I’m just so tired.
I was tired when I wrote, last June, about how Tilda Swinton was in talks to play the Ancient One in the then-upcoming Doctor Strange, because it was just one of several announcements where a role that could have gone to an Asian person didn’t. And it made me weary to have to read comments like “if any young white woman can pull off an old Asian man, it’d be Tilda Swinton,” and “PLEASE TELL ME HES PLAYING WONG!” after it was revealed Martin Freeman would be appearing in Captain America: Civil War.
Swinton ultimately being cast as the Ancient One, a Tibetan man in the comics, was never far from my mind moving forward. I would inevitably bring it up when discussing whitewashing and racebending in The Martian that very same year, and in many ways it made Doctor Strange a film that loomed in the impending future, a comic book movie I would need to see for myself in order to determine whether or not they did right by the groups they were trying not to offend.
Just to be clear, I can’t honestly say that I was angry when finally watching the movie. Like the title of my write-up plainly states I was left feeling disappointed. It also notes that my expectations were never particularly high, and how could they be when the filmmakers rewrote the character of Wong back into Doctor Strange upon finding that casting Swinton left them without any prominent Asian roles [in a movie that is set in Asia roughly half the time].
It was over a year of waiting for a film whose creators touted the representation of an older white woman to offset what was, without argument, whitewashing. It’s a defence that implies that in some cases the choices are feminism/anti-ageism and racial diversity, and that the two are mutually exclusive. It was, to put it more strongly, exhausting. And it’s easy to say that I should just care about this less and not let it affect me so much, but Asian representation is an issue that directly affects me, and one that will affect my children if and when I have any.
I was already so tired of all of this, and was looking forward to being able to stop thinking about Tilda Swinton and Doctor Strange and enjoy the few moments before we get any closer to Ghost in the Shell being released [difficult as a teaser aired before the Marvel film being discussed]. And what should I find this past week but an email conversation between Tilda Swinton and Korean American comedian Margaret Cho, which I have dubbed the Swinton-Cho Letters, and the internet’s response to the whole thing.
When I first started putting my fingers to the keyboard this was meant to be a single blog post split into two parts, but over a thousand words in and I thought two separate posts might be more efficient. And what better way to end a horrible year than to devote so much time and effort towards such a truly draining topic?
Posted in art, Asia, celebrity, comics, film, internet, race
Tagged Asia, asian, Asian actors should play Asian roles, backlash, Bong Joon-ho, Cho, Doctor Strange, emails, film, Margaret Cho, Okja, representation, Stephen Yeun, The Ancient One, Tilda Swinton, whitewashing
By now you’ve probably heard that Stanford student Brock Allen Turner was sentenced to only 6 months in prison for raping an unconscious woman at a party. You’ve probably also heard his father shamelessly attempt to downplay Turner’s actions as “20 minutes of action”.
Hopefully, you’ve also read the letter written by the rape survivor. In it, she breaks down many of the myths around rape, myths Turner’s defence used to attack her testimony and represent Turner as some kind of victim instead. Her heartbreaking personal account has broken down the defences of almost everyone who has read it (except Turner and his father, it would seem). According to Buzzfeed, one of the main sites to release her letter, her words have “gone viral” in a way few conversations about sexual assault ever do.
And as the word has spread, almost everyone has gotten behind this brave woman. Her story has brought light to the problem of systemic injustices, like light penalties for many cases of sexual assault and disproportionate penalties based on racial or economic background.
More than anything her story has prompted a united public outrage. Every comment I have read expresses distain and anger towards Turner and sympathy for his victim. Even internet trolls who would normally find a reason to challenge the victim’s story (i.e. some members of the Men’s Rights Reddit page) admit that “outrage over this issue is legitimate” (although their comments inevitably lead back to criticizing feminism).
In some ways it’s encouraging to witness the attack on Brock Turner. It seems like we’re experiencing a massive shift in the way we talk about rape and sexual violence. As this story has unfolded we’ve seen few if any attempts to slut shame or victim blame in the media or public conversation.
As glad as I am that this conversation has come out in favour of the victim, I can’t help but wonder if the public condemnation of Turner actually signals for a yearning for justice, or if perhaps other factors are at play. I’ve been struggling with two questions in particular. Continue reading
Posted in crime, media, morality, news, politics, race, sex
Tagged 20 minutes of action, abusive, Anonymous, athlete, attitude, backlash, blood, Brave, Brock Turner, conversation shift, crowd, cultural shift, economic, father, hospital, hypocrisy, inequality, Judge Persky, justice, letter, media, Men, men's rights, mob, penalties, physical assault, prison, questions, racial, rape, representation, revenge, Sexual Assault, slut shame, stanford, Stanford rape, stanford rapist, survivor, systemic injustice, testimony, trauma, victim, victim blame, witnesses, woman, women
Twitter has changed the way news is reported. The Black Lives Matter movement has been particularly successful in raising awareness for cases of police brutality that generally would have been overlooked by mainstream news channels.
Arguably the second most important aspect of Twitter is its ability to connect celebrities to their fan base. With the prevalence of these two features, it’s hardly surprising that celebrities and celebrity events have become more politicized.
This year’s Academy Awards are a prime example of this overlap between the celebrity world and political struggles that have been highlighted via Twitter. Below, I’ve included a few notable examples of Twitter flexing its muscles at the Oscars
I’m not going to dwell too much on the circumstances of the #OscarsSoWhite boycott, since Gordon and Evan have already thoroughly explained its context. However, I do want to talk a bit about how the controversy was handled by the Oscars host, Chris Rock.
Overall, I thought Rock did a great job calling out the Academy without reducing his monologue to a humourless lecture. However, in his article for Salon, Arthur Chu points out that,
Acting like caring about day-to-day violence in the streets and the impact media and culture have on that violence are somehow mutually exclusive — a common, frustrating, tired argument anyone who talks about racism in media will inevitably see dozens of times in the comments section — ignores history.
It ignores the many, many arguments that have been made about how the excuses made for the deaths of Trayvon Martin and Mike Brown frequently come verbatim from untrue stereotypes out of TV and movies, how the only way Darren Wilson’s description of Brown as a “demon” who was “bulking up to get through the bullets” could possibly make sense to anyone is after a lifetime of media portrayals of the scary superhuman black man. It ignores Martin Luther King going out of his way to call Nichelle Nichols and tell her not to quit “Star Trek” because having a black woman on TV who wasn’t a domestic servant mattered. It ignores the ongoing civil rights protests around the Oscars back in the 1960s and ’70s, including Marlon Brando making history as the first and only best actor winner to boycott the ceremony, sending American Indian Movement activist Sacheen Littlefeather to accept the award in his place.
Similarly, several activists have since pointed out the one-dimensionality of calling for more black representation only to appeal to Asian-American stereotypes for a laugh. Continue reading
Posted in America, celebrity, fashion, feminism, film, internet, media, politics
Tagged #AskHerMore, #BlackLivesMatter, #yesallwomen, Academy Awards, activism, actor, actress, art, Arthur Chu, backlash, black man, bullets, celebrities, chris rock, College, cultural shift, diversity, fashion, Hashtag, heard, Hollywood, host, impact, job, Lady Gaga, martin luther king, media, Men, monolgue, Oscars, OscarsSoWhite, people of color, performance, power, race, rape culture, reporter, representation, Representation project, Salon, sex, shallow, stage, Star Trek, stereotypes, superhuman, survivors, Twitter, university, Violence, voice, women, work
I struggle with the priorities on my Facebook feed.
Like many other millennials, I get a lot of my news from scrolling through Facebook. I try to follow as many different news sources as I can, hoping to hear information from a variety of perspectives. I’ve never deleted anyone simply because they have a different opinion, since I need to be reminded that my opinion is far from the only one.
That said, I live in a nation of privilege. From my home in Canada, I am more often than not bombarded by “First World Problems” that seem to pale in comparison to news from other some nations that splash across my screen, albeit much less often.
This week, the news bombarding my Facebook feed has been reports of Kesha’s case against Dr. Luke. According to Rolling Stone, “last week, a New York judge denied Kesha a court injunction that would have allowed her to record new music outside of her record label Sony Music and working with producer Dr. Luke.”
While this story initially seems like a simple case of an artist being forced to honour her contract, it is complicated by Kesha’s accusation that Dr. Luke sexually assaulted her early on in their professional relationship. Continue reading
Posted in feminism, media
Tagged #FreeKesha, abuse, acid attack, artist, backlash, celebrity, columbia, count injunction, court, Demi Lovato, Dr. Luke, engineers, false accusation, gender gap, Jian Ghomeshi, judge, Kelly Clarkson, Kesha, Lady Gaga, Lukasz Gottwald, music, musician, privilege, producer, Protest, rape, saudi arabia, Sexual Assault, Sony, Sri Lankan Maid, Steve Haruch, stoning
I don’t know about you, but I can’t stop listening to “Hymn for the Weekend” on repeat.
However, before I had even listened to Chris Martin and Queen Bey meld their voices in a divine mesh of harmonies, I was reading about it on Tumblr.
Cultural Appreciation vs. Appropriation
The first thing I heard about the video was that it had some pretty rampant cultural appropriation. Since there have been a number of music videos and performances accused of cultural appropriation over the last few years, I wasn’t too surprised to hear about “Hymn for the Weekend” being added to the list.
The video quickly split viewers into two groups, those who considered it cultural appropriation, and those who appreciated the video’s focus on Indian culture. The clip below highlights a few of the key elements that have been discussed and criticized.
This discussion is tricky for a variety of reasons. For example, there is a time and place when a white person can wear Indian clothing and accessories without coming off as disrespectful. In some cases, it’s actually much more respectful to embrace local dress customs than to ignore them.
There are even music videos where diverse customs and styles have been featured without any backlash about appropriation.
This debate can also seem confusing when Indian fans, or fans with Indian heritage, don’t seem to be bothered by the video’s representation of their culture.
Posted in feminism, media, music, race, Uncategorized
Tagged American, backlash, Beyoncé, black, black woman, Bollywood, Coldplay, criticized, cultural appreciation, cultural appropriation, Culture, cultures, damsel, dark skinned Indian, discussion, diverse, ecotic, exotic, famous, fans, foreign, heritage, Hymn for the Weekend, Immigrants, India, Indian, Japanese, music video, mysterious, Nikita Redkar, other, people of colour, performance, Princess of China, race, respectful, responsibility, Rihanna, style, Trope, woman of colour, work
KAT: Friends, readers, earthmen, lend us your eyes for another Culture War Correspondence. This week Evan and I will be discussing Jennifer Lawrence. It may sound like a broad topic, but maybe Evan can expand for us why she recently came to his attention.
EVAN: Well, in general there’ve been a number of articles, like this one on Salon, that hint at an impending wave of internet backlash towards J-Law [I will not be referring to her like that again]. This has been backed up by comments on popular image hosting website imgur that sum up to, “still?” and/or “okay, we get it.”
But before we really delve into all of that I think it’d be good if we both answered the question: How do you feel, generally, about Ms. Lawrence?
KAT: Well, I’ve written about her in the past and my opinion tends to be generally the same. She seems authentic to me, and while I realize no one can be truly authentic in the public eye, I enjoy seeing a celebrity in the news that I can relate to.
How about you? Continue reading
Posted in celebrity, Culture War Correspondence, feminism, film, food, health, interview, media
Tagged Adele, backlash, Beyoncé, body image, body-shaming, celebrity, Culture War Correspondence, double standard, dumb, fat, food, hate, internet, J-Law, Jennifer Lawrence, Kristen Stewart, Melissa McCarthy, relatable