When last I updated this blog Donald Trump was still the President of the United States, and it would still be a little over half a year before COVID-19 significantly made its presence known in North America. Since then life has undergone drastic, almost unimaginable changes, and as I make my entirely unexpected return to Culture War Reporters I thought it would be fitting to provide updates on the half dozen posts I wrote back in 2019 to underscore the ways in which time has moved inexorably onwards.
It’s laughable to look back on a post that explores J. K. Rowling’s take on representing the LGBTQ+ community given that the author has positioned herself as a bastion against what she views as the dangers of transgender men. How could I have known that at the tail end of the year she would tweet support for Maya Forstater, a British woman who was fired for her comments about that particular group of people? Since then Rowling has doubled, tripled, quadrupled, and so on, down on her stance, in many ways becoming a figurehead for the TERF (trans-exclusionary radical feminist) movement. This has caused a rift in the Harry Potter fandom between those who would demonize the author and paint her entire body of work as being “bad” or “problematic” and others who would defend her writing to the point of adopting beliefs and stances that they might not otherwise.
Michael Chu, on the other hand, is no longer the head writer on Overwatch, and in fact no longer works for Blizzard Entertainment at all. He now acts as Narrative Director at 31st Union, a “San Fransisco Bay Area studio formed with a common purpose of crafting highly engaging entertainment and a commitment to putting fans first.” As far as his former employer, we’ll be digging into that oversized can of worms a little further down.
Posted in art, celebrity, film, internet, lgbt, media, race, television, video games
Tagged 2019, 2022, Black female character, Blizzard, Chris Harrison, F9, Hobbs and Shaw, J. K. Rowling, LGBTQ+, Overwatch, representation, Sojourn, The Bachelor
Almost exactly a year ago today I wrote a little about race and my latest obsession at the time, ABC’s The Bachelor. At that point we were in the middle of its 20th season, which had the very affable Ben Higgins as the pearl of great price 28 women were striving to attain.
While both that show and its spinoff, The Bachelorette, have never had stellar track records as far as racial diversity, things came to a head when Jubilee Sharpe, the final Black contestant remaining, was eliminated on the first day of February [AKA Black History Month]. Cue soundbites from higher-ups that “[they’re] doing a whole lot of tweaks”. Not that that’s anything new, as a lengthy interview that NPR conducted with host Chris Harrison back in 2015 reveals they’ve long been aware of the issue, and that they want to do something about it. Harrison also used the exact words “we really tried” after surmising that a previous previous star was “1/16th Cherokee Indian”, if that’s any indication of what we might expect.
Those of you who follow both shows will be well-aware of the events that took place at the beginning of this week, but before I get into that I want to fill in the gaps between that last post and this one.
So, What Happened After Ben’s Season?
The cyclical nature of franchise means that the The Bachelor premieres every January, with The Bachelorette following not too long afterwards in May. ABC Entertainment Group president Paul Lee, the man who hinted at the “tweaks” up above, also told reporters at the time that:
“I’d be very surprised if ‘The Bachelorette’ in the summer isn’t diverse. I think that’s likely”
He also made reference to something called the “farm team” which a) I recently found out is sports terminology and has nothing to do with animals or actual farms and b) is the term for the contestants featured on each season of The Bachelor or The Bachelorette. Variety notes that the norm is for the next Bacheloron [a gender neutral term for the star of either program that I took from an article I’ll link to later] to be from the previous season’s “farm team”. With that in mind both fans and critics of the franchise saw the 12th season of The Bachelorette as the perfect opportunity to make that much-needed change. Continue reading
Posted in language, race, relationships, television
Tagged ABC, attraction, audience, Bachelor, Bachelorette, Bacheloron, black, Caila, Caila Quinn, casting, Chris Harrison, farm team, JoJo, JoJo Fletcher, Jubilee, Jubilee Sharpe, language, race, Rachel, Rachel Lindsay, reality TV, The Bachelor, The Bachelorette, TV, viewers