“When one pair of legs closes, another one opens.”
Or at least that’s what Polish Oprah says. I’d be careful about disagreeing with her, since critics are hanged by the neck until dead. It’s also the tactic that 2 Broke Girls appears to be taking, since I can’t remember a point when both Max and Caroline were in serious romantic relationships at the same time. One may have a brief fling while the other is dating, but that’s about the extent of it.
Larger ensemble comedies have likewise chosen to give select characters the spotlight re: significant others, but in this case the rest of the cast plays second fiddle to the duo at its core. The inability, or unwillingness, of the show’s writers’ room to allow both Max and Caroline date concurrently speaks to their narrow focus. One at a time; wait your turn, please.
To be fair this episode actually closes on the idea that they might be trying to make a change moving forward, so we should probably get to what actually happens-
Posted in Comedy, relationships, review, sex, television
Tagged 2 Broke Girls, 3rd date, And the Tease Time, Beth Behrs, Bobby, burlesque, Caroline, CBS, Christopher Gorham, dancing, Han, Jonathan Kite, Kat Dennings, Katie Wee, lingerie, Matthew Moy, Max, Oleg, relationship, review, Rita, S6E16, sex, Sophie, third date, underwear
We open on a late afternoon as a ragged street preacher prophesies impending death and doom to disinterested passers-by. Among their number is Patrick Creedle (Matthew Hebden of Cartwheels and The Basil Brush Show), a character as fantastically despicable as his phone conversations are loud and abusive.
Which, for the record, is very.
Creedle steps into a local cafe for a coffee, unaware that the street preacher has followed him inside. Cornering Creedle at his table, Rime of the Ancient Mariner-style, the street preacher demands a few minutes of his captive’s time to relay a tale of creeping horror.
Hebden’s performance is definitely the highlight of the film, appearing instantly despicable without being cartoonish. He’s very much the self-absorbed ***hole that we know to well, and in his more sympathetic moments, Creedle could very much be us if we were caught on a bad day.
Our street preacher (Johnny Vivash of The Creature Below and The Collaborators) does a decent job of portraying a schizotypal vagrant who might not be quite as crazy as he first sounds. His insistence that a dark conspiracy is afoot grows increasingly eerie with every desperate whisper. Continue reading
Posted in film, science fiction
Tagged Devil Town, Elina Alminas, film, horror, horror movies, Invasion of the Body Snatchers, Johnny Vivash, Matthew Hebden, review, short film
“Actions speak louder than words.”
That’s a difficult motto to live by on a blog, but a crucial one in regards to short films given their limited run time. Considering the fact that you could fit the dialogue in Juanjo Giménez’s Timecode on a single sheet of paper only elevates its importance.
With a handful of award-winning short films [including Rodilla and Maximum Penalty]
already to his name the Spanish director’s latest features two security guards who work in an underground parking garage, one taking the day shift and the other the night. Playing Luna and Diego are Lali Ayguadé and Nicolas Ricchini, respectively, and although their shared acting experience is limited there’s no question of their being talented performers.
Both Ayguadé and Ricchini have impressive careers as dancers and choreographers, and their remarkable control over their bodies causes them to imbue every movement with purpose, whether it’s stiffly brushing past each other or jogging back up a hallway to clock-in to work. This even extends to raising the corner of a mouth being raised ever so slightly. This largely wordless short film might collapse in on itself with different talent, but the duo make it look effortless. Continue reading
Posted in art, Europe, film, music, relationships, review
Tagged acting, actor, choreography, cinematographer, composer, dancer, dancing, Iván Céster, Juanjo Giménez, Lali Ayguadé, music, Niccolas Ricchini, Pere Pueyo, performance, review, score, security guard, short film, Timecode
Move over, 2 Broke Girls, Superior Donuts owns the 9 PM Monday time slot now! The half hour delay of gratification for fans of the sitcom may have been frustrating, but it’s far from something to worry about. After all, it’s not like CBS has moved the show to Friday evenings, where programs go to die.
This week feels like things are back to basics, although the showrunners do try something new within that framework. What’s notable is the absence of an expected Sophie and Oleg B story, with the two narratives instead belonging to the title characters. That’s right, while we get our regular dose of Max we’re also treated to much more Caroline than usual! Continue reading
Posted in relationships, review, television, writing
Tagged 2 Broke Girls, And the Turtle Sense, Beth Behrs, Bobby, Caroline, CBS, Christopher Gorham, Dessert Bar, Han, Jonathan Kite, Kat Dennings, Matthew Moy, Max, movie theatre, Oleg, relationship, review, S6E15, Sophie, sorority
Last week, CWR published our review of Animus, a short but powerful film directed by Mark J. Blackman. This writer had an opportunity to put a few questions to Animus actor/producer Johnny Sachon, who was nice enough to take the time to respond.
What inspired the story behind Animus?
It all came about quite organically. I’d worked with Katie [Goldfinch] a few times before. We both felt that we brought the best out in each other and wanted to challenge each other. As we’ve both produced films as well we made the decision to develop something together.
I met Mark [J. Blackman] in Cannes 2012 and had been following his work since. Out of the blue Mark contacted me regarding another project which sadly didn’t come work out for me. However, Mark asked me if I had anything else I was working on… and it just so happened I did. I guess everything happens for a reason.
2016 was a strange year for a lot of people and from my point of view I felt a lot happened in my own life as well that I wanted to explore and even exorcise in some way. The three of us met, and again, quite organically began discussing all of this and found a mutual subjects and ground to build upon. We spoke about absolutes – we wanted to produce a drama set in one location that focused on the performances. Having recently worked on projects that were bold and intensive when it came to their scale of production Animus was quite a refreshing challenge we all looked forward to. Out of these meetings Mark wrote Animus. The first draft was remarkably close to what you see on screen. Continue reading
Posted in film, interview, media, morality, relationships
Tagged actor, Animus, interview, Johnny Sachon, Katie Goldfinch, LateShift, Mark J. Blackman, producer, review, Shadows, short film
An earnest, plaintive piano melody opens as desperate figures stare out into the middle distance. A woman drops in on an old flame, using some flimsy pretext neither of them believe for a moment. What follows is a terse, tense, and incredibly human exchange as our two protagonists verbally fence over decaf and destiny.
And it’s good.
It’s really, really good.
Two individuals of differing (but equally compelling) perspectives clash over tea. It’s as simple a set-up as you can imagine, but director Mark J. Blackman manages to wring both depth and emotion from it. Sienna (Katie Goldfinch of Crucible of the Vampire, Genie in the House) and Elliot (Johnny Sachon of Cloud 9, Late Shift) examine each others’ lives, what they themselves have become in their time apart, and what they could have become. It’s a beautifully ****ed-up My Dinner With Andre, keeping in mind that I’ve never seen My Dinner With Andre and all I have to go on is Wallace Shawn’s showdown in The Princess Bride. Continue reading
Posted in art, film, review
Tagged Animus, art, film, Johnny Sachon, Katie Goldfinch, life, Mark J. Blackman, NEON, philosophy, relationships, review, short film
First off, I want to apologize for the quality of the header image. As some of you may know I had to switch over to screencapping previews on YouTube some time ago due to CBS’s refusal to update the photo section of the 2 Broke Girls section of their website. Most have turned out okay, but this one is not very good. I really am sorry and will try to do better next time.
Yet another point I’ve touched on again and again is whether this is the last we’ll see of Ed Quinn’s Randy, and I think I can finally say that this is the case. Unless, of course, the show’s ratings [which I’ve been keeping a close eye on] end up tanking 2 Broke Girls Season 7, in which case his return seems both inevitable and justified. Continue reading
Posted in Comedy, family, relationships, review, television
Tagged 2 Broke Girls, And the Emergency Contractor, Beth Behrs, break-up, breakup, Caroline, CBS, Ed Quinn, Han, Jonathan Kite, Kat Dennings, Matthew Moy, maturity, Max, mommy support group, mother, motherhood, Oleg, Olmeca Altos Plata tequila, parent, Randy, relationship, review, S6E14, Sophie