid Jarrah on Lost?

GORDON: But the distinction is great enough. The accent is Indian, not Iraqi. Naveen does not look Iraqi. When an actor neither looks nor sounds like the character he is meant to portray, we have a problem.

EVAN: So if Jarrah had managed to sound Iraqi, would that have helped?

GORDON: It would’ve added to the realism and accuracy, yes. But that doesn’t change the fact that he’s very clearly Indian, not Arab.

EVAN: Clear to a very select few. As mentioned, people didn’t seem to notice for the most part.

GORDON: Clear to a very select few. As mentioned, people didn’t seem to notice for the most part.

Most people don’t know what an Arab looks like. Do they know that Monk is Lebanese? That Cousin Maeby is Iraqi? Most do not. Ignorance is not an excuse for inaccurate casting.

EVAN: And that brings our exhausting exchange to an end. Trying to argue for something I so strongly disagree was one of the more difficult things I’ve ever done. I hope that in reading this you were able to see the holes in my argument and the truth in Gordon’s.

GORDON: Booyah.

The past few paragraphs alone have had the same effect on Evan as that life-sucking device in the Princess Bride. Commend him for biting the bullet.

And as for our discussion next time, your options are: What do we make of the upcoming Star Wars sequel?

EVAN: And. . . how about . . . How much artistic merit is there in a show like Adventure Time?

GORDON: I like it.

And to our beloved and devoted followers (who would organize into a vicious and unholy army of darkness if we ever were to ask it of ’em), feel free to suggest your own topic down in the comments section.

EVAN: And, as usual, thanks for reading.