“When one pair of legs closes, another one opens.”
Or at least that’s what Polish Oprah says. I’d be careful about disagreeing with her, since critics are hanged by the neck until dead. It’s also the tactic that 2 Broke Girls appears to be taking, since I can’t remember a point when both Max and Caroline were in serious romantic relationships at the same time. One may have a brief fling while the other is dating, but that’s about the extent of it.
Larger ensemble comedies have likewise chosen to give select characters the spotlight re: significant others, but in this case the rest of the cast plays second fiddle to the duo at its core. The inability, or unwillingness, of the show’s writers’ room to allow both Max and Caroline date concurrently speaks to their narrow focus. One at a time; wait your turn, please.
To be fair this episode actually closes on the idea that they might be trying to make a change moving forward, so we should probably get to what actually happens-
Posted in Comedy, relationships, review, sex, television
Tagged 2 Broke Girls, 3rd date, And the Tease Time, Beth Behrs, Bobby, burlesque, Caroline, CBS, Christopher Gorham, dancing, Han, Jonathan Kite, Kat Dennings, Katie Wee, lingerie, Matthew Moy, Max, Oleg, relationship, review, Rita, S6E16, sex, Sophie, third date, underwear
“Actions speak louder than words.”
That’s a difficult motto to live by on a blog, but a crucial one in regards to short films given their limited run time. Considering the fact that you could fit the dialogue in Juanjo Giménez’s Timecode on a single sheet of paper only elevates its importance.
With a handful of award-winning short films [including Rodilla and Maximum Penalty]
already to his name the Spanish director’s latest features two security guards who work in an underground parking garage, one taking the day shift and the other the night. Playing Luna and Diego are Lali Ayguadé and Nicolas Ricchini, respectively, and although their shared acting experience is limited there’s no question of their being talented performers.
Both Ayguadé and Ricchini have impressive careers as dancers and choreographers, and their remarkable control over their bodies causes them to imbue every movement with purpose, whether it’s stiffly brushing past each other or jogging back up a hallway to clock-in to work. This even extends to raising the corner of a mouth being raised ever so slightly. This largely wordless short film might collapse in on itself with different talent, but the duo make it look effortless. Continue reading
Posted in art, Europe, film, music, relationships, review
Tagged acting, actor, choreography, cinematographer, composer, dancer, dancing, Iván Céster, Juanjo Giménez, Lali Ayguadé, music, Niccolas Ricchini, Pere Pueyo, performance, review, score, security guard, short film, Timecode
Move over, 2 Broke Girls, Superior Donuts owns the 9 PM Monday time slot now! The half hour delay of gratification for fans of the sitcom may have been frustrating, but it’s far from something to worry about. After all, it’s not like CBS has moved the show to Friday evenings, where programs go to die.
This week feels like things are back to basics, although the showrunners do try something new within that framework. What’s notable is the absence of an expected Sophie and Oleg B story, with the two narratives instead belonging to the title characters. That’s right, while we get our regular dose of Max we’re also treated to much more Caroline than usual! Continue reading
Posted in relationships, review, television, writing
Tagged 2 Broke Girls, And the Turtle Sense, Beth Behrs, Bobby, Caroline, CBS, Christopher Gorham, Dessert Bar, Han, Jonathan Kite, Kat Dennings, Matthew Moy, Max, movie theatre, Oleg, relationship, review, S6E15, Sophie, sorority
An earnest, plaintive piano melody opens as desperate figures stare out into the middle distance. A woman drops in on an old flame, using some flimsy pretext neither of them believe for a moment. What follows is a terse, tense, and incredibly human exchange as our two protagonists verbally fence over decaf and destiny.
And it’s good.
It’s really, really good.
Two individuals of differing (but equally compelling) perspectives clash over tea. It’s as simple a set-up as you can imagine, but director Mark J. Blackman manages to wring both depth and emotion from it. Sienna (Katie Goldfinch of Crucible of the Vampire, Genie in the House) and Elliot (Johnny Sachon of Cloud 9, Late Shift) examine each others’ lives, what they themselves have become in their time apart, and what they could have become. It’s a beautifully ****ed-up My Dinner With Andre, keeping in mind that I’ve never seen My Dinner With Andre and all I have to go on is Wallace Shawn’s showdown in The Princess Bride. Continue reading
Posted in art, film, review
Tagged Animus, art, film, Johnny Sachon, Katie Goldfinch, life, Mark J. Blackman, NEON, philosophy, relationships, review, short film
First off, I want to apologize for the quality of the header image. As some of you may know I had to switch over to screencapping previews on YouTube some time ago due to CBS’s refusal to update the photo section of the 2 Broke Girls section of their website. Most have turned out okay, but this one is not very good. I really am sorry and will try to do better next time.
Yet another point I’ve touched on again and again is whether this is the last we’ll see of Ed Quinn’s Randy, and I think I can finally say that this is the case. Unless, of course, the show’s ratings [which I’ve been keeping a close eye on] end up tanking 2 Broke Girls Season 7, in which case his return seems both inevitable and justified. Continue reading
Posted in Comedy, family, relationships, review, television
Tagged 2 Broke Girls, And the Emergency Contractor, Beth Behrs, break-up, breakup, Caroline, CBS, Ed Quinn, Han, Jonathan Kite, Kat Dennings, Matthew Moy, maturity, Max, mommy support group, mother, motherhood, Oleg, Olmeca Altos Plata tequila, parent, Randy, relationship, review, S6E14, Sophie
As I say at the beginning of every year, you can look back at the first-ever Evan Yeong Literary Awards in 2014 for a fuller description of my relationship with reading, which in turn led to their inception.
While eventually I’ll run out of ways to write this, the purpose of the third installment of the Evan Yeong Literary Awards is to shine a spotlight on an artistic medium that has taken a bit of a back seat as screen media becomes increasingly more prevalent, calling attention to a select handful of books I read these past 12 months. In 2015 every pick was objectively a winner, but given the rocky year following it’s no surprise that these awards have their ups and downs.
In 2016 my resolution was, just as it will likely be every year moving forward until it becomes unfeasible, to read more than the year before. That said I was devastated to do the final count to see that I read exactly the same number as I did in 2015. You can check out a full list [with the exact dates of when I read each one] at this link.
wokest novel, PRE-2000’s
The Wayward Bus by John Steinbeck
Although it’s fallen out of fashion since the time of its coinage in 2015, “woke” is still the most concise way to say “aware of racism and social in justice”. Throughout a novel that could serve merely as a cautionary tale of public transportation Steinbeck communicates time and time again that even though he lived as a person of great privilege, during an era where those privileges were even greater than they are now, he wasn’t afraid to pen several scathing indictments against the very class he was a part of.
most disappointing, though by no means awful
Eleanor & Park by Rainbow Rowell
The fault with this YA novel can be laid at the feet of those who framed it as a solid example of an interracial relationship in the genre. Although the titular Park is half-Korean the fact is that this is not something he personally relates to as a character, and certainly isn’t a factor that others take into consideration when viewing him [save for Eleanor, who gushes over his features in a way that borders on the fetishistic]. Apart from that this book very competently portrays the familial issues that can plague teenagers, as well as the most authentic depiction of how intense young love can be that I’ve ever read. Continue reading
Posted in America, art, history, race, relationships, review, sex, writing
Tagged Celeste Ng, Eleanor & Park, Ellen Ladowsky, Evan Yeong Literary Awards, Everything I Never Told You, history, How to Dump a Guy: A Coward's Manual, Jennifer Love Hewitt, Jill Lepore, john steinbeck, Judy Pasternak, Juneteenth, Kate Fillion, Kody Keplinger, Let It Be Morning, literature, novel, race, Rainbow Rowell, Ralph Ellison, relevant, romance, Sayed Kashua, Sunjeev Sahota, The Day I Shot Cupid: Hello My Name is Jennifer Love Hewitt and I'm a Love-aholic, The Duff, The Name of War: King Philip's War and The Origins of American Identity, The Wayward Bus, The Year of the Runaways, wokest, YA, Yellow Dirt: An American Story of a Poisoned Land and a People Betrayed
Context is always important. As far as the television landscape in the past two decades we have an expectation as viewers that the midseason finale, which typically airs right before the holidays, marks a significant moment ideally meant to draw the audience back in the new year. The problem with 2 Broke Girls, at least recently, is that being pushed around in the fall TV schedule has resulted in that episode not landing with the weight that it should.
Take Season 5 where the episode at the halfway mark, “And the Storytelling Show”, ends with the two girls heading out to Hollywood to sell the film rights to Caroline’s life story. That would have been a phenomenal way to wrap things up in late November or early December, but instead aired mid-February.
While likewise plagued with scheduling issues, Season 6’s 12th episode actually opens up with another “Previously on 2 Broke Girls“, establishing that the titular duo is in the middle of their quest to get Max and Randy back together. To be fair the last episode of 2015 did end with them plummeting towards the ground in a single engine aircraft, but it’s not like we ever thought they wouldn’t survive the experience. It’s difficult to blame the showrunners for just trying to roll with the punches, but decent pacing is a good way to keep people watching and hopefully buoy flagging ratings. Continue reading
Posted in celebrity, Comedy, review, television, Uncategorized
Tagged 2 Broke Girls, And the Riverboat Runs Through It, Beth Behrs, Caroline, CBS, Chestnut, gambling, Han, James, Jonathan Kite, Kat Dennings, Lucas Hazlett, Matthew Moy, Max, New Orleans, Oleg, plane, Randy, review, riverboat, roulette, RuPaul, S6E12, Sophie