Tag Archives: Fame Day

Fame Day: Racebending.com

This Thursday I want to call attention to a website that’s been in this blog’s links-sidebar basically since its inception. I came across Racebending.com around the time it began, and their stance on equality casting and representation in the media is one of the many reasons I decided it was time to start writing more about what I thought mattered.

As their name might suggest, the site came about as a response to M. Night Shyamalan’s film adaptation of the Nickelodeon show Avatar: The Last Airbender. The entirety of the series was set in a distinctly Asian-inspired universe, and the casting decision was made to have the majority of the protagonists be played by Caucasian actors. The change is starkly apparent in the image below:

And for those of you who don’t think Zuko is a villain, click on the link for a thorough explanation.

The organization did a great amount in revealing the decisions that went into the making of the film. Most importantly was their breakdown of the casting calls that read “Caucasian or any other ethnicity,” and how the language affects those who apply for the roles as well as hinting at what they are looking for. They also exposed the blatant racism used by casting director Deedee Rickets, who was quoted as answering the question “Are you at a disadvantage if you didn’t wear a costume?” with the following:

Absolutely not! It doesn’t mean you’re at a disadvantage if you didn’t come in a big African thing. But guys, even if you came with a scarf today, put it over your head so you’ll look like a Ukrainian villager or whatever.

Although the movement was not enough to sway the studio, producers, or director of the film, the site stays up, continuing to work towards educating the internet on when and where whitewashing is taking place, and what people can do to stop it. They also take care to call attention to those who are advancing the role of minorities in the media, giving credit where it’s due.

Most recently the blog has been concentrating on the upcoming film Cloud Atlas, which stands out due to its use of “yellowface” by various actors. While the directing Wachowski siblings and others have cited the theme of reincarnation and  the fact that actors of colour will also be playing White roles, media liaison Mike Le lays out the stark difference between the two. In an interview with  the radio station Vocalo 89.5 he explains the tradition of yellowface in cinema as a means of controlling the perceptions of a race, and the damage it has done and can still do.

All in all, Racebending.com is run by people who are doing good things, and who care about representation whether it be based on race, gender, or orientation. They strive to see the media reflect the immense amount of diversity in our world, and that alone should be worth checking them out.

Fame Day: Extra Credits

Video games and video game culture gets a lot of bad press- not all of it
undeserved. However, in the midst of all the pandering, casual sexism, and juvenile sensibilities, there is a radiant beacon of hope.

Penny Arcade’s (and for a while, The Escapist’s) very own Extra Credits web show!

Even if gaming isn’t your thing, you have got to respect these guys and their weekly 11-minute clips for their neutrality and maturity alone. With the sensationalist media trying to cast even the smallest flaw of video games as the worst threat to humanity since polio, and the gaming community defending even the most idiotic element of their pastime as if it were the Dead Sea scrolls, that Extra Credits manages to remain the calm voice of reason that it is ought to be applauded.

But of course, there’s more on that. These guys are the good angel on the shoulder of the gaming industry, calling for video games to be not only a source of entertainment, but also of education and even a new form of art. Whether or not you agree with that is up to you, but you’ve got to admit- it’s a bold and noble stance in a subculture that too often obsessed with doing this:

Extra Credits, here’s to you- keep doing the great work you’re doing!

P.S.: Evan, being the meany-face that he is, is forcing me to make this post longer. Set below is one of Extra Credit’s finer videos, and an easy introduction into their more jargon-heavy clips on narrative, mechanics, and other elements of video games.

Fame Day: Kris Anka

Today’s Fame Day post is dedicated to the artistic genius of Kris Anka. I’ve been following his work on the superhero redesign blog Project : Rooftop for some time, and was thrilled to see him get the recognition he deserves on ComicsAlliance yesterday.

Apparently Anka had been hired by Marvel to design the costumes for the new Uncanny X-Force series, and he puts his own spin on the new roster of Storm, Psylocke, Spiral, Puck, Lady Fantomex, and their nemesis Bishop.

The biggest changes are in Psylocke losing the unitard for more of a full body suit, and Storm reverting to her 90s look with a fantastic-looking mohawk. Utility was definitely prioritized, and story as well. Working with Uncanny X-Force writer Sam Humphries it was decided that the grey in Spiral’s outfit should be opaque. This fit with the knowledge that Spiral was a character was “a little more confident in her sexuality,” without making the costume’s raciness over-the-top .

Anka’s design philosophy for the team is as follows:

The costume themes were something from the very beginning that I wanted to strive for. I felt that every costume should not only highlight the personality of the character it is wrapped around, but also of the function that the costumes will serve towards. At the end of the day, these costumes have to look like they can get into a tussle, and actually be able to handle it.

This certainly translates over to the many other redesigns that can be found on his various art blogs, and one I want to highlight is his version of the  Avengers.

From left to right: Iron First and Crystal, Ares and Ms. Marvel, Iron Man and Venus, Bucky (Winter Soldier) and Thor.

In another illustration, entitled “avengers – dont f-ck with us,” the entire team is explained in the description, with the idea that he wanted his Avengers to be “a family first off.” Ms. Marvel acts as leader, Venus as a strategic asset, Ares carries Stark-designed weapons that can collapse in on themselves. Every design point has a reason, and it all adds up to clean, recognizable  costumes.

His redesigns for DC’s trinity [Superman, Batman, and Wonder Woman] are images I go back to over and over. His vision of the the Last Son of Krypton shows that you can do away with the red shorts over blue tights, provided you break it up with a little bit of colour [the yellow buckle, the red lines on the side]. I’m looking at you, costume designer for Snyder’s Man of Steel.


All in all, Kris Anka is a name to look out for. In the ComicsAlliance interview Humphries admits that “My only wish is that we could keep going until we redesigned the entire Marvel Universe!” If only that were true.

You can find Kris Anka on various places on the internet:

deviantART: http://anklesnsocks.deviantart.com
Blogger: http://anklesnsocks.blogspot.ca/
tumblr: http://kristaferanka.tumblr.com/
twitter: https://twitter.com/kristaferanka

And don’t forget to search for his stuff on Project : Rooftop!