Tag Archives: Mark J. Blackman

Animus: Our Soul Searching Interview With Johnny Sachon

mv5bowrioda2ngmtntvjns00nzizlwjkzgqtmwe1yjhmmdlly2qzxkeyxkfqcgdeqxvymju5otazmzi-_v1_sy1000_cr006581000_al_Last week, CWR published our review of Animus, a short but powerful film directed by Mark J. Blackman. This writer had an opportunity to put a few questions to Animus actor/producer Johnny Sachon, who was nice enough to take the time to respond.

What inspired the story behind Animus?

It all came about quite organically. I’d worked with Katie [Goldfinch] a few times before. We both felt that we brought the best out in each other and wanted to challenge each other. As we’ve both produced films as well we made the decision to develop something together.

I met Mark [J. Blackman] in Cannes 2012 and had been following his work since. Out of the blue Mark contacted me regarding another project which sadly didn’t come work out for me. However, Mark asked me if I had anything else I was working on… and it just so happened I did. I guess everything happens for a reason.

2016 was a strange year for a lot of people and from my point of view I felt a lot happened in my own life as well that I wanted to explore and even exorcise in some way. The three of us met, and again, quite organically began discussing all of this and found a mutual subjects and ground to build upon. We spoke about absolutes – we wanted to produce a drama set in one location that focused on the performances.  Having recently worked on projects that were bold and intensive when it came to their scale of production  Animus was quite a refreshing challenge we all looked forward to. Out of these meetings Mark wrote Animus. The first draft was remarkably close to what you see on screen. Continue reading

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Animus: A Short Film Review

mv5bowrioda2ngmtntvjns00nzizlwjkzgqtmwe1yjhmmdlly2qzxkeyxkfqcgdeqxvymju5otazmzi-_v1_sy1000_cr006581000_al_An earnest, plaintive piano melody opens as desperate figures stare out into the middle distance. A woman drops in on an old flame, using some flimsy pretext neither of them believe for a moment. What follows is a terse, tense, and incredibly human exchange as our two protagonists verbally fence over decaf and destiny.

And it’s good.

It’s really, really good.

Two individuals of differing (but equally compelling) perspectives clash over tea. It’s as simple a set-up as you can imagine, but director Mark J. Blackman manages to wring both depth and emotion from it. Sienna (Katie Goldfinch of Crucible of the Vampire, Genie in the House) and Elliot (Johnny Sachon of Cloud 9, Late Shift) examine each others’ lives, what they themselves have become in their time apart, and what they could have become. It’s a beautifully ****ed-up My Dinner With Andre, keeping in mind that I’ve never seen My Dinner With Andre and all I have to go on is Wallace Shawn’s showdown in The Princess Bride. Continue reading

NEON: A Short Film Review

neon

In a grim and rain-soaked city, what begins as a couple’s phone conversation swiftly becomes a desperate negotiation for their future. NEON plunges us headfirst into a world of quiet desperation as we watch one man’s desperate bid for his own future against powers beyond our comprehension.

Or perhaps even a universe beyond our comprehension.

Director Mark J. Blackman (along with his team) makes spectacular use of special effects to give us a throbbing, vibrant world. Gorgeous panoramas of storm clouds and cityscapes, decrepit warehouses, and lonely streets all serve to make the setting as dynamic and alive as any of the film’s characters. Hell, based on a few of the clues dropped throughout the film, that might even be the case; the sometimes-indifferent, sometimes-capricious backdrop serving as a stand-in for the unnamed antagonists in play. Continue reading