Tag Archives: Matthew Moy

2 Broke Girls, S2E15 “And the Psychic Shakedown”: A TV Review

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Turns out 2 Broke Girls [and the other, better CBS sitcom] took some time off for some reason or another, so last week was a nice break for me. And now we’re back.

SURPRISE: Max and Caroline are in the diner! The latter complains about only getting $2 for her last tip, because it means that they don’t have enough money to buy supplies for their store. Before we move on, I’d like to point out that tips  and surviving on them to bolster a waiter’s/waitress’ meagre salary is great material for an entire episode [see the Ryan Reynolds film Waiting…]; it’s bizarre that this hasn’t come up sooner. Anyway, the girls steal their ingredients from the diner.

There’s also an exchange that occurs between the two that prompts a particular response from me [see gif on the right]:

Caroline: And we have to sneak all this stuff out. Han’s staying late to do inventory.

Max: Dammit, why does he always have to be so Asian?

Cue laugh track. Cue me wishing everyone involved in this show’s writing would die a slow, painful death. Then everyone conspires to help the girls steal from their employer and that’s the cold open for you.

Back in the shop Caroline has found a site where the two can apply for a small business grant. Why they need the money, I don’t know; the last episode ended with them at $4900. Since they’re technically minorities [“according to the last presidential election”] all they need is a letter of recommendation from another start-up business.  Enter Candy Andy, Caroline’s dreaded ex.

Exit Candy Andy, Caroline’s dreaded ex. Apparently he just up and left, unbeknownst to either of the girls. Middle Eastern guy Amir [played by Amir Talai] braves Max’s onslaught of racism to tell them that he helped Andy move out in the middle of the night. He also dishes out just about as much as he takes, which is nice but still not ideal.

Seven minutes in and the premise of our episode shows up in the form of a pushy psychic who talks Caroline into spending $50 on a reading [that she will die alone] and crystal “you can’t snort.” One midnight talk between the girls later and they’ve come to get their money back. Max’s snark causes the psychic to point a fork at them and say “psst”; this means they are now cursed.

As sitcom law would dictate, Max doesn’t believe in the curse while Caroline insists they pay the woman another $50 to nix their bad juju. Then a man jumps out of a window and smacks the pavement near where they’re standing.

Earlier on in the episode Han refuses to sign Caroline’s pre-written note of recommendation due to having morals, a decision Earl negates by just forging his signature as part of a vast conspiracy by all to work for the man but not respect him in the least. Han writes his own letter since he is a decent guy, which reads as saying that Caroline will die alone because she loves business.

After Jennifer Coolidge [Sophie] hams it up like crazy after hearing they’re cursed and Max breaks the glass shelf with all the booze, the girls are back at the psychic’s place. Two “pssts” and the curse is lifted. She does decide to give Max a free reading, though, and it is as follows: a happy life, over $10,000 in her near future [the grant!], and great love and children. Caroline will still die alone, but “with nothing but her great success.”

She’s pretty thrilled about this until they see a mailbox being unbolted from the sidewalk. The mailbox in which Caroline put their grant application. Oh well. It snows like the psychic predicted, though, so Caroline isn’t sure what’s up. The two agree that their readings are two parts of a whole [success + love] and that maybe things aren’t so bad after all. The end.

Since this is supposed to be a review and not just a play-by-play of the episode, let share a few thoughts. Thought #1: this episode was horrible. I do believe that much of the blame for this lies on the writing credit given to co-creator Michael Patrick King. This is probably also the reason for the excessive amount of racist and rape-related jokes this episode. Please remember that this is a man who is sort of a horrible person. For him edginess equates comedy, and it explains a lot of the terrible dialogue that was present.

Lastly, I mentioned in my last review that I’m not sure what the final tally is supposed to indicate anymore. Wikipedia dubs it “Final tally for cupcake business venture,” but shouldn’t it now read “Final tally from cupcake business venture”? The episode ends with them having been shysted out of $100 by the psychic, leaving them at $4800.

Stray Observations:

  • I would actually like to see a lot more of Amir in the future. He had great chemistry with both of the girls, and it takes a talented actor to rise above the material given [and targeted at] him.
  • The audience members cheering at Sophie’s entrance were barely audible, it’s like their hearts just aren’t into it anymore.
  • Max’s essentials: food and the penguin statue at the dollar store that says “Chill Out!”
  • 2 Broke Girls Cheesecake Menu: Pretty weak this time around. Caroline stuffs eggs into the front of her shirt. Sophie is dressed pretty provocatively as usual, but I feel that shouldn’t count anymore.

2 Broke Girls, S2E14 “And Too Little Sleep”: A TV Review

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This episode begins with Caroline reminding Max [and the rest of us] that “this isn’t the diner where everything comes with attitude and E. coli.” The fact that the cold open takes place in the cupcake shop doesn’t stop her from snarking at a drumming customer in overalls, though. Insert comment from me about how the show’s centre seems to be moving further away from the diner.

Soon enough Andy shows up, forcing Caroline into hiding [they broke up, remember?]. It also kicks off a fairly decent running joke about how Max doesn’t recall having slept with the guy at the record store. Kat Denning’s delivery of the following line actually made me chuckle out loud:

Andy:  Oh, by the way, the guy at the record store says hi.

Max: Well, you tell him I said . . Who are you?

This conversation also reveals one of the big concepts in the episode: your friends keeping in contact with your ex. Max and Andy have bonded over texting each other pictures of unlikely animal couples, and you can rest assured that it’s going to cause some sort of trouble later on in the episode.

Ah, sorry, I forgot to mention that in this episode Max and Caroline are tired. Tired enough for Max to pull down her pants in the middle of the cupcake shop and for Caroline to doze off while taking orders. This creates complications, of course, when her sleep deprivation causes Caroline to remember that they have an order for 1000 cupcakes due the next day at 10 a.m.

So the girls race out, leaving Han hanging, only for Caroline to kick the shim out from under their oven, rendering it unusable. Fun fact: a shim is “a thin and often tapered or wedged piece of material,” and not a pronoun for transexuals like Caroline posits. Seconds later and the girls race back to the diner they abandoned to use the oven/kitchen there. Instead of being understandably upset, Han and the others are actually really cool about it, offering to stay up late and help finish their order. They’ve really tried to push the idea of them being a more-or-less happy, dysfunctional family, and this approach is more heavy-handed than most.

Also allow me to say that Matthew Moy, who plays Han, kills it this week with the material given to him. Max reaches around his body to show him how to properly ice cupcakes only to have him squirt the sugary glaze all over the place [haha, premature ejaculation joke, we get it]. Moy’s distressed cries of “Oh, oh, I’m humiliated!” really lands here. Check the “Stray Observations” below to check out the other one.

The girls are alone, and just about done with the order when it turns out that Max has lost an earring, presumably in the batter. This forces the two to start destroying the cupcakes to find them, and soon, with bits of baked goods underneath every fingernail, the two are throwing down over Max still talking to Andy and “girl code.”

The scene really stands out due to their argument, which holds a lot more emotional sincerity than most of the feel-good moments on the show. There’s screaming and cupcake throwing and on some level, in spite of the audience laughing and cheering, it feels strangely real, like the two actresses are actually upset at one another.

Anyway, Andy shows up to help and defuses the situation. Him and Caroline end up in the kitchen and talk about how they “glove” each other [why can’t we all use kitchen safety to properly express our feelings?] and while they don’t get back together they ultimately end up in a pretty good place. Another breakup takes place when Max and Andy talk, realizing that they should probably stop texting for Caroline’s sake.

Back at the apartment the girls realize that they had switched aprons, and that Max’s earring was in her apron [on Caroline] the entire time. This is really weird, because this discovery is caused by Max finding Caroline’s phone, which doesn’t jive with her texting with her own phone earlier. Anyway, it’s not really worth picking apart, just generally kind of clumsy on the writers’ parts.

The show ends with the usual ka-ching of the money counter, which I suppose now tallies up the profits from the cupcake shop, shooting up from $900 to $4900 due to their huge order. I’m not sure what they’re aiming for, or what their overheads are, but right now it doesn’t seem all that important to the show as a whole.

As a parting note, did anyone else feel like this episode had a lot of dated references? Sure, hipsters were also a topic sort of addressed in CBS’s other Monday sitcom, How I Met Your Mother, but Max also references James Cameron’s Avatar and the 2010 TLC series Sister Wives.

Tune in next week to read my reviews of a show The A.V. Club gave up on a long time ago!

Stray Observations:

  • Apparently Earl quit doing cocaine last year, at 75. Guy looks pretty good, all things considering.
  • Han’s response to Max telling him he’s 90% head: “It’s not a laughing matter, Max, I broke my mother’s pelvis coming out!”
  • The “whoos” at Sophie’s entrance were extremely subdued this week. (•‿•)
  • Unlikely animal couples mentioned: monkey tickling a parrot, a black dog spooning a brown dog, deer nursing a turtle, labradoodle high-fiving a koi fish, cat and dolphin kissing, Max and Caroline [awwww].
  • 2 Broke Girls Cheesecake Menu: Sophie’s boobs straining to break free from her dress. Oh, and Max pantsing herself in the cold open.

Michael Patrick King, Definitely Not Being Racist

About two weeks ago I started watching another show, as I am wont to do, mostly because my schoolwork was piling up and I needed a reason not to do it. The show was CBS’s 2 Broke Girls, and after catching up on the first eight episodes I was linked to this article via a review on the A.V. Club’s TV Club.

The article discusses 1/2 of the show’s creative duo Michael Patrick King, who was an executive producer on Sex in the City, and his reasons for disregarding critics who are calling him out on perpetuating racial stereotypes. I’m going to present his quote first, then the alleged racist portrayals.

“I’m not going to change. No, absolutely not.”

“I believe that anybody, when you see them for the first time, you judge them based on the surface.”

First (and foremost) on the docket is Asian-American actor Matthew Moy, who plays Han (Bryce) Lee, the owner of the diner where the two leading ladies work. To be fair to King and CBS, a lot of the racial idiosyncrasies described here in the casting sides were toned down a lot in the actual airing of the show. Yes, Han still speaks terrible English, has a very poor understanding of holidays and anything else American (“And the Very Christmas Thanksgiving”), and makes an obvious reference to William Hung (“And the Rich People Problems), but it’s all in good fun.

The following are two clips. The first from Moy’s appearance on Criminal Minds, and the second of his character on 2 Broke Girls.


Well
, you may be asking, has the show deepened Moy’s character? Maybe all we’re seeing is this surface King was describing. To answer your question, not really. Moy continues to speak hilariously broken English, but has since become more of a nerdy stereotype than anything. His accent has become distracting at best, and continues to baffle me since Koreans are good at English. It’s like Han was raised in a remote village or much further North.

I’m going to list off the other racial stereotypes in a huge list, because going through them one at a time would be exhausting: the in-your-face Puerto Rican (“And Strokes of Goodwill”), the obnoxious Italian women (“And the Pretty Problem), the Mexican men who help with manual labour (“And the Disappearing Bed”),  the wealthy, Middle Eastern women speaking very heavily accented English (“And the Pop-Up Sale”). All of these appear only once, and don’t include principal cast members Oleg, the salacious Russian fry cook, and Earl, the aging African-American hepcat.With the exceptions of Han, Oleg, and Earl, none of these other characters have a chance to redeem themselves, to give you a chance to do anything but “judge them based on the surface.” The three aforementioned characters, however, have been resigned to the sidelines, not really moving forward at all.Michael Patrick King also said in the article that “Anyone who’s ever lived in New York has walked through an enormous melting pot of people. So for me, to do a show where you’re not exploring race would be absurd in Brooklyn, N.Y.” I can agree with the statement, but believe that only half applies to King. This is a man who has “walked through an enormous melting pot of people,” and gleaned what little he could from short glimpses as he passed them by.