Tag Archives: business

Shame Day: Candy Crush Saga

I don’t own a smart phone, and as a result I do not have Candy Crush Saga. I own a dinky little Samsung slider phone which is complete with six game demos, from WPT Hold ‘Em 2 to The Sims 2. My all-time favourite is Block Breaker 2, and I can’t count the number of times I’ve broken those blocks on the only available level over and over and over again. I’m easy to please, is what I’m saying. Also that I’m not in the target demographic here.

Many of my friends are, though; their enthusiasm for this confectionery-based game has seemingly no bounds. I get it, too- puzzle games are fun. Puzzle games that feature the too-sweet treats that you ideally want in your mouth doubly so. I don’t personally have anything against smart phone games candy-based or otherwise, what I have a problem with is greed and theft.

candycrushshame Continue reading

Writing Issues

Well readers, I bring the joyous news that you can now, at long last, read the scribblings of yours truly on two internet sites. Primer magazine, which I reviewed in the past, was kind enough to publish an article of mine which I’ll be shamelessly plugging here. In addition, it got me thinking about writing in general, leading to our topic for today.

How can we make writing viable?

See, for the vast majority of would-be authors (myself included), writing simply isn’t a viable career, (excluding TV and movies, which are arguably a very different process). Yes, you’ve got such career novelists like Stephen King or J.K. Rowling, but these people represent the rare exception to the rule that writing is something you do when you’re not at your real job.

We could probably talk all day about the role of the publisher and the marketing team and everyone else involved in the process of getting the work out there, but today let’s just focus on the consumption of the product. I think there are a few factors that really contribute to the situation as it stands today. Continue reading

Fame Day: Co-Ops

In our weekly discussion yesterday, Evan made mention of “‘It’s Not Easy Being Red’ Gordon,” a reference to the political blog and comic strip I used to write. For anyone who might not be aware by now, yours truly is a Marxist.

And yeah, here’s the obligatory “no, Stalin was to Communism what the Spanish Inquisition was to Christianity; no, we’re about dismantling the state, not expanding it, and no, we don’t like Obama either so please stop saying he’s one of us.”

While I try to keep my admittedly extreme Anarcho-Trotskyist views out of the blog, there’s really no denying that they affect my value system, and while most of the time this means I’m frothing at the mouth at whatever new abomination consumerism spits out, every once in a great while, it means something really catches my attention and admiration.

For this Fame Day, that thing is the co-op. Continue reading

Fame Day: Alex Alonso

alonsoGordon’s absence has forced me to dedicate yet another Fame Day to a man in the comic book industry [a post on a woman is in the near future] to join the ranks of Anka, McDuffie, and Fraction.

Introducing the Editor in Chief of Marvel Comics, Axel Alonso. Interviewed by FOX News Latino [which I didn’t even know was a thing], he was asked the question: “Is that a new initiative at Marvel Comics is doing? We’re going with the Latinos now?”

This question was in response to a few “new” characters appearing in the publisher’s titles, with Miss America being one of them. First featured in Marvel Mystery Comics #49 in November 1943, Miss America was originally another embodiment of the United States in World War II, a star-spangled powerhouse punching out Nazis. Now, in 2013, Miss America is the moniker for America Chavez, a Latina teenager and new member of the Young Avengers [one of Marvel’s bestselling new titles]. Also mentioned was the new Blatino Ultimate Spider-Man, who has already been covered on this site.

From left to right: Miss America Chavez, Miles Morales [Ultimate Spider-Man]

From left to right: Miss America Chavez, Miles Morales [Ultimate Spider-Man]

Alonso, a Mexican-American himself, replied:

“I’d be lying if I said I wasn’t motivated, on a personal level, to have Hispanic characters represented in comic books, but this isn’t some PC initiative, [this is] capitalism.”

He acknowledged that a growing range of people read comics, and that as a publishing company it is their “responsibility to make them feel included.” Going back to his comment about “capitalism,” the fact of the matter is that as a company it’s in their best interest to create a product that appeals to the fastest growing demographic in America.

While Alonso agrees that comic books have not always treated minorities with due respect, he also acknowledges that stereotypes are more complex then they might first appear. He took part in helping to create Mexican heroes the Zapata Brothers, who were based on his cousins in Mexico. The two wear full luchador regalia, and while this may be perceived by some as racist, Alonso would argue otherwise. “Is that a little stereotypical?” he says, “Yeah,  but it’s also fun and a part of our culture.” Growing up watching these wrestling matches growing up they struck him as being an important part of his culture.

When asked why Latino characters haven’t achieved the same status and notoriety of heroes like Batman and Wolverine, his response was “Why haven’t they become that yet?” His opinion is that, with America’s ever-shifting cultural landscape, it’s an inevitability. You can’t force an audience, or simply make a character big, it just evolves and happens naturally.

Unfortunately, fellow member of “The Big 2” DC declined to be interviewed for this piece. While Marvel has its fair share of seemingly racist characters [Mexican villain/anti-hero Armadillo] DC has a large mark of shame in Extraño, a “gay Latino magician who had HIV and referred to himself as ‘Auntie.’” That being said, it’s a shame that they didn’t offer a means of looking forward through heroes such as Blue Beetle [Jamie Reyes] and Vibe [Paco Ramone] who has his own new title.

Alonso is a man who realizes that comic books are a business, and one that needs to make money and that has an impact on its readers. His joy that Miles Morales exists as a character is in “knowing that there would be a child out there who would see Spider-Man peel back that mask to see a different face and a face that resembled their own.” He understands that, and that’s worth giving him credit for.