I’ve been waiting for this issue to come around since Ms. Marvel first hit local comic book stores roughly two years ago. Kamala Khan fights crime under the moniker that once belongs to Carol Danvers, and idolizes her to the point that the first ever usage of her powers was actually to transform into the blonde, blue-eyed superwoman. While she’s since realized a lot about her own identity as a hero [and as a person] the fateful meeting between the two is nonetheless a momentous event.
If only it wasn’t being overshadowed by, well, the end of the world.
That’s not to say that it’s being poorly handled, only that this isn’t the way many imagined the two would see each other face to face for the first time. Kamala sees Carol at what is hands-down the lowest point of her short career in vigilanteism. The world is, as mentioned, ending, but more importantly to her Jersey City is in danger. That’s only compounded by the fact that her brother has been kidnapped by her “ex-crush” AKA Kamran. And you thought your teen years were overwhelming. Continue reading
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Tagged 17, Aamir, Adrian Alphona, art, brother, Captain Marvel, Carol Danvers, character, comics, diversity, end of the world, family, finally, G. Willow Wilson, heartbreak, Ian Herring, Inhuman, Joe Caramagna, Kaboom, Kamala Khan, Kamran, Kilowatt, Last Days, Marvel, Ms. Marvel, review, Sana Amanat, Secret Wars, Terrigen Mist, villain, why is Captain Marvel's costume gray
So ends the three-issue story arc “Crushed” and any semblance of a relationship that Kamala Khan and family friend [not cousin/blood relative] Kamran once had, not with a bang but with a helping hand. Let me backtrack a little-
Really, this plot in this issue is fairly simple. As I mentioned pretty explicitly in my last review the newest character to be introduced is bad news, his closeness with our heroine seemingly acting as a way for him to more easily serve his master, Lineage. That’s where things get a little less simple, so I suppose I should backtrack yet again and try to explain what’s been happening outside of Jersey City for those of you who are only reading this book out of Marvel’s many, many titles.
To start with, on the recap page you may have noticed the final line: “These events take place between Inhuman #14 and the Inhuman Annual.” Continue reading
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Tagged 15, Aamir, art, Bruno, character, comics, coup, Crushed, diversity, friendship, G. Willow Wilson, Ian Herring, Inhuman, Joe Caramagna, Kaboom, Kamala Khan, Kamran, Lineage, Marvel, Medusa, minority, Ms. Marvel, review, Sana Amanat, she isn't, Takeshi Miyazawa, villain
Before we really delve into this review, can we please pause for a moment and gush over its cover? Jake Wyatt returns after providing art duties for issues 6 and 7 last year, reminding us that if he wasn’t doing his own thing with his creator-owned Necropolis we would fully welcome him back with open arms. No offence to Alphona, of course, but Wyatt’s about as great a fill-in artist as you can get for whenever the Canadian needs to take a break.
Which of course isn’t to deride current artist Takeshi Miyazawa, because he is likewise killing it. We’ll get there when we get there, though, because this latest arc, “Crushed” is a ride.
Yes, the very handsome Kamran is very much still a factor, and yes, he is also an Inhuman. Just in case it wasn’t a big enough deal that he is also a nerdy Pakistani-American it just so happens that he too was given powers by the Terrigen Mist that gave Kamala the ability to embiggen, etc. How his story intersects with our heroine’s and proceeds is fairly straightforward, so I thought I would draw your attention to two parts of the narrative that can be told given who Ms. Marvel is, specifically. Continue reading
Posted in comics, race, relationships, religion, review, writing
Tagged 14, Aamir, art, character, comics, Crushed, diversity, G. Willow Wilson, Ian Herring, Inhuman, Joe Caramagna, Kaboom, Kamala Khan, Kamran, Lineage, Marvel, maturity, minority, Ms. Marvel, Pakistani, realism, representation, review, Sana Amanat, Takeshi Miyazawa, villain, Violence
Look, I know I was tough on Ms. Marvel last month. It was a so-so issue, a fact that surprised me greatly considering it guest starred the Norse god of trickery. The thing is, even then I wasn’t worried that it was some sort of herald of less-great things to come, and the latest installment of Kamala Khan’s adventures is one of the best yet.
Everything that was missing from the Valentine’s issue is present here. Inhumans? Check. Genuine hero vs. villain throwdowns? Check. An exploration of the life hyphenated-American youth live, AKA the cornerstone of immigrant literature? Ch-ch-ch-check.
That last point is what truly made me love this comic, because the rest of the Khans get some quality pagetime after being out of the spotlight for so long. Take the following panel-
It takes place after we see Kamala training in the Inhuman version of the X-Men’s Danger Room, and while seeing Medusa worry about her subject [she is queen of the Inhumans, after all] is intriguing all I could think of was: “older Pakistani people would probably not be down with the skin-tight leggings she has on.” Lo and behold we have her ammi chiding her for her indecency. Continue reading
Posted in art, comics, family, race, review, Youth
Tagged 13, Aamir, amma, appa, art, auntie, Bollywood, character, comics, cousin, Crushed, diversity, G. Willow Wilson, Ian Herring, immigrant literature, Inhuman, Jersey City, Joe Caramagna, Kaboom, Kamala Khan, Kamran, Marvel, Medusa, minority, Ms. Marvel, not incest, Pakistani, representation, review, Sana Amanat, second-generation, Takeshi Miyazawa, uncle, villain
Kris Anka on covers, I heartily approve. I have been a fan of that dude for years, and his presence on this title is not the only pleasant surprise for the issue. [Unpleasantly, this review is late as #10 dropped December 17th, but some of us have to take a vacation sometime]
To put things super bluntly, everything is coming to a head. In this case “head” means “epic showdown”, and I never use the word “epic” lightly, even when it’s tucked away in the definition of another word. Compared to the last issue, where I had to break up what happened into several different levels, what takes place here is relatively straightforward-
As I mentioned last time, Issue #8 kicked off a four-part arc titled “Generation Why”, and the reason for that is finally revealed. Young people have been allowing The Inventor to use them as living batteries for his machines because they’ve been convinced they’re slackers who are just coasting through life, something that Gordon actually touched on several years ago when he wrote “In Defense of This Generation”. To sum up his almost-two-thousand-word post, we get the short end of the stick, but it’s not like we’re to blame for the world we live in. Let’s just say that Kamala agrees with my co-writer exactly:
“We’re not the ones who messed up the economy or the planet. Maybe they do think of us as parasites, but they’re not the ones who are gonna have to live with this mess–“
Posted in comics, review, writing, Youth
Tagged #10, Adrian Alphona, adults, art, character, comics, diversity, G. Willow Wilson, Generation Why, Generation Y, Ian Herring, identity, Inhuman, Jersey City, Joe Caramagna, Kamala Khan, Lockjaw, Marvel, minority, Ms. Marvel, parasites, potential, representation, review, robot, Sana Amanat, shapeshift, slacker, Spider-Man, symbolism, teenager, the Inventor, villain, visual gag, worthless, young people, Youth
I probably should have mentioned this in my review for the last issue, but the new story arc that started with Issue #8 is titled “Generation Why”, and this week’s installment brings us to the halfway point of that tale. It’s also a pretty fitting title, seeing as questions appearing almost faster than they can be answered.
Eesh. There is a lot to cover. Let me try to break things up a little-
What Happened On The “Universal” Level
Having Medusa, Queen of the Inhumans on the cover is a pretty good indicator that things are going to get a little bit bigger. After a fight that essentially leaves Kamala completely drained she’s whisked away by Lockjaw to New Attilan. These may seem like gibberish words to the less comic savvy, but the redheaded royal ruler explains to her that:
“Long ago, one of your human ancestors was genetically altered by the Kree — an alien race. The genetic legacy has been passed down through the generations– to you.
That clears up where the Pakistani-American teen got her powers, and presents the yet another question of “Now what?” Medusa expects her to stay in her new home, but Kamala’s having none of it and once again escapes via teleporting canine. Inhuman physician Vinatos wishes her good-bye “For now,” meaning that she’s sure to rub shoulders with her superpowered kin in the near-ish future. Continue reading
Posted in comics, family, race, relationships, writing, Youth
Tagged #9, Adrian Alphona, art, asbestos, change, character, comics, cop, costume, diversity, dog, embiggened fists of rage, G. Willow Wilson, healing factor, Ian Herring, identity, immigrant, immigrant literature, Inhuman, Jersey City, Joe Caramagna, Kamala Khan, Kree, Lockjaw, Marvel, Medusa, minority, Ms. Marvel, Pakistani, police officer, review, robot, Sana Amanat, shapeshift, teenager, teleport, the Inventor, Vinatos, visual gag