Tag Archives: J. K. Rowling

Who Did It Better? Coming Out with J.K. Rowling and Overwatch Lead Writer Michael Chu

It’s the Year of Our Lord 2019 and storytelling is still important. In some cases the stories are the same, like the age-old tale of good triumphing over evil, but they’re being delivered in increasingly more novel ways. Comics are drawn and fan fiction is written and YouTube sketches are filmed, and sometimes the collaborators aren’t even in the same city, let alone country. In other cases the stories, while nothing new, are finally being given the opportunity to be told. The idea of finding yourself isn’t an original one, but the narrative of coming out as gay or lesbian or transgender or any other identity has only recently found a foothold in popular media.

rowlingchuStorytelling and identity are crucial building blocks to our culture, and both are heavily intertwined (as are all things, these days) with the internet (it would be remiss of me not to mention that I chose to do so in a podcast I co-hosted). This is certainly as true for a multi-award-winning online first-person shooter as it is for a series of books that wrapped up a dozen years ago. The Overwatch and Harry Potter universes are like ours in that they are populated by a myriad of different characters, some straight and some LGBT+, but I want to delve into how the similarities, and ultimately the differences, of their respective coming out stories (in both cases the term “coming out” feels accurate, as none of the characters discussed were initially introduced as being anything other than straight).

“Yer a Gay Man, Dumbledore”

Before touching on her approach to revealing one of her characters’ sexual orientations, it’s worth making note of how the billionaire author has reentered our collective conversation. Two years ago a BuzzFeed writer was one of the first to report on a shocking revelation found on Pottermore, a site Rowling created for her legion of fans to learn more about the Wizarding World. Most people online will have come across this by now, but the page in question was about the Chamber of Secrets, and explained that wizards once vanished their excrement in lieu of using toilets. It resulted in one of my favourite Tumblr posts:

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The user has since deleted their blog, so no direct link, sorry!

This caused a minor hubbub and then faded away, as all news does. Fast-forward to exactly a week ago, when the Pottermore Twitter page decided to unearth this particular trivia tidbit to an internet that had somehow managed to survive the hellscape that 2018 wrought.

Among the many, many “Tweetus Deletus” gifs was one response that both roasts this (very bad) piece of worldbuilding and helps set us back on topic:

Van Arendonk is clearly addressing the stomach-turning topic at hand, but this was far from the first time that the author had chosen to elaborate on her universe after the Harry Potter series had wrapped up. A decade before the original “Chamber Pot of Secrets” debacle Rowling announced during a Q&A at Carnegie Hall that she “always thought Dumbledore was gay.” She went on to explain that the character had fallen in love with wizard Hitler-stand-in Grindelwald, which turned out about as well as you would expect. At the time of this writing that remains the full extent of Albus Percival Wulfric Brian Dumbledore’s coming out.

This isn’t to say that there haven’t been opportunities to depict him as having been actively romantically involved with other men. Last November’s Fantastic Beasts: The Crimes of Grindelwald featured both the genocidal sorcerer and school headmaster as young (by comparison) men, with many fans assuming this was the time period that Rowling had been referring to.

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Dumbledore and Grindelwald as (actually) young men.

The screenshot above is from Harry Potter and the Deathly Hallows – Part 2, not from the aforementioned Fantastic Beasts sequel. As many fans have noted, the two wizards actually share no scenes with one another. If only they had taken Jude Law, the actor portraying him, at face value when he said several months prior to the film’s release that: “(they’re) not going to reveal everything all at once.” Potterheads would discover that this meant no references, explicit or otherwise, to his being attracted to men. Currently the film series’ is slated for release on November 20, 2020.

“We’re All LGBT+ Now”

This past Monday lore-starved Overwatch fans were surprised by the delivery of “Bastet”, a short story penned by lead writer Michael Chu that progressed the game’s treacle-slow narrative, the kind of rare occasion that results in the generation of dozens of “i owe you my life” memes. Although it focused on 60-year-old Egyptian sniper Ana Amari, what really set the internet ablaze was a conversation she has with her fellow vigilante-in-hiding Jack Morrison, AKA Soldier: 76.

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Illustration by Arnold Tsang.

After finding a photograph that he’s been keeping all of these years, she brings up the young man he has his arm around, asking about what could have been.

“Vincent deserved a happier life than the one I could give him.” Jack sighed. “We both knew that I could never put anything above my duty. Everything I fought for was to protect people like him… That’s the sacrifice I made.”

“Relationships don’t work out so well for us, do they?” Ana said, unconsciously running her thumb over where her wedding ring used to be.

Given an earlier passage that highlights his inability to convince Ana that he’s pleased about Vincent’s present marital status (happily married), it doesn’t take much to arrive at the conclusion that he’s gay, or at the very least was romantically involved with a man. Some might read them as simply being very good friends, which, I mean, c’mon.

While this may seem like the dictionary definition of storytelling, this falls more in line with Rowling’s approach when Chu, after waiting a few hours for people to have read the story, took to Twitter to respond to what is very likely a deluge of tweets demanding confirmation:

Faithful readers (I’m “back”, did you miss me?) will remember when I briefly mentioned a similar coming out story in December 2016, touching on an Overwatch comic called “Reflections” which featured face-of-the-game Tracer kissing another woman named Emily. As he did earlier this week Chu once again came forward on Twitter to clarify for fans who might have been confused about their relationship.

In addition to that, a Blizzard representative provided a statement to IGN, which has to at least be on par with comments made on the head writer’s personal (his bio says: “Opinions are my own. Unreliable narrator.”) Twitter account.

“Tracer is a lesbian on the LGBTQ+ spectrum. As in real life, having variety in our characters and their identities and backgrounds helps create a richer and deeper overall fictional universe. From the beginning, we’ve wanted the universe of Overwatch to feel welcoming and inclusive, and to reflect the diversity of our players around the world. As with any aspect of our characters’ backgrounds, their sexuality is just one part of what makes our heroes who they are.”

The narrative of Overwatch deserves a multi-part series of blog posts in and of itself given the varying opinions on the rate, method, and quality of its delivery, but all I’ll say right now is that there is no readily apparent progressing story within the game itself. Gameplay consists primarily of six-player teams going head-to-head to (violently) accomplish objectives, and both heroes and villains can be chosen regardless of whether or not they would ever canonically team up. There is a seasonal event which thus far has provided a way of playing through past missions, but as far as “current events” that take place in Overwatch‘s present nothing currently exists.

That said, there are details within the game that provide evidence of both Soldier: 76 and Tracer’s respective same-sex relationships.

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The Soldier: 76 spray “Jack and Vincent” and the Tracer spray “Emily”

As seen above, there are sprays unique to each character which depict significant others, both past and present. When playing on the King’s Row (London, where “Reflections” partially takes place) map Tracer has the chance to utter one of several voice lines, one in particular being “Wonder if I have time to visit Emily? … No, better stay focused…” Another has her responding to an invitation from another character asking about her and her girlfriend.

It’s a far cry from seeing these relationships play out in-game, or have any kind of significant impact, but these acknowledgements are there.

When Did It Happen? (And a Lot More How)

Without having seen any evidence to the contrary, both J.K. Rowling and Michael Chu are straight, as both have spouses of the opposite sex (the latter was married just last October). To be clear, I firmly believe that anyone can write for any character (the time and effort and sensitivity needed varies). It does bear mentioning, however, that their personal orientations mean that neither are writing their respective stories from a place of personal experience. I should also state that I’m choosing to think the best of them.

In other words, I have no intention of entertaining the idea that either writer, to use a few buzzwords, lazily shoehorned in LGBT+ characters into their work in order to pander to the SJWs (my thoughts on that last word here). The alternative is to consider their intentions to be pure, which begs the question of what their intentions were, exactly.

A straightforward response would be that they’re simply providing backstory, fleshing out characters that their respective fanbases already know and love. The differences to highlight would be the way that Harry Potter and Overwatch told, and continues to tell, their stories, as well as when these characters came out relative to their creation.

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Dumbledore, as portrayed by Richard Harris in Harry Potter and the Sorcerer’s Stone.

Albus Dumbledore was first introduced in Harry Potter and the Philosopher’s Stone (the Sorcerer’s Stone in the US) over 20 years ago in 1997. The film adaptation of that book was released in 2001, with sequels and corresponding movies dropping in subsequent years. With Pottermore still a twinkle in Rowling’s eye (limited registration began in 2011), books and film were the author’s primary means of crafting her universe.

To simplify things, Dumbledore was “born” in 1997 and “came out” in 2007. This event also took place 91 days after Harry Potter and the Deathly Hallows, the final book in the septilogy, was published. At that point there were still three films left to be made, with the seventh being split into two parts, though none followed up on the knowledge that Rowling had shared.

As far as its timeline is concerned, the Overwatch beta, open to a limited few in order to test the game before its wide release, began on October 27, 2015. The game was officially released on May 24, 2016. Tracer “came out” in December 2016 and Soldier: 76 did the same just this month (January 2019).

As mentioned, and for better or for worse, there is no currently existing, consistent, effective in-game storytelling in Overwatch. That said, the game’s narrative has, since its announcement at Blizzcon 2014, taken the form of cinematics (as seen below), comics, and most recently, with “Bastet”, short stories.

Overwatch also launched with a website that provides for each hero, in addition to their abilities and difficulty level, a short bio (here’s Symmetra’s, one of my personal favourites). From the beginning the team behind the first-person shooter has taken a multimedia approach to worldbuilding, though admittedly not on a schedule that many appreciate. As an online game Overwatch also continues to be patched with content (typically in the form of new maps and heroes) and as such has no easily discernible “end date.” This is a story that continues to be told.


Both Harry Potter and Overwatch are reigning champions in their own right, having amassed awards, accolades, and millions of faithful fans. A number of those fans identify as being LGBT+, or haven’t yet. They have family members or loved ones who are members of the LGBT+ community, or who don’t yet know any at all, possibly even as a personal choice. The point is that queer stories matter and have always mattered. The fact that these two fanbases are able to see gay characters in beloved media is a very special thing.

How those characters come to be, however, is another matter entirely. In Rowling’s Wizarding World coming out is magical. Words are spoken and changes occur, but not all of them can be perceived by the eyes of the untrained and ordinary. In Overwatch coming out is the future. It’s both imminent and right now and, to paraphrase a scientist cautioning a young genetically enhanced gorilla, not accepting people at face value and daring to see yourselves reflected in them.

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Rowling’s Wizarding World: Just As Small As Ours, Unfortunately

I like the Harry Potter books. I just can’t say I love them [my favourite YA series of novels is Percy Jackson & the Olympians], and after having finished all seven and catching the last few movies in theatres haven’t thought about them much. Certainly not enough to give the Pottermore website, created by Rowling to give HP fans what they continue to jones for, even a cursory visit.

On that same note I haven’t really been following Fantastic Beasts and Where to Find Them, a prequel and spin-off to the film franchise, aside from perking up at the idea that protagonist Newt Scamander might be something other than White. I briefly mentioned it back in 2013 when covering the inherent problem with assuming that White is the norm, but ultimately stopped paying attention after it was officially announced last June that Eddie Redmayne had been cast in the role.

That said, fantasy worlds and the worldbuilding involved in their creation have always interested me, and I didn’t hesitate to click on a link a friend had shared on Facebook stating that Rowling had “[revealed] four wizarding schools, including one in the United States“, with the latter being one of the settings in the upcoming film. After all, if one of the aforementioned magical places of learning was to be in North America chances were that the other three were located elsewhere. Harry Potter and the Goblet of Fire had always been my favourite of the series, with one of the many reasons being that it featured the two other wizarding schools and characters from them, expanding the universe beyond the borders of Great Britain. Continue reading

Write Off, Write On

I’ve read all four Twilight books. Would have checked out Midnight Sun, a retelling of the first novel from Edward’s perspective, but a copy was leaked online and Meyers never ended up releasing it. My plan is to read a minimum of 52 books this year, and my hope is that 50 Shades of Grey makes it onto that list somewhere.

No, I’m not a middle-aged suburban mom who’s been catfishing you all these past two to three years. All of that was just a little background to set up today’s topic, which is our right to write about, well, anything. Continue reading

Archetypes: Why Wizardry Triumphed Over Mythology

Harry Potter and the Philosopher’s Stone [marketed that way everywhere but in the States and India] was released in 2001. Nine years later Percy Jackson & the Olympians: The Lightning Thief, the first film adaptation of Rick Riordan’s series of young adult novels, hit the big screen. One went on to spawn a sequel the following year, while the other is taking as long as three. One of the reasons for this, I think, lies in the studio’s portrayals of the characters in their respective works.

I’m not going to go into a great deal about the Harry Potter franchise. The first book was released in 1997, and since then the films have swept up Western culture [and others] up into a wonderful world of witchcraft and wizardry. This post is written under the assumption that you have at least some familiarity with the works.

I opted for an image of them really young, since the majority appear to be just shots of good-looking young people staring somewhat broodily at the camera.

At their foundation, Rowling’s novels are built on a trio. Harry Potter is the chosen one, the courageous hero, the primary protagonist. Second is Ron Weasley, redhead, best friend, basically a wimp [for a lot of the series]. Last, but certainly not least, is Hermione Granger, the girl, the genius, the level-headed one. Clearly this is a team with some kind of equilibrium to it and a formula that works, and this is definitely evidenced in Riordan’s pentalogy.

The Lightning Thief, the book the film was based on, stars Percy Jackson, son of Poseidon, talented swordsman, fearless warrior, and new to being a halfblood. Second is his best friend, Grover Underwood, a satyr, kind of a cowardly kid [goat jokes, everyone]. Topping this all off is Annabeth Chase, Athena’s daughter, meaning that she’s definitely got the wisdom thing going on. Clearly if it ain’t broke, don’t fix it. Before you go to assuming that Riordan’s books are a cheap knock-off, don’t; the series is a well-written take on both Greek mythology and the young adult genre as a whole.

From left to right: Grover, Percy, and Annabeth.

The problem isn’t that the characters appear to mirror those in the Harry Potter books. If anything, this is a strength of sorts, as they’re both familiar and effective. The issue is that the film adaptation of the novel takes these archetypes and throws them out the window. The result is this: three badasses.

In Percy Jackson & the Olympians: The Lightning Thief, Percy, Grover, and Annabeth are all depicted as being a) brave, and b) proficient at fighting, making them essentially slightly different facets of the same archetype. Yes, Annabeth is the one knows more about mythology and magic, et cetera, but she still wields a sword along with the best of them, transforming her from a cold, sharp-tongued girl to an athletic tomboy.

The irony is that Chris Columbus directed both films [as well as Academy Award winning The Help], choosing to faithfully adapt one and tailor the other for a specific audience, going so far as to significantly age the characters. Percy Jackson & the Olympians: The Lightning Thief has all the signs of a movie meant to catch the world’s attention with action, special effects, and good-looking teenagers. Three traditionally heroic characters are three times as entertaining, or at least that’s what a certain type of logic would dictate.

The film did well regardless, pulling in $225 million and with the sequel supposedly [I reserve the right to express some doubts] dropping sometime next year. Fans of the book, however, are hoping that Sea of Monsters is a much better installment than the first. Full character rewrites are rare, so the best they can expect is a film that respects the narrative of the series, and strives to fit their characters into that.