I don’t know about you, but I can’t stop listening to “Hymn for the Weekend” on repeat.
However, before I had even listened to Chris Martin and Queen Bey meld their voices in a divine mesh of harmonies, I was reading about it on Tumblr.
Cultural Appreciation vs. Appropriation
The first thing I heard about the video was that it had some pretty rampant cultural appropriation. Since there have been a number of music videos and performances accused of cultural appropriation over the last few years, I wasn’t too surprised to hear about “Hymn for the Weekend” being added to the list.
The video quickly split viewers into two groups, those who considered it cultural appropriation, and those who appreciated the video’s focus on Indian culture. The clip below highlights a few of the key elements that have been discussed and criticized.
This discussion is tricky for a variety of reasons. For example, there is a time and place when a white person can wear Indian clothing and accessories without coming off as disrespectful. In some cases, it’s actually much more respectful to embrace local dress customs than to ignore them.
There are even music videos where diverse customs and styles have been featured without any backlash about appropriation.
This debate can also seem confusing when Indian fans, or fans with Indian heritage, don’t seem to be bothered by the video’s representation of their culture.
Posted in feminism, media, music, race, Uncategorized
Tagged American, backlash, Beyoncé, black, black woman, Bollywood, Coldplay, criticized, cultural appreciation, cultural appropriation, Culture, cultures, damsel, dark skinned Indian, discussion, diverse, ecotic, exotic, famous, fans, foreign, heritage, Hymn for the Weekend, Immigrants, India, Indian, Japanese, music video, mysterious, Nikita Redkar, other, people of colour, performance, Princess of China, race, respectful, responsibility, Rihanna, style, Trope, woman of colour, work
Look, I know I was tough on Ms. Marvel last month. It was a so-so issue, a fact that surprised me greatly considering it guest starred the Norse god of trickery. The thing is, even then I wasn’t worried that it was some sort of herald of less-great things to come, and the latest installment of Kamala Khan’s adventures is one of the best yet.
Everything that was missing from the Valentine’s issue is present here. Inhumans? Check. Genuine hero vs. villain throwdowns? Check. An exploration of the life hyphenated-American youth live, AKA the cornerstone of immigrant literature? Ch-ch-ch-check.
That last point is what truly made me love this comic, because the rest of the Khans get some quality pagetime after being out of the spotlight for so long. Take the following panel-
It takes place after we see Kamala training in the Inhuman version of the X-Men’s Danger Room, and while seeing Medusa worry about her subject [she is queen of the Inhumans, after all] is intriguing all I could think of was: “older Pakistani people would probably not be down with the skin-tight leggings she has on.” Lo and behold we have her ammi chiding her for her indecency. Continue reading
Posted in art, comics, family, race, review, Youth
Tagged 13, Aamir, amma, appa, art, auntie, Bollywood, character, comics, cousin, Crushed, diversity, G. Willow Wilson, Ian Herring, immigrant literature, Inhuman, Jersey City, Joe Caramagna, Kaboom, Kamala Khan, Kamran, Marvel, Medusa, minority, Ms. Marvel, not incest, Pakistani, representation, review, Sana Amanat, second-generation, Takeshi Miyazawa, uncle, villain