Tag Archives: CBS

2 Broke Girls, S2E14 “And Too Little Sleep”: A TV Review

2BrokeGirlsS2E14

This episode begins with Caroline reminding Max [and the rest of us] that “this isn’t the diner where everything comes with attitude and E. coli.” The fact that the cold open takes place in the cupcake shop doesn’t stop her from snarking at a drumming customer in overalls, though. Insert comment from me about how the show’s centre seems to be moving further away from the diner.

Soon enough Andy shows up, forcing Caroline into hiding [they broke up, remember?]. It also kicks off a fairly decent running joke about how Max doesn’t recall having slept with the guy at the record store. Kat Denning’s delivery of the following line actually made me chuckle out loud:

Andy:  Oh, by the way, the guy at the record store says hi.

Max: Well, you tell him I said . . Who are you?

This conversation also reveals one of the big concepts in the episode: your friends keeping in contact with your ex. Max and Andy have bonded over texting each other pictures of unlikely animal couples, and you can rest assured that it’s going to cause some sort of trouble later on in the episode.

Ah, sorry, I forgot to mention that in this episode Max and Caroline are tired. Tired enough for Max to pull down her pants in the middle of the cupcake shop and for Caroline to doze off while taking orders. This creates complications, of course, when her sleep deprivation causes Caroline to remember that they have an order for 1000 cupcakes due the next day at 10 a.m.

So the girls race out, leaving Han hanging, only for Caroline to kick the shim out from under their oven, rendering it unusable. Fun fact: a shim is “a thin and often tapered or wedged piece of material,” and not a pronoun for transexuals like Caroline posits. Seconds later and the girls race back to the diner they abandoned to use the oven/kitchen there. Instead of being understandably upset, Han and the others are actually really cool about it, offering to stay up late and help finish their order. They’ve really tried to push the idea of them being a more-or-less happy, dysfunctional family, and this approach is more heavy-handed than most.

Also allow me to say that Matthew Moy, who plays Han, kills it this week with the material given to him. Max reaches around his body to show him how to properly ice cupcakes only to have him squirt the sugary glaze all over the place [haha, premature ejaculation joke, we get it]. Moy’s distressed cries of “Oh, oh, I’m humiliated!” really lands here. Check the “Stray Observations” below to check out the other one.

The girls are alone, and just about done with the order when it turns out that Max has lost an earring, presumably in the batter. This forces the two to start destroying the cupcakes to find them, and soon, with bits of baked goods underneath every fingernail, the two are throwing down over Max still talking to Andy and “girl code.”

The scene really stands out due to their argument, which holds a lot more emotional sincerity than most of the feel-good moments on the show. There’s screaming and cupcake throwing and on some level, in spite of the audience laughing and cheering, it feels strangely real, like the two actresses are actually upset at one another.

Anyway, Andy shows up to help and defuses the situation. Him and Caroline end up in the kitchen and talk about how they “glove” each other [why can’t we all use kitchen safety to properly express our feelings?] and while they don’t get back together they ultimately end up in a pretty good place. Another breakup takes place when Max and Andy talk, realizing that they should probably stop texting for Caroline’s sake.

Back at the apartment the girls realize that they had switched aprons, and that Max’s earring was in her apron [on Caroline] the entire time. This is really weird, because this discovery is caused by Max finding Caroline’s phone, which doesn’t jive with her texting with her own phone earlier. Anyway, it’s not really worth picking apart, just generally kind of clumsy on the writers’ parts.

The show ends with the usual ka-ching of the money counter, which I suppose now tallies up the profits from the cupcake shop, shooting up from $900 to $4900 due to their huge order. I’m not sure what they’re aiming for, or what their overheads are, but right now it doesn’t seem all that important to the show as a whole.

As a parting note, did anyone else feel like this episode had a lot of dated references? Sure, hipsters were also a topic sort of addressed in CBS’s other Monday sitcom, How I Met Your Mother, but Max also references James Cameron’s Avatar and the 2010 TLC series Sister Wives.

Tune in next week to read my reviews of a show The A.V. Club gave up on a long time ago!

Stray Observations:

  • Apparently Earl quit doing cocaine last year, at 75. Guy looks pretty good, all things considering.
  • Han’s response to Max telling him he’s 90% head: “It’s not a laughing matter, Max, I broke my mother’s pelvis coming out!”
  • The “whoos” at Sophie’s entrance were extremely subdued this week. (•‿•)
  • Unlikely animal couples mentioned: monkey tickling a parrot, a black dog spooning a brown dog, deer nursing a turtle, labradoodle high-fiving a koi fish, cat and dolphin kissing, Max and Caroline [awwww].
  • 2 Broke Girls Cheesecake Menu: Sophie’s boobs straining to break free from her dress. Oh, and Max pantsing herself in the cold open.

2 Broke Girls, S2E13 “And the Bear Truth”: A TV Review

Last December it was announced over at The A.V. Club’s TV Club that “And The High Holidays” would be the last episode of 2 Broke Girls that they reviewed. As someone who has paid more attention to the show than it probably deserves, I felt that it was my time to take upon the mantle.

The mantle may or may not include a brand new “Evan Yeong Madness Watch” as such features have been put together [and probably for good reason] by the comments section over at The A.V. Club.

The last of the "PILOT VIRUET MADNESS WATCHES."

As a last point before I start, I write this with the assumption that you have a reasonable working knowledge of the show. If not, you can always read the other reviews here.

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2 Broke Girls‘ return to television since its mid-season finale last night opens up where the centre of the show has shifted: the girls’ cupcake shop. Where the cold opens used to consist largely of Max snarking at customers in the diner, the status quo apparently consists of Max snarking  at [this time in asides] a customer at their shop.

The aforementioned woman tastes the girls’ wares with an enthusiasm that borders on the sexual, and it’s revealed that she has an upcoming wedding. Caroline is, as history dictates, optimistic that large sales are coming their way. Max is jaded and skeptical because she lived in a car growing up.

Back at the diner Han is holding some kind of raffle. Max makes a joke about Han being a “big promo,” because, as I’ve discussed before, apparently it is okay to have the long-running theme of calling a character gay when the producer and creator of the show is himself a homosexual.  The prize is a 2-room suite in the country, complete with a fireplace, because “daddy don’t skimp.”

Sophie enters to the usual undeserved round of applause, throws her business card into the goldfish bowl, and proceeds to choose the winning card. Her schemes[?] to win the prize herself ultimately fails when the card she pulls out is for Max’s Homemade Cupcakes.

The complications begin to arise when Caroline tells her boyfriend Andy that “we won a weekend getaway” which he understandably perceives as being for the two of them. This results in Caroline telling both Max and Andy that the other is the third wheel of the trip, and then they’re off to the country.

Lame car games aside [though Caroline gleefully answering herself to Max’s “I spy something annoying”  because she loves to win made me smile] this scene largely serves to introduce the idea that Max believes in alien abductions. That is all.

Original MADtv cast member Craig Anton is wonderful as the pony-tailed man who shows them their room. But my amusement at his presence was quickly stomped by the following exchange that draws laughs out of a possible past of sexual abuse:

Caroline: Come over here closer you big Eagle Scout.

Andy: Well now you sound like my scout master.

I, for whatever reason, did not realize how exhausting it could be doing a blow-by-blow of an entire episode of 2 Broke Girls, so we are moving ahead quickly. I can’t say I was actually proud of guessing what [or in this case, who] the bears in the episode title were referring to, since it’s just so on the nose. The large gay men in this case being named Deke and Derk, who were so pleasant and friendly it was hard not to like them.

There’s a little bit of tension introduced when dinner for two is served to Max, Caroline, and Andy, but the writing wasn’t quite tight enough to pull it off. Max’s eagerness to eat the food on every plate competes with Andy’s desire to share a romantic evening with his girlfriend, and Caroline’s decision to take a relaxing bath and remove herself from the equation was fairly believable but just not very funny. The other two talk over their food to reveal that a) it’s Andy’s birthday, and b) him and Caroline have not had sex in many a fortnight. Max is talked into visiting “Yogi and Boo-boo next door” and then, just as she’s about to leave, they dial up the drama.

Caroline completely forgot Andy’s birthday. Max frantically knocks at the adjacent cabin’s door for the bears to let her in. Max reveals she knew about their dry spell. Max pleads for the aliens to take her away for the love of God please now before it’s too late. In her absence Caroline and Andy are left to discuss the future of their relationship, and the latter is forced to see that the girls’ business clearly takes priority over the two of them. Andy makes his own way home and Caroline goes to join Max who is cuddling with the bears.

Back at the shop, Andy and Carline talk again, and Andy tells her that maybe they should take a break. It’s all pretty well-trod material sitcom wise, but Andy responds to Caroline saying it’ll be hard not seeing him with the line “Yeah, it will be. I work ten feet away” that’s delivered with a surprising amount of heartbreaking sincerity. Max yells for E.T. et al. to take her away when the shop is stormed by the bride’s equally large [and hungry] bridesmaids.

It makes perfect sense that Caroline’s relationship was doomed to fail in light of her work-centric lifestyle, and the fact that Andy remains so close to their shop hints that this isn’t the last we’ll see of them. While not the funniest episode [and yes, they do exist] “And the Bear Truth” does a reasonably good job highlighting a failure to communicate while also featuring two lovable fat gay guys.

The money counter at the end jumps up from $100 to $900, and I suppose it’s just assumed that their wedding deal went through. I’m not sure what they’re counting up to anymore, but it’s good to see their profits go up for once. This is my first time really covering a show [my review of Underemployed was scanter due to its being a pilot] and I hope to pare these down by a lot.

Stray Observations:

  • I first heard about swinging beds just this past weekend, and was thrilled to see one hanging in the middle of their cabin.
  • Max opens up a pair of slippers and, as she walks out, almost sings Granddad’s new shoes song in its entirety before Caroline interrupts her. 
  • Considering how many supporting characters remain in the diner, it’ll be interesting to see how the show deals with Max and Caroline spending less and less time there.
  • A trend I’ve noticed has forced me to start a 2 Broke Girls Cheesecake Menu to highlight when and how the girls show off a little somethin’ somethin’: In this episode, Max and Caroline wrapped in towels in the sauna [Beth Behrs glistening with sweat to increase authenticity].

The Dungeons and Dragons Episode

D&DTVLast night The Big Bang Theory aired its 122nd episode, entitled “The Santa Simulation.” News that its premise hit the internet and avid television watchers everywhere began to cry what may one day become a familiar saying, “Community did it first!” Every single one of them was wrong.

A full year before “Advanced Dungeons and Dragons,” [one of the best episodes of Community‘s second season, in my opinion] there was “Jen the Fredo,” the first episode of British sitcom The IT Crowd‘s fourth season. Both of these episodes were some of the best of their respective shows, so I was pretty excited for what TBBT had to offer.

The thing about the D&D-centric episode is how it’s been used as a plot device. As a role-playing game the players are able to reveal aspects about themselves that might not otherwise come out, and you can see this being done with various degrees of effectiveness  in each episode. Spoilers for all three episodes past this point.

The IT Crowd [S4E1]
“Jen the Fredo”

I realize that most of you have not seen, or maybe even heard of, The IT Crowd. Let me sum in up in that it is, in my ways, what The Big Bang Theory could be. It’s a show about two, well, nerds that work in the IT department of a large company and their boss, who knows nearly nothing about computers. One of the best aspects of the show is that it brings you into the nerdiness of Moss and Roy, and in watching you begin to feel like you really relate to them, becoming equally frustrated when people ask them for help with their computers.

“Jen the Fredo” is, if you’ve seen The Godfather films [which I haven’t], a clear reference to the character Fredo, whose job it was to take out of town businessman and “show them a good time.” Jen takes on the role of helping to entertain a few business partners, but ultimately fails when she takes them to see “The Vagina Monologues.”

Enter Dungeons and Dragons. Moss has been preparing to DM [Dungeon Master, can be used as a verb] and convinces Jen that it’s exactly what these gentlemen are looking for. The best part is, he succeeds [I had a great YouTube clip here but someone decided to make it private].

While the idea of entertaining [and riveting] a few rowdy businessmen with a little D&D is hilarious in and of itself, but there’s more to it than that. Moss uses the game to confront Roy about the latter’s painful breakup, something he’d been avoiding talking about for a while. The conclusion is tear-filled and, more importantly, immensely funny. You can catch it on Netflix, or here, though you didn’t hear that from me.

Community [S2E14]
“Advanced Dungeons and Dragons”

This episode has easily the most actual gameplay of the three, since essentially the entire episode consists of the Greendale Seven playing D&D in the library. It also treats the source material the most lovingly, complete with a voice over and fantastically appropriate score.

The game is set up due to Jeff wanting to help out “Fat Neil,” a young man planning to end his life [understated by the narration] due to his new nickname. Once everything is set up, with Abed as the DM, things really get going.

Each member of the study group essentially plays a version of themselves, with the voice over near the beginning describing them as “Troy the Obtuse,” and “Britta the Needlessly Defiant.” They react to the situations within the game as they normally would, with Jeff impatient and unwilling to put up with nonsense as usual. The best parts, however, are when you discover a little something about the character you thought you knew, well-illustrated in the following scene with Annie:


In this episode Pierce owns his most [as far as I’m concerned] unpopular role: The Villain. Incensed at being excluded from the game he steals Fat Neil’s magical sword and runs away, later using D&D manuals to cheat and garner immense power to himself.

Everything ends, as usual, with a fairly warm and fuzzy conclusion. Pierce is defeated, mostly through his friends forgiving him for his dickishness [hence his title, “Pierce the Dickish]. Neil’s spirits are lifted and he finds the motivation to keep on living.

The Big Bang Theory [S6E11]
“The Santa Situation”

A “guys’ night” is happening and the activity of choice is Dungeons and Dragons, which is territory you’d have expected these characters to have explored in-depth quite a few seasons back. Heck, as far as I can recall they spent more time playing Settlers of Catan than throwing around a 12-sided dice.

The game begins and Leonard, the DM, lets it drop that their quest is to rescue Santa Claus. Queue Sheldon’s disappointed face due to the fact that he a) loves D&D and b) hates Christmas. Also Raj gets shot in the face with a cannon in the first few minutes of the game, highlighting the fragility of life in a world that values perception checks.

Oh, and they ditch their respective girlfriends to play, which led to this scene, the last line of which was delivered excellently:

This was originally a series of four gifs, but I didn't want to embed each one in this order, so I just took a screenshot instead. I think it still works.

Using the structure of the game Leonard gets Sheldon to sing [all five verses of] “Good King Wenceslas”  and all three remaining players to play “Jingle Bells” using, the obvious instrument of choice, bells.

Upon finding Jolly Old St. Nick in chains they move forward to rescue him, only to have Sheldon cast a paralyzing spell on his companions. He then confronts Santa [or Leonard, in this case] and tells the heartbreaking story of how he asked Father Christmas for only one thing as a child, to have his grandfather back. He then walks out, leaving the old many to die.

In Conclusion

As far as really exploring well-established characters, Community probably succeeds the most, by virtue that it only has the one central plot that revolves around a single game of D&D. While it does feature Pierce continuing on his course to become more cartoonishly evil, Britta’s response to the beleaguered gnomes is a perfect example of how her character will react both in and out of the real world.

The IT Crowd and The Big Bang Theory tread the very similar ground. Moss uses the game to force Roy to come to terms with the love he lost, something that would have been impossible otherwise. Sheldon’s childhood experience with Santa Claus never would have come about without Leonard guiding him to that place where he could talk to the man who disappointed him.

My hope is that there will be a continuation of this trend, with there having being one D&D episode per year from 2010-2012. As the current DM of an ongoing gothic horror campaign I am well-aware of the storytelling capabilities of the game as well as how enjoyable it is to know people you know well deal when presented with fantastical situations. Although 2/3 of the above shows do feature “nerds” I’m sure that this could still appear in the more bizarre sitcoms, such as New Girl and Happy Endings.

Girls: 2 Broke and One New [Pt. 1] – Cast

This academic year has been the beginning of many new shows for me, with 2 Broke Girls and New Girl topping the list. I say “topping” of course to mean the most recent televisual acquisitions, as opposed to the highest quality among programs that I watch.

To be honest, this post has been a long time in coming due to the fact that a) I can’t resist the fact that the shows have such similar titles, and b) I’ve been comparing them ever since they both premiered last fall. With that in mind, I will be writing a total of three posts, Tuesday to Thursday, with each concentrating on a particular aspect of the two shows.

So, without further ado:

CAST

2 Broke Girls stars Kat Dennings and Beth Behr as Max and Caroline respectively, the former a jaded city girl and the latter a penniless heiress. The two work at a diner, accompanied by owner Han Lee, fry cook Oleg, and cashier Earl. Recently Sophie, the Polish owner of a house cleaning business, has become a recurring cast member.

In spite of the seemingly large main cast, the focus is primarily on the titular characters [if anyone jokes in the comments about a particular character I suppose I could’ve chosen my wording better]. The show mainly revolves around Max and Caroline, regulating everyone else to the sidelines at best.

New Girl stars, of course, the ever-cheery Zooey Deschanel as the titular [there’s that word again] character Jess. Alongside her are her roommates Nick, Schmidt, and Winston. Joining them is her model friend of indeterminate ethnicity Cece. I’m not counting Lizzy Caplan because, well, she’s going to leave the show eventually [a thought which makes me cry].

From left to right: Cece, Winston, Nick, Jess, and Schmidt.

It would be near impossible for the show to solely follow the Jess’ zany antics, and thankfully, it doesn’t try to. Her three roommates have more than once carried their own B and C plots, with Nick even competing for the central storyline in the episode “Jess & Julia.”

At first glance the two casts may appear shockingly similar: two females, three males, a single black man in both groups. As mentioned earlier, however, the difference begins in who the camera focuses on. 2 Broke Girls is very much a show about two girls in New York trying to make a living, and their exploits specifically. New Girl is about four [sorry, Cece, but you’re not always around] people and their lives, regardless of whether or not they’re with each other. A subplot in the latter could be all about Schmidt and his attempts to sleep with his boss, but there are no opportunities in the former for an episode that switches back and forth between Max and Caroline trying to make money and Earl, sitting behind his desk at the diner.

The reasons for this could vary pretty greatly. 2 Broke Girls has a traditional three-camera setup, and as a result is filmed on sets resembling a diner, apartment, et cetera. This gives New Girl an upper hand in featuring its various characters being in different locales given its single camera format. The real reason, however, is the amount of characterization given to each cast member. We know that Max is street smart and snarky and kind of bitter, Caroline is naive yet strong and persistent. The characters on the edges, though, are a lot more two-dimensional. Early is a father figure of sorts. Oleg is a womanizer. Han is . . . Asian. I would go into what the characters of New Girl are all about, but I don’t have room. It’s not to say that they’re immensely deep, multi-faceted character, but compared to much of the cast of 2 Broke Girls, yes. Basically, yes.

Not to deride the acting talents of Kat Dennings or Beth Behrs. The two have great comedic chemistry and, when given the right lines, are very funny. And that’s not to say that Jonathan Kite as Oleg and Garret Morris as Earl don’t have their moments; there have been episodes where I regard the Ukrainian fry cook with something akin to warmth. The fact is that these are talented actors who have been relegated to supporting roles, taking up ten to fifteen percent of screentime per episode.

These three posts weren’t meant to be a competition, but New Girl definitely wins in terms of cast. This also isn’t meant to go into how funny the characters or writing are [that’s for tomorrow], but simply an observation of how a full cast can be well utilized. Come back tomorrow afternoon for Part 2!

Michael Patrick King, Definitely Not Being Racist

About two weeks ago I started watching another show, as I am wont to do, mostly because my schoolwork was piling up and I needed a reason not to do it. The show was CBS’s 2 Broke Girls, and after catching up on the first eight episodes I was linked to this article via a review on the A.V. Club’s TV Club.

The article discusses 1/2 of the show’s creative duo Michael Patrick King, who was an executive producer on Sex in the City, and his reasons for disregarding critics who are calling him out on perpetuating racial stereotypes. I’m going to present his quote first, then the alleged racist portrayals.

“I’m not going to change. No, absolutely not.”

“I believe that anybody, when you see them for the first time, you judge them based on the surface.”

First (and foremost) on the docket is Asian-American actor Matthew Moy, who plays Han (Bryce) Lee, the owner of the diner where the two leading ladies work. To be fair to King and CBS, a lot of the racial idiosyncrasies described here in the casting sides were toned down a lot in the actual airing of the show. Yes, Han still speaks terrible English, has a very poor understanding of holidays and anything else American (“And the Very Christmas Thanksgiving”), and makes an obvious reference to William Hung (“And the Rich People Problems), but it’s all in good fun.

The following are two clips. The first from Moy’s appearance on Criminal Minds, and the second of his character on 2 Broke Girls.


Well
, you may be asking, has the show deepened Moy’s character? Maybe all we’re seeing is this surface King was describing. To answer your question, not really. Moy continues to speak hilariously broken English, but has since become more of a nerdy stereotype than anything. His accent has become distracting at best, and continues to baffle me since Koreans are good at English. It’s like Han was raised in a remote village or much further North.

I’m going to list off the other racial stereotypes in a huge list, because going through them one at a time would be exhausting: the in-your-face Puerto Rican (“And Strokes of Goodwill”), the obnoxious Italian women (“And the Pretty Problem), the Mexican men who help with manual labour (“And the Disappearing Bed”),  the wealthy, Middle Eastern women speaking very heavily accented English (“And the Pop-Up Sale”). All of these appear only once, and don’t include principal cast members Oleg, the salacious Russian fry cook, and Earl, the aging African-American hepcat.With the exceptions of Han, Oleg, and Earl, none of these other characters have a chance to redeem themselves, to give you a chance to do anything but “judge them based on the surface.” The three aforementioned characters, however, have been resigned to the sidelines, not really moving forward at all.Michael Patrick King also said in the article that “Anyone who’s ever lived in New York has walked through an enormous melting pot of people. So for me, to do a show where you’re not exploring race would be absurd in Brooklyn, N.Y.” I can agree with the statement, but believe that only half applies to King. This is a man who has “walked through an enormous melting pot of people,” and gleaned what little he could from short glimpses as he passed them by.

Being Erica Soon to Be American

The American entertainment industry has long been dominated by remakes, a fact that’s easily backed up by a quick glance at the last year in film.¹ What’s less well-known to most people, however, are the amount of television shows on the air that have their origins elsewhere. The UK, in particular, is responsible for American Idol, Sanford and Son, American Gladiators, Being Human, and Whose Line is it Anyway?, to name a few. And let’s not forget about The Office.

It makes total sense that the game shows were taken and adapted for an American format²; if people are going to watch other people make money, they’d prefer it if it was at least the same currency. The other shows, however, were adapted because of cultural differences. As far as Being Human goes, the characters remain a vampire, werewolf, and ghost, yet attempt to live normal lives in an American setting. Cultural differences also encompass humour, and it should be clear to most people that what makes the British laugh won’t necessarily do the same for Americans.

On December 16, 2010, ABC announced that they were planning on rebooting the Canadian series Being Erica3. First airing at the beginning of 2009, Being Erica is a show that follows the life of Erica Strange, a thirty-something year old woman whose life is turned around when she begins an unorthodox form of therapy. Her sessions essentially consist of her being sent back in time to relive past regrets, a smooth blend of science fiction and comedy-drama that seems almost believable at times. Continue reading