Way back in early 2012 I posted a three-part series about two sitcoms that had premiered the previous fall. Covering 2 Broke Girls‘ and New Girl‘s respective casts, styles of humour, and approaches to race, these posts exist as a window into their first seasons as well as an unfortunate snapshot of some embarrassingly unrefined writing from yours truly [with some unrefined opinions as well, as my perspective on Morgan Freeman and Black History Month has certainly shifted since then].
All credit where it’s due, both have come a long way since their inceptions, and in generally positive ways. While not shying away from their trademark “classy-dirty” style of comedy, 2 Broke Girls eased off of the racist humour and began giving their secondary cast members more screen time and character development. New Girl had Hannah Simon’s Cece join the primary cast, with Damon Wayans Jr. even returning for a lengthy stint after his departure following the pilot. I feel fairly confident in saying that neither show every truly dipped in quality, which is saying a lot for the medium and genre they share. I would even go so far as to say that both managed to improve with each passing season.
Now, in 2017, there were a few weeks where the fate of these two sitcoms was in question. To address them consecutively…
2 Networkless Girls?
After months of reviews in which I mused on the future of the show I finally penned a post in April asking “Is 2 Broke Girls Cancelled?”. It has since garnered more comments than anything else on this blog. In it I catalogued what the creators and industry insiders had to say about its future, as well as my personal opinion as someone who has reviewed 101 episodes of the show. I felt like, as someone who stuck with 2 Broke Girlslonger than the contributors to its very own wiki even did I was allowed some say.
It was Deadline that pulled back the curtain on the fact that CBS was airing a sitcom that was produced for Warner Bros. That same outlet also broke the news that the network had axed 2 Broke Girls. CBS scheduling director Kelly Kahl is quoted as saying that, as far as she knows:
“it was a creative decision more than anything else. It was not a show we own but we picked up (new comedy series Me, Myself & I and By The Book) from Warner Bros. So I don’t think it was a business decision, I think it was creatively we felt it was time.”
It’s noted that the show made Warner Bros. a very significant amount of money per episode. In spite of being a key players in their weekday lineup, CBS appears to be searching for something else they can wholly own, distribute, and profit from. Kahl even says in the same breath as “was not a show [they owned]” that it was “a creative decision”, but as with all art it comes down to profits. Continue reading →
Well, readers, it’s another sweltering day in June, and here in the trenches of the culture war accusations of “misogyny” and “political correctness” are being fired back and forth. And what’s that out there in the middle of the no-man’s land? Well, it’s the photo that started this latest skirmish:
And in all fairness, they are some compelling arguments.
Now ads featuring violence towards women exist, as evidenced in Jean Kilbourne’s famous documentary Killing Us Softly. Critics of this ad have cited (though I am paraphrasing for the sake of space) that the inundation of these images in our society leads to the normalization of violence. Show enough ads featuring women getting choked out and people will start assuming that it’s the natural way of the world.
Image retrieved via BusinessInsider.com, fair use
Even if the person doing the choking is the bad guy (and Apocalypse is), the simple fact that it’s a yet another man committing an act of force on a women should be enough to elicit outrage from us all.
I should probably state two things right off the bat, just to set the stage. The first is that editing anything, whether it be a weekly all-comics print publication or a blog that floats a measly few thousand views a week [not a humblebrag, I know what good site traffic is], is difficult. The second is that I consider fellow Culture War Reporter Gordon one of my best friends on this planet. It’s for those two reasons that I find covering the issue of piracy, of the copyright infringement variety, so harrowing.
In writing this post I forced myself to do my due diligence and read over my co-writer’s others two articles concerning the topic, and it was truly an ordeal. While in his first there are some fairly reasonable assertions like “Some People Will Never Buy” they’re coupled with others like “Anti-Piracy Hurts the Environment”, a point that ignores outlets like Netflix and other similar legal streaming services that harm God’s green earth just as much as The Pirate Bay. The second covered the “Vindication of Piracy” predicated on an article published by the BBC. All I have to say about that is . . . covered in the lengthy comment I left on that very post, if you’d like to check it out on your own.
As you should be able to tell based on how the above paragraphs are written, I feel very strongly about this. Which should make it particularly notable when I say that due to recent events in the past week I almost agree with Gordon.
And it’s all because of Hulu.
Hulu is the most compelling argument I have ever come across that piracy is both legitimate and possibly even necessary.
Now it’s going to look like I’m talking down to you, but I just want to make everything as clear as possible.
When we watch TV we are bombarded by commercials because the networks need money [as we all do] to survive. Some of that money makes its way to showrunners and the like, and the more successful their programs are the more money, ostensibly, the network will give them, because you want to spend money on that which makes you money. Hulu is an American streaming service that allowed you to watch TV shows the day after they aired, but had them accompanied by ads, for obvious aforementioned reasons. Continue reading →
We make an effort here at Culture War Reporters to not only decry travesties but to celebrate advances in art, politics, music, and media. And in this day and age, the presence of an honest journalist isn’t so much an advancement as it is a flippin’ miracle. That such a journalist should emerge from the McCarthyite dystopia that is FOX News is more baffling still.
But lo and behold-
Shep ****ing Smith.
Now granted- Smith’s been around for a while. His career as a journalist started clear back in 1985, and Shep’s been a top-rated newsman since the mid-90s. Still, it would be a decade later, during the “war on terror” that a change seemed to occur.
What (if anything) prompted it, I do not know. When exactly it happened- who can say? Perhaps it had been building for a while, but whatever it was, Shep Smith frickin’ lost it.
In the best possible way.
Now that clip was from 2009, by which time the debate on America’s use of torture (“enhanced interrogation”, to use the official term for it) had already been going on for some time. Again, the exact causes of Shep’s outburst are a mystery to me, but it really doesn’t matter.
It’s a question that I asked myself fairly early on, back when I first started Mindy Kaling’s sitcom [eleven days ago, I’m currently close to wrapping up the third season]. As a little bit of background for those of you unfamiliar with the show, The Mindy Project primarily takes place at [the originally named] Shulman & Associates, a medical practice where the titular character works as an OB/GYN. Here’s a promo picture of the cast Season 1:
The character in question is second from the left. Shauna Dicanio, played by Amanda Setton, was a receptionist with an extremely thick New York accent. I say “was”, of course, because here in the third season, with the fourth beginning in a few weeks, she’s nowhere to be seen. In fact, she didn’t even make it past the halfway mark of Season 1.
Which, I should mention before I really get into things, is a darn shame. Setton’s character had a great deal of potential as the young, hip woman around the office, in particular due to Mindy’s frequent assertions that she is the young, hip woman around the office.
The Mindy Project – Season 1 Episode 3: “In the Club”
Whimsical genius behind countless best-selling novels and comic books. Creative cadre to such literary giants as Terry Pratchett and Alan Moore. Champion of the plight of Syrian refugees. Perhaps one of the great authors of this time, with tales and yarns extending from the worlds of realism to science fiction to fantasy.
In many respects, a modern-day C.S. Lewis, with his ability to make the magical and divine seem every much as real and accessible as anything in the waking world.
Now for the unaware, Lucifer is a comic book series spin-off of Gaiman’s fantastical masterpiece Sandman. Dealing largely with themes of free will and fate, the series sees its titular character abdicate his infernal throne and become a beach-bum in Australia.
The series has been loosely (but still earnestly) adapted by FOX, with the show’s premier airing at this year’s ComicCon and a three minute trailer released for the public at large. Continue reading →