This week Marvel announced that their new Black Panther title, dropping next spring, would be drawn by Brian Stelfreeze and, more importantly to many, penned by Ta-Nehisi Coates. For those of you unfamiliar with the latter Coates was at one point most well-known for his contributions to The Atlantic, in particular the contentious “The Case for Reparations”. More recently, however, a significant amount of attention has been given to his second published book, Between the World and Me, which was released just this past July.
The various news outlets that have covered this story, those dedicated to comic book journalism and otherwise, have taken note of the fact that both Coates and Stelfreeze are African-American. While the character himself hails from the fictional African nation of Wakanda he is nonetheless Black, and many have praised the publisher for allowing top-of-their-game, Black creators to take the reins of the person soon to be their most famous Black hero [due to his appearance in the upcoming film Captain America: Civil War].
This announcement comes, while not necessarily hot on the heels of, soon after Marvel breaking the news that the latest character to hold their own Hulk title will be Amadeus Cho. A Korean-American character and one of the smartest people on the planet despite his years, his adventures were also given to another match made in comic book A-list heaven. Writer Greg Pak and artist Frank Cho are both Korean-Americans themselves, with the former being of mixed descent. In the very same vein as next year’s Black Panther this December’s Totally Awesome Hulk bears a creative team that has a lot racially, as well as culturally, in this case, in common with their book’s titular character. Continue reading
Posted in comics, feminism, media, race, religion, writing
Tagged artist, Black Panther, Brian Stelfreeze, Chelsea Cain, comic books, creator, DC, diversity, Felipe Smith, G. Willow Wilson, Gene Luen Yang, Ghetto, ghettoization, Grek Pak, Marvel, race, representation, stepping stone, Steve Orlando, Ta-Nehisi Coates, voices, writing
I haven’t seen Noah yet, but I also haven’t seen anything by Aronofsky that I didn’t like. You probably know him from such movies as The Black Swan, The Wrestler, and The Fountain– all tending to center on people pursuing their dreams and passions even at their own destruction.
Now in spite of his impressive filmography, Noah has nevertheless come under fire from several directions, though perhaps none more vocal than the conservative (heck, even moderate) Christian community. Continue reading
Posted in bizarreness, Christianity, film, history, Islam, religion, Shame Day
Tagged accuracy, antedeliluvian, apocrypha, Aronofsky, Bible, biblical, Book of Enoch, Christian, Christian community, Christianity, creator, film, Flood, Genesis, Genesis 6:4, Giants, Gnostic, God, god's not dead, Hollywood, inerrancy, jewish, KJV, literalist, movie, Muslim, Nephilim, Noah, persecution, rock monster, shame day, text
Let’s start things off with a question. Who here likes Batman? Oh, yes, Commissioner Gordon?
Thank you for that very thorough answer, James. But you know what else is important, and begs asking when we all like something? Where that something comes from. Y’know, who made it, that sort of thing. So, who made Batman?
Go ahead and pick up that Batman graphic novel lying next to you, don’t pretend you can’t see it. Tell me what it says inside there, somewhere between the front cover and the beginning of the actual comic. You can read it aloud, that’s fine.
“Batman created by Bob Kane” Continue reading
Posted in art, comics, Shame Day, writing
Tagged artist, Batcave, Batman, Batmobile, Bill Finger, Bill the Boy Wonder, Bob Kane, Chris Sims, comics, creator, creator credit, credit, DC Comics, internet's foremost Batmanologist, Marc Tyler Nobleman, Robin, shame day, the worst, villain, writer