Till We Meet Again is an award-winning indie film focused on the way relationships can both begin and change when traveling abroad. So far I have been given the opportunity to watch and review the film, as well as bounce a few questions off of director Bank Tangjaitrong in the first installment of “Making Till We Meet Again“.
Today I’ll be sharing an interview I conducted via email with Johan Matton, whose role in the production include writer, executive producer, and acting as Erik, one of the leads. That being said, while the film was ultimately directed and brought to life by Tangjaitrong it can’t be argued that its very existence largely lies on Matton’s shoulders.
David tells Joanna that being in Thailand “realigns you with who you really are.” It seems apparent from the film, which you wrote as well as starred in, that you’d been there before. How much truth do you think there is in that statement?
I wanted the character David (Emrhys Cooper) to come across as a flirtatious, charming person who always knows what to say but is still real and sincere, not the stereotypical obstacle of a man for Erik and Joanna that he could have been. I believe in this moment he speaks about what is true to him; he is not just using catchy lines to charm Joanna (Linnea Larsdotter) at this point, I think he means it sincerely and believes this to be true. For me I believe in individuality [laughs] and that expressions such as this where “you” means “everyone” can be a bit naive.
Some people might be aligned, some people may not. However, empirically for me, Thailand definitely aligns me and I find myself looking inwards and realizing what more I can give to the world and how egotistical New York makes me if I do not take enough pauses from the city. I also believe strongly that some people do tend to get grounded sometimes when they travel and change perspectives from the loop of life we are usually in. So the statement is true to David and for me, but most likely not to everyone. Continue reading
Posted in film, interview, money, Travel, writing, Youth
Tagged anxiety, Asia, audience, backpackers, backpacking, Bank Tangjaitrong, cut, film, filmmaking, interview, Johan Matton, narrative, screenplay, Southeast Asia, Thailand, Till We Meet Again, tourists, travel, writer
Even though I wrote a little over a thousand words last week on my experiences with Doctor Strange [required reading for this blog post] there were a couple of additional criticisms I wanted to level against both that specific film and the industry as a whole. While I covered pretty thoroughly how Asians were poorly represented in Marvel Studio’s latest offering, what I didn’t really touch on was why.
When Diversity Means Painting With All the Colour of the Wind
In the months leading up to the release of Doctor Strange the conversation about the Ancient One’s casting began heating up. With mainstream news outlets picking up on the controversy there were many waiting to hear from the creators themselves, which brings us to the episode of the Double Toasted podcast that guest starred screenwriter C. Robert Cargill.
While his explanations regarding the character have since been championed by those defending the casting decision, even after his rescinding all comments made, and in spite of them being refuted by others, in particular by Shaun of the No, Totally! podcast, what I want to focus on are what he says right after that:
Now if you don’t want to actually listen to him, which I find perfectly understandable, I’ve also transcribed the relevant quote [emphasis added]:
“But when you start to see this film you’ll see that what we were able to do with Kamar-Taj, we made one of the most multicultural films most people have seen in years. Like this film is [. . .] I’m not certain that there’s a single major race that isn’t represented with a speaking role in this film. It allowed us to bring in, even as small characters to build upon later, a lot of characters from the Doctor Strange universe who come from all over the world. We were able to play with a lot of things and it gave us a lot to work with.”
Posted in Asia, film, race, television, writing
Tagged accessible, Ancient One, Asia, asian, authentic, Big Hero 6, black, C. Robert Cargill, casting, Cheo Hodari Coker, Danny Rand, diversity, Doctor Strange, film, Finn Jones, Iron Fist, Japanese, K'un-Lun, Kamar-Taj, Luke Cage, netflix, race, representation, San Fransokyo, Scott Derrickson, screenwriter, showrunner, stereotyping, television, TV, writer, writers' room, writing
AT THE REQUEST OF FEDERICO DORDEI HIMSELF I HAVE TAKEN DOWN THIS ARTICLE. APOLOGIES TO ANYONE INTERESTED IN READING IT.
Posted in Comedy, interview, television, writing
Tagged 2 Broke Girls, actor, behind the scenes, Cast, CBS, character, comedy, comments, criticism, Deke, direction, Eric Andre, Federico Dordei, funny, interview, Italian, Jennifer Coolidge, Jonathan Kite, Kat Dennings, live audience, Luis, Michael Patrick King, multicam, Oleg, regular, sitcom, Sophie, Supergirl, TV, writer, writing
As I plainly state in the alternate title to this post, everyone and their [tenuously and amusingly connected other person] has been raving about the trailer that dropped about a week ago for the latest upcoming film in the Star Wars franchise. If, for some reason, you haven’t seen it, here it is:
Since April 16th we have had eight days for the internet to collectively lose their minds over it. Generally in the positive way one does such a thing. I don’t typically like to follow up one YouTube video with another, but this very clever mashup that went viral soon afterwards sums it up a little too well:
Long story short, people are excited. Not even just excited, but actually and honestly emotional about this upcoming film. My Facebook feed was awash with friends raising the hype to what looked like unsustainable levels, yet I can see it only building in fervour the closer we get to December 18th of this year. Don’t get me wrong, I am also looking forward to it, but I’m tempering my enthusiasm for a number of reasons. Continue reading
Posted in film, science fiction, writing
Tagged Abrams, director, expectations, Force Awakens, George Lucas, hype, Into Darkness, Lawrence Kasdan, nostalgia, screenplay, Star Trek, Star Wars, Tim O'Neil, writer, writing
It should be absolutely no secret to any and all of you that I’m an advocate for diversity. There are a myriad of different reasons for this, from the “it would be nice…” of seeing a little more colour in popular media to the more specific “think of the children” that pertains to White boys specifically [not White girls or Black boys and girls] having their self-esteem boosted by watching TV. What some people don’t realize is that the need need for diversity extends beyond actors and the characters they portray to the actual creators involved.
I’m not going to say that a White man cannot ever be involved in the creation of art that discusses or features minorities and their struggles- it’s a topic I touched on when discussing children’s author Rich Michelson and the books he’s written about the Civil Rights Movement. These stories can, and have been, and will continue to be valid, the question remains as to why we live in a world where a James Brown biopic can be created as a summer blockbuster and have “all the producers, writers, and the director [. . . be] white.” At what point should anyof these people stopped and thought to themselves, “Maybe a Black person would be able to provide a perspective on this that none of the rest of us could?” “Immediately” is the answer in case you were wondering.
This is all a lead-up to how, if this is definitely a problem in our current culture, we can change things. As history would dictate I am going to be coming at this from a distinctly comic-related perspective, but the issues therein can be paralleled across the board to TV and movies. Continue reading
Posted in art, comics, film, internet, media, race, television, writing
Tagged Affirmative action, art, artist, attention, comics, Comics Alliance, criticism, diversity, female, gender, Hire This Woman, industry, judgement, promotion, quota, race, reddit, woman, writer, writing