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Fame Day: American Horror Story

americansdoghasdToday, I’d like to tip my hat to one of my favorite shows, a young series by the name of American Horror Story.

Now it’s no secret that the horror genre is universally despised, being seen by many as being lower on the totem pole than even toilet-humor comedies or the most saccharine romances out there. I could probably spend an entire post speculating on why exactly horror flicks are treated with such little respect (a lot of it is probably due to the genre’s inbred cousin, the “teen scream” flick), but that’s another topic for another time. I’m here to simply showcase the series and highlight a few of its key strengths and accomplishments that I think make it worthy of a Fame Day.

Each season of the show (the second has just concluded, and a third has been greenlit) is a separate story, made up of the horrific lives of the characters as they struggle with their pasts, their inner demons, and some ever-present terror always lurking just beyond the shadows. It essentially cashes in on the initial charm that LOST had before it jumped the polar bear.

Guilt and shame are themes that play heavily into the series as a whole (or at least, the past two “stories”), giving even the most heinous characters a degree of sympathy. Again, similar to LOST at its best, the constant shifting of the story from one perspective to the next prevents the series from ever being boring. Granted, the madcap pacing doesn’t always work (especially in the first story), but for the most part, the audience is always kept interested.

And that brings us to the first key accomplishment of the series:

Popularity

As I stated above, horror is simply not popular- at least, not in any mainstream way. Tim Burton’s lighter works are really the closest most people get to anything remotely macabre, and the fact that the series has continually drawn in high ratings (to say nothing of critical acclaim) is nothing short of amazing. And we’re not talking about a series that is eerie or has a handful of jump-scares, we’re talking about truly unsettling elements here. I’m certainly not alone in hoping that that AHS‘s continued success serves to begin building bridges between mainstream entertainment and horror subculture; heaven knows both could benefit from some fresh perspective.

And even in the subculture, AHS is playing a pretty major role. It’s…

Raising the Bar

As a result of the genre’s (comparative) isolation, quality in horror is typically pretty rare. When you can’t secure funding for special effects, good equipment, or even B-level actors, chances are your product isn’t going to be all that good. Of course, when you have a built in audience who would pay money to watch Dwayne Johnson protect an orphanage from chupacabras, why would you even bother trying?

I would actually probably watch that…

I’ve seen my fair share of (decent) horror movies, and I can count on one hand the films that had even passable cinematography. AHS, as a series that actually has some decent funding and actually puts effort into creating tense atmospheres and believable effects, is raising the bar for the entire industry. When AHS is the basis for most people’s experience with the genre, there’s going to be pressure on the rest of the industry to meet and excel the expectations the mainstream audience is going to have. Furthermore, AHS‘s star-studded cast (including Zachary Quinto, Ian McShane, James Cromwell, and, I kid you not, Adam Levine) is hopefully going to make the horror genre more inviting to high-caliber actors who can actually sell the audience on the direness of the situation and maintain interest without having to drag in a bunch of fornicating teenagers.

The series is actually one of the few I’ve ever seen that actually gives teens any credit or respect…

And perhaps most importantly, it comes down to this:

Depth

While the stories are good, as are the actors (Jessica Lange being easily more frightening than the goriest bits of the series), it’s some of the basic discussions held during the stories that really hit home. Oppression of women and the dark history of psychology are topics repeatedly brought up, and dealt with both in a historically accurate and totally visceral manner. Perhaps the most disturbing thing I’ve yet seen in the series hasn’t been any of the monsters or murders- it’s been a demonstration (scaled back for TV, even) of the psychological “treatment” given to people “suffering from homosexuality,” seen at the time as a mental disease. Those five minutes alone were more frightening than anything else in the story- and it was amazing. Amazing to see some serious and deep social commentary made, and to see the brutality and insanity some people had to undergo actually presented in a way that’s going to resonate with the audience. You will be a better human being for having watched that scene.

Though in the spirit of honesty, your view of nuns will probably diminish a bit…

When’s the last time you could say that about a rom-com?

American Horror Story, keep up the good work.

A final note. I would’ve included more gifs, but (1) I didn’t want to spoil anything and (2) easily 90% of all AHS images are of Evan Peters, who is apparently just the bee’s knee’, if the series’ female fans are to be believed.

Fame Day: Court TV

I and TV often find ourselves at odds. More often than not, what you get on television is hours upon hours of sensationalist news, vile game shows, and talk shows that swing between glorified bum-fights and thinly veiled infomercials. Sure, every once in a while you can find quality along the lines of Arrested Development or Ugly Americans or Scrubs or whatever wildly popular and inventive new show that NBC will cancel because **** you, but for the most part there are plenty more weeds out there than roses.

However, one such exception to the norm is- believe it or not- Court TV.

That’s right, Court TV.  Judge Judy, Judge Mathis, Judge Milian, and so on.

Now you might be trying to wrap your heads around why on earth these shows are any good, but that’s probably because of the general skepticism you have about daytime TV (and not without just cause). Think about it. Really think about it. What do we see on this show? Glamorization? Perhaps, but for all the strange cases that show up, the majority of them seem nevertheless perfectly plausible. And that brings us to the second point: sympathy. Who among us can say we haven’t had a situation, or haven’t known someone who had a situation, which would constitute a conflict without going so far as to be criminal? Who hasn’t had some petty yet long-running dispute with a neighbor? Who hasn’t had some tiff about splitting up a dead relative’s possessions? Again, Court TV has it all, and what’s more, shows the real-life consequences of all this (usual) pettiness and greed. We actually get to see some positive arbitration, and get educated on not only our explicit laws, but our social contract, our culture, and our state as human beings in general. However hyped up it might be played, the “hollywoodization” of the shows still can’t rob them of their core essence, which is genuinely interesting and relatable conflicts and the ways we resolve ’em.

I’m not saying you don’t have better things you could be doing with your time, but if you’re gonna be watching TV, there’s plenty worse to watch than this.

And just one last note. I understand that “Court TV” also used to be the title of the TV channel now called “TruTV”. Obviously what I’m talking about and that are two unrelated things. Just a heads up.