As the marketing on some posters seeks to remind audiences, “This time there is no team.” In spite of the fact that Hobbs and Shaw is “presented” by Fast & Furious, Dominic Toretto and co. are nowhere to be seen. Not only is la familia absent, but this movie stars two of their former antagonists. Johnson plays the titular Luke Palagi Hobbs, a federal agent hellbent on taking them down in Fast Five, and Jason Statham is Deckard Shaw, an assassin-turned-mercenary who sought revenge on the team for putting his brother in a coma. That said, the general quality of villain-centric films isn’t the reason to skip this one, either (though Suicide Squad should have been enough of a deterrent on its own).
The reason not to watch Hobbs and Shaw takes place at the very end of Fast & Furious 6.
The answer to the question the title of this clip poses is answered by the very screenshot of the man walking with a phone held to his ear (written SPOILERSfor the Fast & Furious franchise and others moving forward)–
Daphne Blake, played by Sarah Jeffery in the 75-minute film produced by Ashley Tisdale’s Blondie Girl Productions, starts her first day at Ridge Valley High by asking her smart home to turn up her pump-up playlist. She walks over to her ClotheMe Closet™ and tells it that she’s looking for “the perfect first-day of school outfit”, dresses in the robotic wardrobe’s selection, and descends the stairs while musing aloud that she hopes that it’s French toast she smells.
Sitting down to her accurately guessed breakfast, she makes small talk with her family before noticing a book on the table. After she asks what it is, her father tells her that “those are the moons of Saturn.” After flipping through it she addresses her parents’ concerns about the big day ahead by telling them that “School’s going to be awesome. Things always have a way of working out.”
It’s a term that elicits a broad range of emotions, with each of our respective childhoods affecting how we react to it. Who we were, growing up, is a significant factor. But what about instances when who we are now is worlds apart from the person we once were?
Having spent much of her career up to now working in television, Mum is Anne-Marie O’Connor’s first short film, and one that she created with the help of star Kate O’Donnell, a transgender actor. Her debut short focuses on a trans character of the same name whose visit home is derailed by the discovery that her mother is in very poor health.
Much like the director, O’Donnell’s limited experience is also in television, where she starred in an episode of the transgender romcom series Boy Meets Girl. As the character at the centre of this short film she delivers a performance that, while uneven at points, always feels painfully real. Continue reading →
It’s funny, because with a title like “And the Baby and Other Things” you would think that this episode would be centred on little baby Barbara and her parents, Sophie and Oleg.
What’s also funny is that I wrote that opening line before watching this episode, and hey, I was exactly right. The “Baby” in question actually has nothing do with the daughter of the most-cheered-for couple on prime time television. That being said, Sophie and Oleg were actually one of my favourite parts of an episode that continues the trend of Season 6 being heavily back-loaded with Caroline-centric plots. Continue reading →
I couldn’t believe my eyes when I began watching the promo for this week’s 2 Broke Girls. Max meeting her father, really? Typically any references to her upbringing are about her extremely neglectful mother, and the last time that was touched on in any major way was literally three seasons ago.
Caroline won’t shut up about her boyfriend Bobby. You know, that cute guy Bobby, her boyfriend? Given their burgeoning relationship, and the fact that he also mentions her in the same way, it makes perfect sense that this would be a Caroline-centric episode. With how few and far between these moments are, however, it doesn’t seem like the writers’ room is as comfortable with the setup as they probably should be.
That being said this is just about as linear a narrative as you can get, and while the premise is tried and true the actual scenario presented is a little harder to swallow.
Meeting your significant other’s family is such a comedic staple that it spawned an actual trilogy [everyone forgets Little Fockers], so Caroline being invited to Bobby’s childhood home, which he moved back into after his father died, is pretty standard fare. His insisting that Max go as well also makes sense, since he considers her Caroline’s family. What’s far less plausible is the entire diner staff being able to just tag along with them. Continue reading →